Special Report


Odd McIntyre: The Man Who Taught America About New York

For millions of people, their only knowledge about New York City was O.O. McIntyre’s daily column about life in the Big Apple

O. O. McIntyre's daily column about the city, "New York Day by Day," ran in more than 500 newspapers throughout the United States. (Archive Holdings Inc. / Getty Images)

On a steamy July day 100 years ago, a 27-year-old newspaperman stepped off the train from Cincinnati at Pennsylvania Station in Manhattan. He wore a checkered suit, carried a bamboo cane and would have put on his loudest red necktie had his wife not talked him out of it. Years later he’d cringe at his youthful fashion sense but remember his first glimpse of Manhattan with awe. He called it “life’s most thrilling moment.”

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So began one of the great romances of the 20th century. “I came to New York with no special qualifications, no brilliant achievements and certainly nothing to recommend me to metropolitan editors,” he said. “Yet New York accepted me, just as it has thousands of others who came from the prairie cottage and the village street, so generously and wholeheartedly that I love it devotedly.”

By the early 1920s, O. O. (for Oscar Odd) McIntyre was perhaps the most famous New Yorker alive—at least to people who didn’t reside there. His daily column about the city, “New York Day by Day,” reportedly ran in more than 500 newspapers throughout the United States. He also wrote a popular monthly column for Cosmopolitan, then one of the country’s largest general-interest magazines. His annual output totaled some 300,000 words, the bulk of them about New York. In return for all that time at the typewriter, he was reputed to be the most widely read and highly paid writer in the world, earning an estimated $200,000 a year.

McIntyre’s most devoted audience was small-town America, where readers saw him as a local boy turned foreign correspondent, reporting from an exotic, faraway place. He referred to his daily column as “the letter,” and its tone often resembled a note to the folks back home. “[T]he metropolis has never lost its thrill for me,” he once wrote. “Things the ordinary New Yorker accepts casually are my dish—the telescope man on the curb, the Bowery lodging houses and drifters, chorus girls, gunmen,” as well as “speakeasies on side streets, fake jewelry auction sales, cafeterias, chop houses, antique shops, $5 hair bobbing parlors—in short all the things we didn’t have in our town.”

In any given column he might pay tribute to some neighborhood of the Big Town, reminisce about his youth in Gallipolis, Ohio, and sprinkle in personal glimpses of the famous men and women he seemed to bump into everywhere he went:

“Jack Dempsey is one of the most graceful dancers in town….”
“Amelia Earhart’s bob is now like Katharine Hepburn’s….”
“Ernest Hemingway waxes furious when it is spelled with two m’s….”
“Babe Ruth doesn’t enjoy dinner without an ice cream finale….”
“Charlie Chaplin cannot talk business to any man behind a desk. His youth was filled with rebuffs over a desktop….”
“Joseph P. Kennedy takes one of his nine children to a matinee every Saturday….”

New York, he told his readers, was “a sort of parade ground for celebrities.” Unlike later gossip columnists, McIntyre took pride in the notion that he had “never intentionally written a line I thought would wound the feelings of another.” Indeed, you can read hundreds of “New York Day By Day” installments and never come across anything more critical than, “Bob Ripley is putting on weight.”

At his peak, McIntyre was receiving 3,000 fan letters a week, including some addressed simply to “O. O., New York.” He was parodied by Ring Lardner and celebrated in a suite by Music Man composer Meredith Wilson. When the longtime New Yorker editor William Shawn published his sole piece in the magazine (a 1936 sketch about a meteor wiping out everybody in all five New York boroughs), he singled out McIntyre as the only person the rest of the country even noticed was missing.

What few of McIntyre’s out-of-town readers might have realized was that his New York often bore about as much resemblance to the real city as a Busby Berkeley musical. “Accuracy was his enemy and glamor was his god,” the New York Times observed in its obituary of him. “His map of New York came from his own imagination, with Hoboken next to Harlem if it suited his fancy, as it often did.”

Even fewer readers could have known that for much of his life, McIntyre suffered from a set of phobias that were remarkable in both number and variety. Those included a fear of being slapped on the back or having someone pick lint off his clothing. He was terrified that he might drop dead in the street. He disliked crowds and often preferred not to leave his Park Avenue apartment at all, except for nightly rides around the city, hunched in the back of his chauffeured blue Rolls-Royce. Further complicating his work as a reporter, he was deathly afraid of the telephone.

About Greg Daugherty
Greg Daugherty

Greg Daugherty is a magazine editor and writer as well as a frequent contributor to Smithsonian.com. His books include You Can Write for Magazines.

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