Pay Dirt
When self-taught archaeologists dug up an 1850s steamboat, they brought to light a slice of American life
- By Fergus M. Bordewich
- Smithsonian magazine, December 2006, Subscribe
(Page 3 of 3)
But the steamboats were also magical apparitions, floating palaces with glamorous interiors. Images of sunbursts and famous battles embellished paddle-wheel boxes; the tops of smokestacks bore cutout silhouettes of exotic plumes or ferns; colorful pennants snapped on the wheelhouse. When a boat neared shore, a calliope struck up a polka or the Virginia reel, its strains floating across the water like a promise of deliverance. Staterooms finished in mahogany were appointed with silk draperies and rich carpets. Entering the saloon of a riverboat, wrote Twain, was "like gazing through a splendid tunnel" which "glittered with no end of prism-fringed chandeliers." The cuisine was equally impressive, although the menu for a typical buffet in 1852 may appeal rather less to the modern palate: beef, veal, pork, liver sauce, venison, boiled tongue, plus "side dishes" of mutton, pork ragout, beef heart and "calf head à la mode."
Steamboats could be hugely profitable; a paddle wheeler that cost about $15,000 to build could earn as much as $80,000 in a single journey. But their lives tended to be short; a Missouri steamboat rarely lasted more than three years. Boats caught fire, blew up and sank routinely. Between 1830 and 1840 alone, an estimated 1,000 lives were lost on Western rivers.
By far the greatest danger, however, was posed by snags, which accounted for almost two out of three of the steamboats lost on the Missouri. Twain describes the scene: "The whole vast face of the stream was black with drifting dead logs, broken boughs, and great trees that had caved in and been washed away. It required the nicest steering to pick one's way through this rushing raft, even in the daytime, when crossing from point to point; and at night the difficulty was mightily increased; every now and then a huge log, lying deep in the water, would suddenly appear right under our bows, coming head-on; no use to try to avoid it then; we could only stop the engines, and one wheel would walk over that log from one end to the other, keeping up a thundering racket and careening the boat in a way that was very uncomfortable to passengers. Now and then we would hit one of these sunken logs a rattling bang, dead in the center, with a full head of steam, and it would stun the boat as if she had hit a continent."
The river nearly claimed the Hawleys as well. One morning during excavation of Arabia, Bob and Greg were working knee-deep in mud when a sudden rush of groundwater overtook them. Struggling to free themselves from the glutinous muck, they were trapped in the rising waters. Only a providential occurrence prevented tragedy: collapsing sand sealed the fissure that had opened. Bob managed to escape just as the water reached his chest. "A short man would have died down there," Greg joked afterward.
On January 24, 1989, the Hawleys uncovered a jagged stump still lodged below Arabia's waterline—obviously the instrument of her demise. Today that otherwise nondescript snag is but one of hundreds of thousands of salvaged items on display in the Arabia Steamboat Museum, which opened on November 13, 1991, near the landing in Kansas City, Missouri, from which the vessel departed in 1856. The artifacts themselves converted the Hawleys from treasure hunters into historians. "We fell in love with the story of the Arabia," says 49-year-old Greg Hawley. "When we first broke ground, we didn't realize that it would turn out to be the greatest treasure of all." Soon, he says, "We realized that we had a national treasure on our hands. Starting a museum was the only logical step." The museum, whose state-of-the-art preservation laboratory processes some 700 objects from Arabia each year, attracts some 200,000 visitors annually. "It would have been easy for the Hawleys to break up that collection, but they didn't," says the Kansas State Historical Society's Bob Keckeisen. "They must be commended for seeing the greater significance in this collection."
Steamboats plying their trade are long gone from the waters of the Missouri. The Civil War, the collapse of the plantation economy and the coming of the cross-continental railroad spelled the end of river trade. A handful of steamboats continued to operate into the 20th century (and a few today have survived as tourist vessels), but the glory years would never return. Once-bustling landings have been overtaken by tangled thickets and woodland. Even the river itself has been tamed—by levees, dredging and channel reconfigurations that have stranded some former ports far inland. Yet the great, gray-green river still flows, smooth and wide beneath the wooded bluffs. And sometimes on a summer afternoon, it is still possible to see boys squatting amid the driftwood, old-fashioned fishing rods in hand, like a detail from a painting by George Caleb Bingham—a tantalizing glimpse of a time when Americans were filled with unbridled curiosity about the new continent, and a great white floating palace might at any moment come steaming around the next bend.
Writer Fergus M. Bordewich is the author of Bound for Canaan, a history of the underground railroad published last year.
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Comments (1)
Perfectly wonderful material and a substantial complement to the sometimes thin actual data available about those possibly marvelous times in the country's history!
Posted by vernon johnson on July 21,2008 | 02:36 PM