In Haiti, the Art of Resilience- page 8 | People & Places | Smithsonian
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"We had 12,000 to 15,000 paintings here," says Georges Nader Jr., with a Paul Tanis work at the remains of his family's house and museum near Port-au-Prince. (Alison Wright)

In Haiti, the Art of Resilience

Within weeks of January's devastating earthquake, Haiti's surviving painters and sculptors were taking solace from their work

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Meanwhile, Duffaut had just finished a painting of a star he saw while sitting outside his tent one night. “I’m calling this painting The Star of Haiti,” he said. “You see, I want all of my paintings to send a message.”

The painting showed one of Duffaut’s imaginary villages inside a giant star that was hovering like a spaceship over the Haitian landscape. There were mountains in the painting. And people climbing. Before bidding the old master farewell, I asked him what message he wanted this painting to send.

“My message is simple,” he said without a moment’s hesitation. “Haiti will be back.”

Bill Brubaker, formerly a Washington Post writer, has long followed Haitian art. In her photographs and books, Alison Wright focuses on cultures and humanitarian efforts.

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