Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos & Videos
  • Games & Puzzles
  • Subscribe
  • Archaeology
  • Biography
  • Today in History
  • U.S. History
  • World History
  • History & Archaeology

Hell's Bells

The 19th-century trolley bell may have ding-ding-dinged, but the factory bell clanged the workday

  • By Kim Roberts
  • Smithsonian magazine, May 2002

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit

    Related Topics

    Americana

    Industry

    19th Century

    (Page 2 of 3)

    Though Davis and Furber employed primarily men, the textile machines the factory turned out went to mills throughout New England—populated overwhelmingly by young women (average age 20 years) recruited off farms to live in boardinghouses in burgeoning towns and cities. These young women represented the first generation of an industrial working class. Considered dispensable on the farm, they went to factory towns to earn extra money for the family or, more often, to make their own way.

    Factory recruiters made often unrealistic promises about the paternalism of the factory owners: boardinghouses were run only by matrons approved and hired by the company, healthy meals would be provided and all workers were required to attend church. Sensitive to criticism that their factories might have a corrupting influence on young women, owners designed their mills to look like churches—with bell towers the most conspicuous feature of the new industrial cathedrals.

    In "A Second Peep at Factory Life," a story written in 1845, mill worker Josephine L. Baker leads an imaginary visitor on a tour of the factory, where "the belfry, towering far above the rest, stands out in bold relief against the rosy sky."

    Baker’s story appeared in the Lowell Offering, a literary magazine published by and for "mill girls." While the journal was ultimately run by the workers themselves, and published both complaints and praise of factory life, it also served to promote, in the words of one of the town’s factory owners, Lowell’s "fund of labor, well-educated and virtuous."

    To be sure, the culture created in factory towns like Lowell, the largest and most prominent textile factory city in the region, had its appeals. Mill workers were paid in cash—about $3 a week—and with it were able to take advantage of such amenities as relatively stylish store-bought clothes, evening classes in such subjects as languages, music or sciences, and "mutual self-improvement" clubs where workers who liked to write could share their latest efforts. Lowell’s Lyceum Movement, an organization that sponsored speakers, was second only to Boston’s, bringing to town such luminaries as Ralph Waldo Emerson, Horace Greeley and John Quincy Adams.

    At the same time, working conditions were far from ideal. Men and women put in 12 or more hours a day, six days a week. In the mills, workers were often injured by machinery. Cotton fibers in the air—as well as the forced humidity and airtight quarters, meant to keep fragile threads from breaking—could cause serious respiratory problems.

    Workers could be dismissed without recourse for a long list of infractions that included drunkenness, "hysteria," spreading rumors, stealing, profanity, impudence, "religious frenzy" and their general deportment—even on their own time. Certainly, tardiness was not tolerated. After all, throughout the day factory bells reminded workers where they should be and what they should be doing.

    In the Lowell Offering story "The Spirit of Discontent," the anonymous author has one of her characters complain: "I am going home, where I shall not be obliged to rise so early in the morning, nor be dragged about by the ringing of the bell....I object to the constant hurrying of every thing. We cannot have time to eat, drink or sleep....Up before day, at the clang of the bell—and out of the mill by the clang of the bell—into the mill, and at work, in obedience to that ding-dong of a bell—just as though we were so many living machines."

    Loud the morning bell is ringing, Up, up sleepers, haste away; Yonder sits the redbreast singing, But to list we must not stay.

    Now we give a welcome greeting To these viands cooked so well; Horror! oh! not half done eating— Rattle, rattle goes the bell!

    —From an anonymous poem, printed in Factory Girl’s Garland, a literary magazine from Lowell, Massachusetts, in 1844

    The black, cast-metal bell in the National Museum of American History’s "On Time" exhibition has lost its clapper. Still, it’s not hard to imagine its resounding ring. It wasn’t so long ago that this bell was the focus of life for the residents of North Andover, Massachusetts, where it once graced the tower of Davis and Furber, a textile machine factory that opened in the 1830s and closed, finally, in 1982.

    As New England shifted from farming to industry in the 19th century, Americans’ sense of time changed radically. Before 1820, most citizens did not own clocks or even know how to tell time, and work hours were determined by the sun and the seasons. But as people by the hundreds of thousands left farms for factories, and bells divided life into segments of work and leisure, time took on new meaning.

    Bells announced mealtimes and rang to start and end work shifts. Factory workers might begin their days at 4:30 A.M. with the first dawn bell, and a curfew bell would signal when workers were expected to go to bed.

    "In the early 1800s, upper-class people in America made an obsessive point of scheduling," says Carlene Stephens, a curator of the "On Time" exhibition, "but the idea was completely new for common folks on the farm." Also new, she says, "was the idea of working for someone else on someone else’s schedule, for a wage."

    Though Davis and Furber employed primarily men, the textile machines the factory turned out went to mills throughout New England—populated overwhelmingly by young women (average age 20 years) recruited off farms to live in boardinghouses in burgeoning towns and cities. These young women represented the first generation of an industrial working class. Considered dispensable on the farm, they went to factory towns to earn extra money for the family or, more often, to make their own way.

    Factory recruiters made often unrealistic promises about the paternalism of the factory owners: boardinghouses were run only by matrons approved and hired by the company, healthy meals would be provided and all workers were required to attend church. Sensitive to criticism that their factories might have a corrupting influence on young women, owners designed their mills to look like churches—with bell towers the most conspicuous feature of the new industrial cathedrals.

    In "A Second Peep at Factory Life," a story written in 1845, mill worker Josephine L. Baker leads an imaginary visitor on a tour of the factory, where "the belfry, towering far above the rest, stands out in bold relief against the rosy sky."

    Baker’s story appeared in the Lowell Offering, a literary magazine published by and for "mill girls." While the journal was ultimately run by the workers themselves, and published both complaints and praise of factory life, it also served to promote, in the words of one of the town’s factory owners, Lowell’s "fund of labor, well-educated and virtuous."

    To be sure, the culture created in factory towns like Lowell, the largest and most prominent textile factory city in the region, had its appeals. Mill workers were paid in cash—about $3 a week—and with it were able to take advantage of such amenities as relatively stylish store-bought clothes, evening classes in such subjects as languages, music or sciences, and "mutual self-improvement" clubs where workers who liked to write could share their latest efforts. Lowell’s Lyceum Movement, an organization that sponsored speakers, was second only to Boston’s, bringing to town such luminaries as Ralph Waldo Emerson, Horace Greeley and John Quincy Adams.

    At the same time, working conditions were far from ideal. Men and women put in 12 or more hours a day, six days a week. In the mills, workers were often injured by machinery. Cotton fibers in the air—as well as the forced humidity and airtight quarters, meant to keep fragile threads from breaking—could cause serious respiratory problems.

    Workers could be dismissed without recourse for a long list of infractions that included drunkenness, "hysteria," spreading rumors, stealing, profanity, impudence, "religious frenzy" and their general deportment—even on their own time. Certainly, tardiness was not tolerated. After all, throughout the day factory bells reminded workers where they should be and what they should be doing.

    In the Lowell Offering story "The Spirit of Discontent," the anonymous author has one of her characters complain: "I am going home, where I shall not be obliged to rise so early in the morning, nor be dragged about by the ringing of the bell....I object to the constant hurrying of every thing. We cannot have time to eat, drink or sleep....Up before day, at the clang of the bell—and out of the mill by the clang of the bell—into the mill, and at work, in obedience to that ding-dong of a bell—just as though we were so many living machines."

    In the story "Factory Labor," another character is more sympathetic to management. "In all kinds of employment it is necessary to keep regular established hours," she primly notes. "Because we are reminded of those hours by the ringing of a bell, it is no argument against our employment, any more than it would be against going to church or to school."

    Today, long after bell towers ceased dictating daily schedules, the bells still echo. After all, which of us, hitting the snooze button on our alarm clock, doesn’t understand the quandary of a young Lowell writer weighing the benefits of regular pay versus the long hours "and the feeling too, that comes over us...when we hear the bell calling us...the feeling that we are obliged to go"?


    1 2 3


    Related topics: Americana Industry 19th Century

     
    Comments

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed
    Coral Reef Spawn

    How Coral Reefs Spawn

    Watch coral reefs reproduce in a flurry of carefully-timed action

    Flipping Out Over Pinball

    David Silverman has collected more than 800 pinball machines to preserve their history

    Sing Along to the Messiah

    Sing Along to the Messiah

    The story within Handel's famous piece is what drives its enduring popularity

    A Rare Look at Tucker Cars

    Collector David Cammack owns three of the 43 remaining cars in existence designed by Preston Tucker

    The Residents of Arlington Cemetery

    While President Kennedy may be one of the best known gravesites in Arlington, there are many other notable Americans buried there

    The Ju/'Hoansi Tribe in Action

    Over the course of 50 years, John Marshall filmed the African tribe, tracking how their nomadic culture slowly died out

    Watch the Gecko's Tail Flip

    Leopard geckos can shed their tail to distract predators, and the tails can leap up to 3 cm in one jump

    A Final Takeoff

    Watch one of Amelia Earhart's final takeoffs

    Most Popular

    • Viewed
    • Emailed
    • Commented
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Tattoos
    3. A Brief History of the Salem Witch Trials
    4. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    5. Wolves and the Balance of Nature in the Rockies
    6. Ethiopia's Exotic Monkeys
    7. Top Ten Places Where Life Shouldn't Exist... But Does
    8. Crawling Around with Baltimore Street Rats
    9. Wildlife Trafficking
    10. How Arlington National Cemetery Came to Be
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Crawling Around with Baltimore Street Rats
    3. Invasion of the Longhorn Beetles
    4. How Arlington National Cemetery Came to Be
    5. Ethiopia's Exotic Monkeys
    6. Terra Cotta Soldiers on the March
    7. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    8. Teaching Cops to See
    9. The Surprising Satisfactions of a Home Funeral
    10. Boise, Idaho: Big Skies and Colorful Characters
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Artist William Wegman
    3. How Arlington National Cemetery Came to Be
    4. A Brief History of the Salem Witch Trials
    5. Evolution in the Deepest River in the World
    6. Man Ray’s Signature Work
    7. From Brooklyn to Worthington, Minnesota
    8. What would you add to the Smithsonian Life List?
    9. The Rescue of Henry Clay
    10. Underwater Photo of the Human Body

    - - - Advertisements - - -


    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    December 2009 Issue Cover

    December 2009

    • Wildlife Trafficking
    • Hallelujah
    • The Pyramid Man
    • Glee Mail
    • Savoring Puebla

    View Table of Contents »

    Smithsonian magazine presents

    6th Annual Smithsonian Photo Contest Winners

    Out of more than 17,000 entries contributed from around the world, Smithsonian and its readers select the year's best

    • Smithsonian Store
    • Smithsonian Journeys

    Kokeshi Dolls

    Item No. 85070

    Antarctica: Aboard National Geographic Explorer

    Journey to Antarctica to experience this otherworldly and unparalleled wilderness up close. (Jan 7 - 21, 2010)



    View full archiveRecent Issues

    • December 2009 Issue Cover
      Dec 2009

    • November 2009 Issue
      Nov 2009

    • October 2009 Issue Cover
      Oct 2009

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability