Review of 'The Great Hill Stations of Asia'
- By Fergus Bordewich
- Smithsonian magazine, January 1999, Subscribe
(Page 2 of 2)
Crossette has a real affection for picturesque remnants of the colonial world — like the Savoy Hotel in Mussourie, India, where the front parlor "still had those ponderous, squarish, overstuffed British-inspired armchairs and settee," and a "Gothic writing desk with a useless telephone." During her stay there, she was attended by a steward and another ancient retainer, "a nineteenth-century figure bundled in Bob Cratchit scarves" who carried a lightbulb for the dark and cavernous bathroom. At the same time, she keeps a reporter's incisive eye to the dynamic reality of modern Asia. Far from disappearing, the old hill stations have become fashionable playgrounds for the nouveaux riches of Asia.
Everywhere the sacrosanct precincts of the 19th-century sahibs are being encroached upon by modern hotels, theme parks, karaoke bars and high-decibel pop bands. "The hill stations are overgrown, often overpopulated, and no longer European now, but most have not lost their unique appeal," Crossette writes. "Air-conditioning notwithstanding, the plains still fry in the sun, and the cities of Asia have only grown larger, noisier and more polluted."
No longer quaint artifacts of a bygone world, the hill stations increasingly are living prisms that reveal the helter-skelter transformation of once stagnant colonial societies into vibrant and rough-edged 20th-century ones.
Fergus Bordewich is the author of Killing the White Man's Indian: Reinventing Native Americans at the End of the Twentieth Century and Cathay: A Journey in Search of Old China.
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