Smithsonian

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Looking for Leonardo

Consistency and scale distinguish the two artists: the number of scalloped rows varies from three to two to four across Verrocchio's skirt (left), while the minute attention to detail on the other suggests an artist with a greater interest in complete naturalism.

    Museo Dell'Opera del Duomo, Florence. Photo: Antonio Quattrone, 2009


Photos from: "Looking for Leonardo" »