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As was the case in the South, Africans in the North were considered property to be passed along like furniture. The will of one Mumford listed 14 slaves in his "inventory." In an autobiography published in 1798, a former slave wrote: "I was bought on board by one Robertson Mumford, a steward of said vessel, for four gallons of rum and a piece of calico, and called VENTURE, on account of his having purchased me with his own private venture."
When landholders no longer needed their slaves, or could not afford to keep them, large numbers were set free, most of them between the late 1600s and early 1700s. In 1690, a "black code" was written into Connecticut state law forbidding the wandering of slaves outside the towns to which they belonged without a pass from the owner. And so, since they had nowhere else to go, most abandoned slaves probably ended up squatting on inferior town lands usually referred to as "common land."
One morning, I drive down a country lane with Perry and Sawyer to a place just outside the Bingham property called New Salem. In the woods, I’m surprised to come across what looks like the remains of an entire village. There are dozens of three-sided stone structures here. "We think this was a settlement of freed captives who may have lived here with local Native Americans," Sawyer says. It’s hard to imagine the kind of lives those squatters must have had to endure.
A while later, I find Sawyer and two students crouched over a burial site near the house. The area has been measured and divided into grids marked by string, and the archaeologists are methodically digging and sifting for artifacts, one grid at a time. Out of respect for the dead, they explore only the top four to eight inches of soil.
Sawyer tells me the painstaking work is paying off. He has turned up several dozen sherds of Mocha ware, a common pottery made in the 18th and early 19th centuries. In West Africa at that time, collections of small items precious to the dead in life—often including pottery—were ritualistically left on top of graves. These findings hint at the age of this burial site and the origins of at least some of my ancestors’ slaves.
But that’s not all. Sawyer shows me a timeworn headstone nearby. Photographs of it taken recently with special lighting techniques revealed the initials PH and two heart-shaped symbols which, in Ghana and elsewhere in Africa, are called Sankofa. "We know that a man named Pomp Henry was an African captive here in the mid-1700s," Sawyer says.
As I ponder this latest discovery, it occurs to me that Perry and Sawyer aren’t just studying graves. They’re telling stories. "Written histories are often biased," Sawyer acknowledges, "but the material record that has been left in the ground by our ancestors reveals the truth. Eventually we hope to learn how these people lived, how they died, how they resisted their captors. Their voices are in the things we find here."
As a Bingham, I, too, need to hear what those voices have to say.


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