Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos & Videos
  • Games & Puzzles
  • Subscribe
  • History & Archaeology

A Passionate Collector

  • By Lawrence M. Small
  • Smithsonian magazine, November 2000

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit

    When George Gustav Heye traveled the United States in search of new objects for his collection, he was known on occasion to drive his limousine an enthusiastic 90 miles an hour (the chauffeur a passenger). He was impressive in motion and no less formidable when he was still. Heye stood some 6 feet 3 inches tall and weighed more than 300 pounds in his prime, according to a friend’s perhaps outsize estimation, and he smoked — what else? — big cigars. His collection of almost a million items, which is now within the Smithsonian’s National Museum of the American Indian, is the largest assemblage of Native American artifacts ever gathered by a single individual.

    Heye (the name is pronounced, appropriately, “high”) was born in 1874 in New York City, a child of late 19th-century privilege. He graduated from Columbia College with an electrical engineer’s degree in 1896. In 1901 he helped to establish an investment-banking firm, and his considerable earnings, supplemented by money from family and friends, bankrolled his life’s passion as a collector.

    And the motive for that passion? We may never know it for sure, though Heye himself has directed us to its first stirrings. On an engineering job in Arizona in 1897, as he recalled some years afterward, “I lived in a tent on the work and in the evenings used to wander about the Indians’ quarters. One night I noticed the wife of one of my Indian foremen biting on what seemed to be a piece of skin. Upon inquiry I found she was chewing the seams of her husband’s deerskin shirt in order to kill the lice. I bought the shirt, became interested in aboriginal customs, and acquired other objects as opportunity offered....”

    “Acquired other objects as opportunity offered” wonderfully understates the reality of what Heye did over the next half century. He became a great vacuum cleaner of a collector, who traveled the country by car and by train (and made dozens of trips to Europe as well), scooping up Native American artifacts and shipping them back to New York. He bought from tribes, villages and dealers. He even quizzed small-town morticians about their recent dead who might have owned Indian artifacts — and he asked after the dying too.

    Heye financed ethnographic and archaeological expeditions to sites in this country and to places as far off as Guatemala and Ecuador, and in 1916 he established for his collection the Museum of the American Indian, Heye Foundation in New York City. After decades of up-and-down achievement and shifting fortunes, Heye’s museum became part of the Smithsonian in 1990, and a portion of his collection is now displayed in the National Museum of the American Indian’s George Gustav Heye Center, which opened in 1994 in the historic U.S. Custom House on Bowling Green in Manhattan.

    The objects Heye bought often seemed too ordinary for their owners not to forgo. But as the way of life from which they emerged became increasingly remote and fragile, the objects, even the least of them, grew in importance. In their totality, they have an astonishing cumulative power to document Native American cultures. The public will experience that power to an unprecedented degree when, in addition to the Heye Center in New York, the National Museum of the American Indian occupies a striking new building on the Mall in Washington, adjacent to the Air and Space Museum, three years hence.

    Heye died in 1957, and there’s been no proper biography of him. He surely deserves one. He accomplished something of enduring significance in his life of focused accumulation, though our contemporary sensibilities may not be entirely comfortable with an individual who appropriated, on a massive scale, the evidence of cultures not his. Some may even see in Heye’s actions a bloodless reenactment of earlier great wrongs. And yet, in his unstoppable course, Heye saved an irreplaceable living record that might otherwise have gone to oblivion. Out of his acquisitive passion has come a legacy of inestimable worth, to heirs on whom he never reckoned. Had he been someone other than who he was, he would have left us all poorer.

    By Lawrence M. Small, Secretary

    When George Gustav Heye traveled the United States in search of new objects for his collection, he was known on occasion to drive his limousine an enthusiastic 90 miles an hour (the chauffeur a passenger). He was impressive in motion and no less formidable when he was still. Heye stood some 6 feet 3 inches tall and weighed more than 300 pounds in his prime, according to a friend’s perhaps outsize estimation, and he smoked — what else? — big cigars. His collection of almost a million items, which is now within the Smithsonian’s National Museum of the American Indian, is the largest assemblage of Native American artifacts ever gathered by a single individual.

    Heye (the name is pronounced, appropriately, “high”) was born in 1874 in New York City, a child of late 19th-century privilege. He graduated from Columbia College with an electrical engineer’s degree in 1896. In 1901 he helped to establish an investment-banking firm, and his considerable earnings, supplemented by money from family and friends, bankrolled his life’s passion as a collector.

    And the motive for that passion? We may never know it for sure, though Heye himself has directed us to its first stirrings. On an engineering job in Arizona in 1897, as he recalled some years afterward, “I lived in a tent on the work and in the evenings used to wander about the Indians’ quarters. One night I noticed the wife of one of my Indian foremen biting on what seemed to be a piece of skin. Upon inquiry I found she was chewing the seams of her husband’s deerskin shirt in order to kill the lice. I bought the shirt, became interested in aboriginal customs, and acquired other objects as opportunity offered....”

    “Acquired other objects as opportunity offered” wonderfully understates the reality of what Heye did over the next half century. He became a great vacuum cleaner of a collector, who traveled the country by car and by train (and made dozens of trips to Europe as well), scooping up Native American artifacts and shipping them back to New York. He bought from tribes, villages and dealers. He even quizzed small-town morticians about their recent dead who might have owned Indian artifacts — and he asked after the dying too.

    Heye financed ethnographic and archaeological expeditions to sites in this country and to places as far off as Guatemala and Ecuador, and in 1916 he established for his collection the Museum of the American Indian, Heye Foundation in New York City. After decades of up-and-down achievement and shifting fortunes, Heye’s museum became part of the Smithsonian in 1990, and a portion of his collection is now displayed in the National Museum of the American Indian’s George Gustav Heye Center, which opened in 1994 in the historic U.S. Custom House on Bowling Green in Manhattan.

    The objects Heye bought often seemed too ordinary for their owners not to forgo. But as the way of life from which they emerged became increasingly remote and fragile, the objects, even the least of them, grew in importance. In their totality, they have an astonishing cumulative power to document Native American cultures. The public will experience that power to an unprecedented degree when, in addition to the Heye Center in New York, the National Museum of the American Indian occupies a striking new building on the Mall in Washington, adjacent to the Air and Space Museum, three years hence.

    Heye died in 1957, and there’s been no proper biography of him. He surely deserves one. He accomplished something of enduring significance in his life of focused accumulation, though our contemporary sensibilities may not be entirely comfortable with an individual who appropriated, on a massive scale, the evidence of cultures not his. Some may even see in Heye’s actions a bloodless reenactment of earlier great wrongs. And yet, in his unstoppable course, Heye saved an irreplaceable living record that might otherwise have gone to oblivion. Out of his acquisitive passion has come a legacy of inestimable worth, to heirs on whom he never reckoned. Had he been someone other than who he was, he would have left us all poorer.

    By Lawrence M. Small, Secretary

     
    Comments

    Great! Keep up the good work. David

    Posted by DavidWilliams on May 2,2008 | 04:43 PM

    We, Amereicans, should be deeply indebted to George Heye. for preserving a part of our history of the Americas that would be lost forever.

    Posted by Roberta Rosenthal on July 5,2008 | 12:31 PM

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed
    The Quirky Ways of the Postal Service

    The Quirky Ways of the Postal Service

    (05:09)

    Farewell, Tai Shan

    (3:17)

    Poaching the Venus Flytrap

    (02:33)

    Remembering the Horrors of Auschwitz

    (5:47)

    Hiding in a Coconut

    (1:14)

    Remembering the Horrors of Auschwitz

    (5:47)

    Poaching the Venus Flytrap

    (02:33)

    Renoir Through the Years

    Most Popular

    • Viewed
    • Emailed
    • Topic
    1. Henrietta Lacks’ ‘Immortal’ Cells
    2. Myths of the American Revolution
    3. Easter Island
    4. Uncovering Secrets of the Sphinx
    5. Volcanic Lightning
    6. Top 13 U.S. Winter Olympians
    7. Renoir's Controversial Second Act
    8. Family Ties
    9. Tattoos
    10. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    1. For German Butchers, a Wurst Case Scenario
    2. Sticking Around Lafayette, Indiana
    3. Henrietta Lacks’ ‘Immortal’ Cells
    4. Can Auschwitz Be Saved?
    5. Students of the Game
    6. Uncovering Secrets of the Sphinx
    7. Curse of the Devil's Dogs
    8. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    9. Ten Out-of-the-Ordinary Valentine’s Day Customs
    10. Odyssey's End?: The Search for Ancient Ithaca
    1. Culture and Lifestyle
    2. United States
    3. Cultural Institutions and Parks
    4. Smithsonian Institution
    5. Science and Technology
    6. Nature and the Environment
    7. History
    8. Museums
    9. Wildlife
    10. Washington

    - - - Advertisements - - -


    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    February 2010 Issue Cover

    February 2010

    • Uncovering Secrets of the Sphinx
    • Picture of Prosperity
    • The Venus Flytrap's Lethal Allure
    • Can Auschwitz Be Saved?
    • Renoir Rebels Again

    View Table of Contents »

    Smithsonian magazine presents

    6th Annual Smithsonian Photo Contest Winners

    Out of more than 17,000 entries, Smithsonian and its readers select the year's best

    • Smithsonian Store
    • Smithsonian Journeys

    Ace of Cakes - Signed Copy

    Item No. 10375

    Treasures of Angkor Wat and Vietnam

    Expert local historians enhance your journey to Thailand, Cambodia, and Vietnam (Multiple departures in 2010)



    View full archiveRecent Issues

    • February 2010 Issue Cover
      Feb 2010

    • January 2010 Issue Cover
      Jan 2010

    • December 2009 Issue Cover
      Dec 2009

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability