• Smithsonian
    Institution
  • Travel
    With Us
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • History & Archaeology
  • Science
  • Ideas & Innovations
  • Arts & Culture
  • Travel & Food
  • At the Smithsonian
  • Photos
  • Videos
  • Games
  • Shop
  • Archaeology
  • U.S. History
  • World History
  • Today in History
  • Document Deep Dives
  • The Jetsons
  • National Treasures
  • Paleofuture
  • History & Archaeology

Gene Kranz's Apollo Vest

NASA Flight Director Gene Kranz famously wore a homemade white vest as he averted tragedy during the Apollo 13 mission

| | | Reddit | Digg | Stumble | Email |
  • By Owen Edwards
  • Smithsonian magazine, April 2010, Subscribe
View More Photos »
NASA control room
Gene Kranz (in vest, as Apollo 13 safely splashed down) had faith that "as a group, we were smart enough ... to get out of any problem. (Associated Press)

Photo Gallery (1/3)

Gene Kranz vest

Explore more photos from the story


Video Gallery

The Story Behind Gene Kranz's Vest

Related Books

Failure Is Not an Option: Mission Control from Mercury to Apollo 13 and Beyond

by Gene Kranz
Simon & Schuster, 2009

More from Smithsonian.com

  • A Rare Pony Express Artifact

Forty years ago, for several unbearably tense days—April 13 to April 17, 1970—the whole world watched as NASA Flight Director Gene Kranz led a team that worked around the clock to rescue Apollo 13 astronauts Jim Lovell, Jack Swigert and Fred Haise. After an explosion of an oxygen tank partially crippled the moon-bound spacecraft, NASA’s mission was to bring the trio safely back to Earth.

Today, Kranz’s five-button, off-white vest (familiar to moviegoers who watched actor Ed Harris play Kranz in the film version of the crisis) holds pride of place at the Smithsonian National Air and Space Museum.

Kranz’s wife, Marta, created the garment that would establish a Mission Control tradition. In 1962, when the Kranzes moved into a Houston neighborhood peopled by other space-program families, “all the wives sewed, and I began making vests for Gene,” she recalls. “Gene wanted some kind of symbol for his team to rally around. I suggested a vest.” The color, she adds, was not left to choice: “There were three Mission Control teams—red, white and blue—and Gene’s was the white team, so his vests were always white.” (Marta Kranz also made colorful vests for her husband to wear when celebrating splashdowns. At the successful conclusion of Apollo 13, however, relief replaced celebration; the white vest stayed on.)

“I started wearing a vest during Gemini 4, and it was an immediate hit,” Kranz recalls. “From then on, I put on a new vest on the first shift of every mission.” Ultimately, according to NASM curator Margaret Weitekamp, Kranz’s Apollo 13 vest would not only become a morale booster for his team, but also “a symbol for something much bigger than that”—the can-do spirit summed up in the title of Kranz’s autobiography, Failure Is Not an Option.

For the 1995 movie, the studio was determined to fashion an exact replica. But the task turned out to be more complicated than Apollo 13’s costume designers anticipated. Marta Kranz had used faille, a fine-grained fabric of silk, satin or cotton, particularly popular during the 1950s. “When I told [the movie people] what it’s made of,” Marta recalls, “I don’t think they knew what I was talking about.” Soon, 29 swatches of sample fabrics arrived in her mail—but none were, so to speak, the right stuff. Then, she adds, “someone found off-white faille in a film warehouse.”

Kranz went on to serve as flight director for Apollo 17 (December 7-19, 1972), the final mission in the lunar landing series, then as deputy director and director of NASA mission operations. He retired from NASA in 1994. But that did not relieve Marta Kranz of her sar­torial responsibilities. “I never had a chance to stop,” she says. “Gene became a motivational speaker, and when he gave speeches, people wanted him to wear the white vest.”

The only difference, she adds, laughing softly, “is that the configuration keeps changing.”

Owen Edwards is a freelance writer and author of the book Elegant Solutions.


Forty years ago, for several unbearably tense days—April 13 to April 17, 1970—the whole world watched as NASA Flight Director Gene Kranz led a team that worked around the clock to rescue Apollo 13 astronauts Jim Lovell, Jack Swigert and Fred Haise. After an explosion of an oxygen tank partially crippled the moon-bound spacecraft, NASA’s mission was to bring the trio safely back to Earth.

Today, Kranz’s five-button, off-white vest (familiar to moviegoers who watched actor Ed Harris play Kranz in the film version of the crisis) holds pride of place at the Smithsonian National Air and Space Museum.

Kranz’s wife, Marta, created the garment that would establish a Mission Control tradition. In 1962, when the Kranzes moved into a Houston neighborhood peopled by other space-program families, “all the wives sewed, and I began making vests for Gene,” she recalls. “Gene wanted some kind of symbol for his team to rally around. I suggested a vest.” The color, she adds, was not left to choice: “There were three Mission Control teams—red, white and blue—and Gene’s was the white team, so his vests were always white.” (Marta Kranz also made colorful vests for her husband to wear when celebrating splashdowns. At the successful conclusion of Apollo 13, however, relief replaced celebration; the white vest stayed on.)

“I started wearing a vest during Gemini 4, and it was an immediate hit,” Kranz recalls. “From then on, I put on a new vest on the first shift of every mission.” Ultimately, according to NASM curator Margaret Weitekamp, Kranz’s Apollo 13 vest would not only become a morale booster for his team, but also “a symbol for something much bigger than that”—the can-do spirit summed up in the title of Kranz’s autobiography, Failure Is Not an Option.

For the 1995 movie, the studio was determined to fashion an exact replica. But the task turned out to be more complicated than Apollo 13’s costume designers anticipated. Marta Kranz had used faille, a fine-grained fabric of silk, satin or cotton, particularly popular during the 1950s. “When I told [the movie people] what it’s made of,” Marta recalls, “I don’t think they knew what I was talking about.” Soon, 29 swatches of sample fabrics arrived in her mail—but none were, so to speak, the right stuff. Then, she adds, “someone found off-white faille in a film warehouse.”

Kranz went on to serve as flight director for Apollo 17 (December 7-19, 1972), the final mission in the lunar landing series, then as deputy director and director of NASA mission operations. He retired from NASA in 1994. But that did not relieve Marta Kranz of her sar­torial responsibilities. “I never had a chance to stop,” she says. “Gene became a motivational speaker, and when he gave speeches, people wanted him to wear the white vest.”

The only difference, she adds, laughing softly, “is that the configuration keeps changing.”

Owen Edwards is a freelance writer and author of the book Elegant Solutions.

    Subscribe now for more of Smithsonian's coverage on history, science and nature.


Related topics: NASA National Air and Space Museum 1970s


| | | Reddit | Digg | Stumble | Email |
 

Add New Comment


Name: (required)

Email: (required)

Comment:

Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.

Comments (6)

Very few famous people that I can say I would really like to meet. One was Chuck Yeager, whom regretably never got the opportunity, Gene is another. These men define what the term professionals really mean in the highest sense of the term, we were lucky to have had them serve.

Posted by Doug gulsby on September 8,2012 | 11:06 PM

Mr. Kranz is the guest speaker in the business session I'm in right at this very moment. He's quite a great guy, engaging with us sound guys as we stepped through the program in advance. I took a qucik minute to read his bio here, and I can't wait - he goes on in 5 minutes! "in the presence of greatness!" Really cool guy in person, that's for sure.

Posted by john on February 2,2012 | 02:10 PM

my fave friend brendan, a flyboy at heart and by trade, wears his white vest on the INSIDE!

Posted by jennifer dinklage on September 10,2011 | 09:12 PM

Wow!! That's great. Gene's family , his wife Marta and thr 6 children are related to us My husband Bob and Gene's father were brothers. I'm happy that original vest is in the Smithsonion. midge Kranz ---Toledo, Ohio

Posted by midge kranz on April 8,2010 | 11:11 PM

Great story. I followed the Apollo 13 saga from beginning to end and remember the vest well. It's nice to know the story behind it.

Posted by Mickey Goodman on April 2,2010 | 10:19 AM

I saw the vest this past Saturday. How fun to see the article!

Posted by sharan on March 29,2010 | 10:43 PM



Advertisement


Most Popular

  • Viewed
  • Emailed
  • Commented
  1. Myths of the American Revolution
  2. For 40 Years, This Russian Family Was Cut Off From All Human Contact, Unaware of WWII
  3. Seven Famous People Who Missed the Titanic
  4. A Brief History of the Salem Witch Trials
  5. Women Spies of the Civil War
  6. The History of the Short-Lived Independent Republic of Florida
  7. Tattoos
  8. We Had No Idea What Alexander Graham Bell Sounded Like. Until Now
  9. The True Story of the Battle of Bunker Hill
  10. Gobekli Tepe: The World’s First Temple?
  1. Uncovering Secrets of the Sphinx
  2. A Brief History of the Salem Witch Trials
  3. Looking at the Battle of Gettysburg Through Robert E. Lee’s Eyes
  4. Abandoned Ship: the Mary Celeste
  5. The Women Who Fought in the Civil War
  6. New Light on Stonehenge

View All Most Popular »

Advertisement

Follow Us

Smithsonian Magazine
@SmithsonianMag
Follow Smithsonian Magazine on Twitter

Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.

In The Magazine

May 2013

  • Patriot Games
  • The Next Revolution
  • Blowing Up The Art World
  • The Body Eclectic
  • Microbe Hunters

View Table of Contents »






First Name
Last Name
Address 1
Address 2
City
State   Zip
Email


Travel with Smithsonian




Smithsonian Store

Stars and Stripes Throw

Our exclusive Stars and Stripes Throw is a three-layer adaption of the 1861 “Stars and Stripes” quilt... $65



View full archiveRecent Issues


  • May 2013


  • Apr 2013


  • Mar 2013

Newsletter

Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

Subscribe Now

About Us

Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

Explore our Brands

  • goSmithsonian.com
  • Smithsonian Air & Space Museum
  • Smithsonian Student Travel
  • Smithsonian Catalogue
  • Smithsonian Journeys
  • Smithsonian Channel
  • About Smithsonian
  • Contact Us
  • Advertising
  • Subscribe
  • RSS
  • Topics
  • Member Services
  • Copyright
  • Site Map
  • Privacy Policy
  • Ad Choices

Smithsonian Institution