Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos & Videos
  • Games & Puzzles
  • Subscribe
  • Africa & the Middle East
  • Asia Pacific
  • Europe
  • The Americas
  • People & Places

Into the Breach

David Douglas Duncan's Life photographs captured the courage and anguish of marines in Korea, bringing home the gravity of war

  • By Terence Monmaney
  • Smithsonian magazine, May 2003

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit

    Related Topics

    Photojournalism

    Korean War

    (Page 2 of 2)

    More from Smithsonian.com
    • One Man's Korean War

    The photograph of Fenton, his mouth set but his pale eyes glazed by anguish, is reproduced countless times in books and magazines. "The weight of the world is on Dad’s shoulders, realizing what he was asked to do, completing the mission and realizing the cost of what it took," says Ike’s son George Fenton, 50, a recently retired Marine colonel who lives in Fredericksburg, Virginia. The corps runs in the family. Ike’s father was a brigadier general and his brother, Michael, a private. In a seminal World War II photograph of Okinawa in May 1945, Ike’s dad, Francis Fenton, kneels on the ground in prayer next to a flag-draped stretcher. It bears the body of his son Michael, killed by a sniper.

    Over the years, Ike Fenton didn’t talk much about Pusan or the Duncan photograph. "He just said it was part of 30 years in the Corps," recalls his wife of 51 years, Eloise Fenton. Often, people would hand him a copy of the picture and ask for his autograph. He would inscribe it, "War is hell."

    In hilly terrain near Pusan, South Korea, Capt. F. I. "Ike" Fenton of the U.S. Marines hears more bad news. It is August 1950, and his company has been fighting all night. More than half of his 190 men are wounded or killed. They are out of ammunition. He has lost radio contact with his superiors. And now, he is told, his first sergeant is mortally wounded.

    Click. David Douglas Duncan takes Fenton’s picture. Duncan, a former marine, is on assignment for Life magazine. He gets as close to the action as possible, trying to show, he says, "what a man endures when his country decides to go to war." Duncan’s photographs are among the best known of the war, and a few, including that of Fenton, are ranked among the top American combat photographs ever.

    U.S. Marines had been in Korea barely two weeks when the 27-year-old Fenton, who had fought in World War II, is plunged into a critical battle. In June, the North Korean Army crosses the 38th Parallel into South Korea. After the United Nations Security Council votes to authorize force to repel the surprise invasion, U.N., South Korean and U.S. troops establish a 150-mile-long defensive perimeter around Pusan, a port on the southeastern coast.

    Fenton’s company is sent into a breach in the perimeter and ordered to "hold at all cost," lest the attacking North Koreans flank and rout the allies. "The only marines coming off that hill are dead marines," Fenton says to his commander. Using bayonets and grenades borrowed from another company nearby, Fenton’s men hold the line.

    Reinforcements arrive, and the battlefront moves on to Inchon, to Seoul, to the "frozen Chosin"; Chinese troops join North Korea’s; the Communist forces eventually are pushed back; President Eisenhower signs an armistice treaty in 1953. Killed are at least 600,000 Chinese; 1.5 million North Korean and 1.2 million South Korean civilians and troops; 3,000 U.N. soldiers and 36,500 Americans. Another 8,100 Americans are missing in action. The veterans, returning to U.S. soil, do not receive a hero’s welcome and call Korea the "forgotten war."

    Duncan’s Korea photographs capture the fighting, the mud, the snow, the bloodshed, but more than anything the emotions of the marines, down to their tears. Combat photojournalism, less constrained than in World War II, is not yet as freewheeling as it will become. Duncan avoids photographing the faces of the dead, but he does not shy away from grief and despair. Historians say his Life pictures awaken Americans to the gravity of the "police action" in Korea, causing many to question U.S. involvement there.

    Duncan later covers the Vietnam War, and rails against it in a 1968 book, I Protest! But in seven decades as a photographer he delves into many other subjects and produces 23 books—so far. Born in Kansas City, he has lived in southern France for 40 years. He’s 87, and well remembers taking Ike Fenton’s picture. "A pretty bad day," he says.

    After Pusan, Fenton sees more action in Korea and goes on to serve in Vietnam before retiring in 1970 as a much-decorated colonel. He settles in Peachtree City, Georgia, works as an executive for National Cash Register and vigorously promotes the cause of Georgia golf. He dies in 1998 at age 76, leaving two daughters, three sons, 12 grandchildren and a great-grandchild.

    The photograph of Fenton, his mouth set but his pale eyes glazed by anguish, is reproduced countless times in books and magazines. "The weight of the world is on Dad’s shoulders, realizing what he was asked to do, completing the mission and realizing the cost of what it took," says Ike’s son George Fenton, 50, a recently retired Marine colonel who lives in Fredericksburg, Virginia. The corps runs in the family. Ike’s father was a brigadier general and his brother, Michael, a private. In a seminal World War II photograph of Okinawa in May 1945, Ike’s dad, Francis Fenton, kneels on the ground in prayer next to a flag-draped stretcher. It bears the body of his son Michael, killed by a sniper.

    Over the years, Ike Fenton didn’t talk much about Pusan or the Duncan photograph. "He just said it was part of 30 years in the Corps," recalls his wife of 51 years, Eloise Fenton. Often, people would hand him a copy of the picture and ask for his autograph. He would inscribe it, "War is hell."


    1 2


    Related topics: Photojournalism Korean War

     
    Comments

    DAVID DOUGLAS DUNCAN,the best. If he took a picture, it was close. If he wrote it, it happened. I met David on an outpost in Viet Nam, I think he was the corrispondent that stayed in my FDC bunker, (81 mortars )He insisted on being outside that bunker, taking pictures, during one of the most heaviest concentrated shellings of any combat position in the intire war,several days in Sept 1967.He told it like it was.Simper-Fi DAVID George W. Diguardi Msgt, Retired USMC 81 Mortar Plt Sgt 3/9 3RD MAR DIV 1966/67

    Posted by GEORGE W. DIGUARDI on November 25,2008 | 05:06AM

    I WATCHED A MAN TAKING PICTURES AS WE WALKED DOWN TO HAMHUNG AND HUNGNAM WHILE ESCAPING FROM THE FROZEN CHOSIN. LITTLE DID I KNOW WHO HE WAS. MANY YEARS LATER I WAS FOUND BY SOME OF MY BUDDIES AND INFORMED OF HIS BOOK TITLED "THIS IS WAR" AND THAT MY PICTURE WAS IN IT. NEEDLESS TO SAY, I BOUGHT THE BOOK AND LOOKED AT EVERY PAGE MANY, MANY TIMES. OVER AND OVER AGAIN. DAVID DOUGLAS DUNCAN, IF IT WEREN'T FOR HIM A LOT OF HISTORY WOULD BE FORGOTTEN, ALMOST LIKE KOREA, THE FORGOTTEN WAR.

    Posted by FRANK FINAMORE on February 28,2009 | 09:54AM

    if ike or his descendants are available, I would like to speak with them. For my own education.

    Posted by Nathan Rodas on March 17,2009 | 01:02AM

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed
    Coral Reef Spawn

    How Coral Reefs Spawn

    Watch coral reefs reproduce in a flurry of carefully-timed action

    Flipping Out Over Pinball

    David Silverman has collected more than 800 pinball machines to preserve their history

    Sing Along to the Messiah

    Sing Along to the Messiah

    The story within Handel's famous piece is what drives its enduring popularity

    A Rare Look at Tucker Cars

    Collector David Cammack owns three of the 43 remaining cars in existence designed by Preston Tucker

    The Residents of Arlington Cemetery

    While President Kennedy may be one of the best known gravesites in Arlington, there are many other notable Americans buried there

    The Ju/'Hoansi Tribe in Action

    Over the course of 50 years, John Marshall filmed the African tribe, tracking how their nomadic culture slowly died out

    Watch the Gecko's Tail Flip

    Leopard geckos can shed their tail to distract predators, and the tails can leap up to 3 cm in one jump

    A Final Takeoff

    Watch one of Amelia Earhart's final takeoffs

    Most Popular

    • Viewed
    • Emailed
    • Commented
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Tattoos
    3. A Brief History of the Salem Witch Trials
    4. Wildlife Trafficking
    5. How Arlington National Cemetery Came to Be
    6. Ethiopia's Exotic Monkeys
    7. Crawling Around with Baltimore Street Rats
    8. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    9. Top Ten Places Where Life Shouldn't Exist... But Does
    10. Wolves and the Balance of Nature in the Rockies
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Crawling Around with Baltimore Street Rats
    3. Invasion of the Longhorn Beetles
    4. Ethiopia's Exotic Monkeys
    5. How Arlington National Cemetery Came to Be
    6. Teaching Cops to See
    7. Terra Cotta Soldiers on the March
    8. UBI in the Knife and Gun Club
    9. The Glorious History of Handel's Messiah
    10. Boise, Idaho: Big Skies and Colorful Characters
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Evolution in the Deepest River in the World
    3. How Arlington National Cemetery Came to Be
    4. A Brief History of the Salem Witch Trials
    5. From Brooklyn to Worthington, Minnesota
    6. German POWs on the American Homefront
    7. Man Ray’s Signature Work
    8. Underwater Photo of the Human Body
    9. Wildlife Trafficking
    10. The Lost Fort of Columbus

    - - - Advertisements - - -


    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    December 2009 Issue Cover

    December 2009

    • Wildlife Trafficking
    • Hallelujah
    • The Pyramid Man
    • Glee Mail
    • Savoring Puebla

    View Table of Contents »

    Enter Now!

    Smithsonian magazine 7th Annual Photo Contest

    Smithsonian magazine 7th Annual Photo Contest

    So, what makes a photograph a Smithsonian winner? Enter the contest to see if you have what it takes

    • Smithsonian Store
    • Smithsonian Journeys
    Smithsonian magazine 7th Annual Photo Contest

    Kokeshi Dolls

    Item No. 85070

    Smithsonian magazine 7th Annual Photo Contest

    Antarctica: Aboard National Geographic Explorer

    Journey to Antarctica to experience this otherworldly and unparalleled wilderness up close. (Jan 7 - 21, 2010)



    View full archiveRecent Issues

    • December 2009 Issue Cover
      Dec 2009

    • November 2009 Issue
      Nov 2009

    • October 2009 Issue Cover
      Oct 2009

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability