Haute Tomato
I can forgive the French for almost anything. Except dessert
- By Edith Pearlman
- Smithsonian magazine, July 2003, Subscribe
(Page 2 of 2)
I lifted my fork. My husband’s arm encircled the Mystérieux to protect it from an idle spurt. I lowered my fork. With a cautious forefinger I stroked the warm tomato—perhaps a fruit after all, I relented, if only because it carried the seeds of the next generation. Oh, sure, zucchini is fruit too. But there is something sluttish about that fecund squash; not even Parisians serve it up sugared as a pièce de résistance. The tall tomato plant has nobility, I observed aloud. And it’s a martyr, isn’t it, lashed to its stake under a hot sun. It is faithful, too, I murmured to the fast-disappearing Mystérieux; can’t you imagine a tomato plant falling in love, mating for life and worrying about the children; fretting about the language and establishing an academy that admits some words and turns down others; and refusing to buy British beef?
My husband didn’t answer; he was concentrating on his dessert. So I raised the fork again and pierced the plump spécialité. I took a bite. The flesh was slightly sweet. There was indeed a stuffing. It was citrusy, and at the same time nutty, and also gingery and minty, too—it was as various as Voltaire, as delicate as Dufy, as mysterious as the shadows of Montmartre. Mysterious. But not chocolate. The Mystérieux itself, I saw, was almost gone. "Égalité, Fraternité," I breathed, deftly switching plates with my all-suffering spouse. "Tomatoes always share; it’s part of their Belief System," I instructed as I gobbled up the last of his dessert; he could enjoy the rest of mine. "Liberté," I assured him.
He produced his familiar, suggestive sigh.
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