Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos & Videos
  • Games & Puzzles
  • Subscribe
  • Archaeology
  • Biography
  • Today in History
  • U.S. History
  • World History
  • History & Archaeology

Acropolis Now

A modern museum of ancient Greece rises near the Parthenon

  • By Richard Covington
  • Smithsonian magazine, February 2008

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit

    Related Topics

    Arts

    Athens

    Museums

    Parthenon

    Related Links

    The New Acropolis Museum

    More from Smithsonian.com
    • Mysteries of the Ancient World
    • Unlocking Mysteries of the Parthenon
    • Ancient Greece Springs to Life

    Housing more than 4,000 works of art, the New Acropolis Museum in Athens will contain the world's most extensive repository of Archaic and Classical Greek sculptures. The $190 million glass-and-concrete complex, at the foot of the Acropolis and just over 300 yards from the Parthenon, has been more than seven years in the making and is expected to completely open by early 2009.

    The structure echoes ancient Athenian architecture without imitating it. Simply trying to mimic the Parthenon—perhaps the most influential building in Western civilization—might be kitschy, says Bernard Tschumi, a New York- and Paris-based architect who designed the museum.

    In the lower level galleries, sculptures by Phidias, Alcamenes and other ancient masters will be placed so they can be studied in the round, "like living persons," says museum director Dimitrios Pandermalis. "We're not lecturing people about the golden era of Pericles, but letting them discover for themselves the beauty of facial expressions, the movements of the horses and warriors." The ground floor is mostly glass and is raised on concrete stilts to showcase the archaeological work conducted on the site prior to construction. The dig yielded finds from prehistoric times through the 12th century.

    An exhibit that will most likely be missing is the so-called Elgin Marbles, sculptural works that include 247 feet of the original Parthenon frieze. Lord Elgin, the British ambassador to Constantinople in the early 19th century, acquired the masterpieces from the Ottomans who then ruled Greece. The marbles are now at the British Museum. The New Acropolis Museum will display some of the remaining original frieze along with plaster replicas of the Elgin Marbles.

    In a design masterstroke, the glass-enclosed top floor is turned at a 23-degree angle from the two lower levels to align with the Parthenon. Sculptures will be arrayed largely as they were in the original temple. "The idea," Tschumi says, "is to create a dialogue between the sculptures and the Parthenon."

    Housing more than 4,000 works of art, the New Acropolis Museum in Athens will contain the world's most extensive repository of Archaic and Classical Greek sculptures. The $190 million glass-and-concrete complex, at the foot of the Acropolis and just over 300 yards from the Parthenon, has been more than seven years in the making and is expected to completely open by early 2009.

    The structure echoes ancient Athenian architecture without imitating it. Simply trying to mimic the Parthenon—perhaps the most influential building in Western civilization—might be kitschy, says Bernard Tschumi, a New York- and Paris-based architect who designed the museum.

    In the lower level galleries, sculptures by Phidias, Alcamenes and other ancient masters will be placed so they can be studied in the round, "like living persons," says museum director Dimitrios Pandermalis. "We're not lecturing people about the golden era of Pericles, but letting them discover for themselves the beauty of facial expressions, the movements of the horses and warriors." The ground floor is mostly glass and is raised on concrete stilts to showcase the archaeological work conducted on the site prior to construction. The dig yielded finds from prehistoric times through the 12th century.

    An exhibit that will most likely be missing is the so-called Elgin Marbles, sculptural works that include 247 feet of the original Parthenon frieze. Lord Elgin, the British ambassador to Constantinople in the early 19th century, acquired the masterpieces from the Ottomans who then ruled Greece. The marbles are now at the British Museum. The New Acropolis Museum will display some of the remaining original frieze along with plaster replicas of the Elgin Marbles.

    In a design masterstroke, the glass-enclosed top floor is turned at a 23-degree angle from the two lower levels to align with the Parthenon. Sculptures will be arrayed largely as they were in the original temple. "The idea," Tschumi says, "is to create a dialogue between the sculptures and the Parthenon."


    Related topics: Arts Athens Museums Parthenon

     
    Comments

    Am sorry that I cannot return to Athens to see the museum. such a visit for me would be a perfect addendum to my visit to the Parthenon in later 1972!

    Posted by Neil Cook on January 30,2008 | 12:51AM

    In 1970 my two sons and I were able to stand inside the Parthenon and look out over the city. On that same trip, we were on the Acropolis and saw the Parthenon by the light of the full moon. All I can say is that it appeared to be floating; it was magical and one of the most beautiful things I've seen in my life. It is, in my opinion, criminal that the British will not return the Elgin marbles to the home from which they were stolen.

    Posted by Sofia Rasher on February 7,2008 | 06:19PM

    In 1970 my two sons and I were able to stand inside the Parthenon and look out over the city. On that same trip, we were on the Acropolis and saw the Parthenon by the light of the full moon. All I can say is that it appeared to be floating; it was magical and one of the most beautiful things I've seen in my life. It is, in my opinion, criminal that the British will not return the Elgin marbles to the home from which they were stolen.

    Posted by Sofia Rasher on February 7,2008 | 06:19PM

    I visited Athens in the late 1960s. I was able to walk around the Acropolis and stand within the Parthenon's columns - I even sat on the steps to contemplate the mystery of its creation (no scaffolding then). As an art student, I was familiar with it from images and believed that such 'perfection' must be boring. Not at all - in its ruined majesty it was the most beautiful and haunting building I have ever encountered. Now I look forward to visiting the new museum even if the Parthenon is more or less out of bounds.

    Posted by Helen Martineau on February 13,2008 | 11:56PM

    I stood on the Acropolis in May of 2004. What a dream come true! Trip of a lifetime...I even got to visit the Temple in Didyma, Turkey - shown in the extra pictures from the article. I hope to be able to go back someday. Would absolutely love to see the new museum built there now. It is (and was) the most beautiful structure I have ever seen!

    Posted by Jennifer Ratliff on February 19,2008 | 09:26AM

    I grew up in an ancient neighborhood just under the Acropolis. I played hide and seek in the columns, and we made up stories about gods and godesses. It was magic for us then and it is still a memory spot that takes me back to an enchanted greek childhood. I hope that the Elgin marbles are returned to complete our unique heritage. Or perhaps the Brittish would agree to set up London Bridge in Athens.

    Posted by sara cohen on February 22,2008 | 05:05AM

    To call the Parthenon frieze pieces now in England "Elgin’s marbles" signifies that Lord Elgin had, somehow, someway, something to do with their creation -- as in, Da Vinci’s Mona Lisa or, Shakespeare’s Romeo and Juliet. To call them “The Elgin marbles” signifies that they somehow, at some time belonged to him – as in, the British flag or, the British Stonehedge. Enough! These terms are neither correct nor explicit. Moreover, they undermine the real identity of the pieces, their history and the history behind their acquisition. The so-called Elgin marbles are really the PARTHENON MARBLES and in that title rests the reason for their repatriation. Please refrain from calling them anything else, even in small print, at the end of the last paragraph. They are the Parthenon Marbles. Lord Elgin paid the occupying forces in an occupied country to get them. They were stolen. Give them back. Gena Bamboukee, OKC

    Posted by Gena Bamboukee on March 6,2008 | 08:21AM

    I would like to thank Lord Elgin for saving the marbles from the rubble.

    Posted by Russell Johnson on May 15,2008 | 10:59AM

    Russel, I know that you probably meant what you said to be "funny," but it really wasn't at all. He "saved" these marbles by buying some from people that they didn't belong to and stealing the rest when he was found out that he was taking more than he was told to steal. Then, he further "saved" them by storing them in a coal shed to the point that they now look worse than the ones that were not "saved" "from the rubble." This alleged lord (I refuse to capitalize his title was nothing but a thief. England, RETURN WHAT YOU HAVE STOLEN! Long live The Parthenon Marbles!!!

    Posted by Dean on April 28,2009 | 06:49AM

    In fact all archaelogical remains are best stored buried in dry soil! Exposing them to the polluted air of the modern world will inevitably destroy them.

    Posted by Benct Philip Jonsson on August 4,2009 | 06:12AM

    Having had the opportunity in the past few years to visit both the Acropolis and the British Museum, I feel that they (England) should be willing to return the sculptures --- provided that the new museum will be able to house them in the same conditions as the BM. Yes, bad England for taking what wasn't theirs --- but you must admit that, ever since the marbles were installed at the BM, they have been faithful stewards of the treasure that they stole.

    Posted by Victoria on September 25,2009 | 05:12PM

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed
    Coral Reef Spawn

    How Coral Reefs Spawn

    Watch coral reefs reproduce in a flurry of carefully-timed action

    Flipping Out Over Pinball

    David Silverman has collected more than 800 pinball machines to preserve their history

    Sing Along to the Messiah

    Sing Along to the Messiah

    The story within Handel's famous piece is what drives its enduring popularity

    A Rare Look at Tucker Cars

    Collector David Cammack owns three of the 43 remaining cars in existence designed by Preston Tucker

    The Residents of Arlington Cemetery

    While President Kennedy may be one of the best known gravesites in Arlington, there are many other notable Americans buried there

    The Ju/'Hoansi Tribe in Action

    Over the course of 50 years, John Marshall filmed the African tribe, tracking how their nomadic culture slowly died out

    Watch the Gecko's Tail Flip

    Leopard geckos can shed their tail to distract predators, and the tails can leap up to 3 cm in one jump

    A Final Takeoff

    Watch one of Amelia Earhart's final takeoffs

    Most Popular

    • Viewed
    • Emailed
    • Commented
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Tattoos
    3. A Brief History of the Salem Witch Trials
    4. Top Ten Places Where Life Shouldn't Exist... But Does
    5. Wolves and the Balance of Nature in the Rockies
    6. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    7. John Brown's Day of Reckoning
    8. Ethiopia's Exotic Monkeys
    9. How Arlington National Cemetery Came to Be
    10. Evolution in the Deepest River in the World
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Crawling Around with Baltimore Street Rats
    3. Invasion of the Longhorn Beetles
    4. How Arlington National Cemetery Came to Be
    5. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    6. Ethiopia's Exotic Monkeys
    7. The Surprising Satisfactions of a Home Funeral
    8. Boise, Idaho: Big Skies and Colorful Characters
    9. Memoirs of a World War II Buffalo Soldier
    10. Decoding Jackson Pollock
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Evolution in the Deepest River in the World
    3. How Arlington National Cemetery Came to Be
    4. Artist William Wegman
    5. A Brief History of the Salem Witch Trials
    6. The Rescue of Henry Clay
    7. Man Ray’s Signature Work
    8. Memoirs of a World War II Buffalo Soldier
    9. From Brooklyn to Worthington, Minnesota
    10. What would you add to the Smithsonian Life List?

    - - - Advertisements - - -


    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    December 2009 Issue Cover

    December 2009

    • Wildlife Trafficking
    • Hallelujah
    • The Pyramid Man
    • Glee Mail
    • Savoring Puebla

    View Table of Contents »

    Smithsonian magazine presents

    6th Annual Smithsonian Photo Contest Winners

    Out of more than 17,000 entries contributed from around the world, Smithsonian and its readers select the year's best

    • Smithsonian Store
    • Smithsonian Journeys

    Kokeshi Dolls

    Item No. 85070

    Antarctica: Aboard National Geographic Explorer

    Journey to Antarctica to experience this otherworldly and unparalleled wilderness up close. (Jan 7 - 21, 2010)



    View full archiveRecent Issues

    • December 2009 Issue Cover
      Dec 2009

    • November 2009 Issue
      Nov 2009

    • October 2009 Issue Cover
      Oct 2009

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability