Exhibitions

On Tuesday night, Cal Ripken Jr. received the Smithsonian Great Americans medal recognizing lifetime contributions that embody American ideals and ideas

Baseball Legend Cal Ripken Jr. Takes Home Another Award, This Time From the Smithsonian

The Iron Man adds the American History Museum's Great Americans medal to his trophy wall

"Do Ho Suh: Almost Home" at the Smithsonian American Art Museum, 2018

Future of Art

How This Globetrotting Artist Redefines Home and Hearth

An ethereal 3D installation by the Korean-born Do Ho Suh combines places the artist has lived in the past

Giant Panda cubs developing their tree-climbing skills at China’s Chengdu Panda Base

The Science Behind the Unbearably Cute IMAX Movie "Pandas"

Wild populations of these loveable fuzz-faced bears need help, and scientists are on the case

Sam and his true love Suzy navigate the wilds of New Penzance in Moonrise Kingdom (2012).

Wes Anderson’s Fastidious Whimsy Has Delighted Moviegoers for Decades

A Smithsonian retrospective breathes fresh life into Anderson’s kaleidoscopic filmography

Artist Titus Kaphar says that his 2014 Columbus Day Painting—which greets "Unseen" visitors in the first gallery—was inspired by his young son’s conflicted and confusing study of the putative discoverer of America.

Future of Art

Two Artists in Search of Missing History

A new exhibition makes a powerful statement about the oversights of American history and America’s art history

On April 4, 1968, when his campaign plane reached Indianapolis on that night, Robert F. Kennedy (above: in a 1968 portrait by Louis S. Glanzman) learned of Dr. King’s death.

When Robert Kennedy Delivered the News of Martin Luther King's Assassination

Months before his own slaying, Kennedy recalled the loss of JFK as he consoled a crowd of shocked African-Americans in Indianapolis

Shrumen Lumen by FoldHaus, 2018

Future of Art

How One Museum Curator Is Bringing Burning Man Out of the Desert

The outré scene of unrestrained revelry and cutting-edge art in Nevada’s Black Rock Desert comes to the Renwick Gallery

"We hope to capture the way artists and the arts help us understand other causes, and how they give their time and talent to support them," says Amanda Moniz, the museum's curator of philanthropy.

These Signature Artifacts Embody the Giving Spirt of Artist-Philanthropists

From Misty Copeland to Lin-Manuel Miranda, a new Smithsonian display spotlights creators who have shaped communities

This silk velvet ikat robe was made specifically for a woman, as evidenced by the pinched waist. Velvet ikats were considered top-of-the-line, the Freer|Sackler's Massumeh Farhad explains, because two rows of weft were needed instead of the usual one.

How the Technicolor Ikat Designs of Central Asia Thread Into Textile History

A new Smithsonian exhibition sheds light on the rich backstory of an oft-imitated tradition

Zoo curator Bryan Amaral expects Spike will play nice with the other elephants. "For a bull elephant," he says, "Spike's a pretty amenable guy."

Meet Spike, the Affable Asian Bull Elephant Trucked Up From Florida to Join the National Zoo

With a new male elephant in the mix, zookeepers are hopeful babies will soon be on the way

Homeless Vehicle, Variant 5 by Krzysztof Wodiczko, c. 1988, aluminum, fabric, wire cage and hardware

How an Exquisitely Designed Cart for Homeless People Inspired a Wave of Artists’ Activism

In the 1980s artist Krzysztof Wodiczko’s vehicle of change was also a weapon of social disruption

Ahmad Shah (r. 1909–25) and his cabinet by Assadullah al-Husayni naqqash-bashi, 1910

In Persia’s Dynastic Portraiture, Bejeweled Thrones and Lavish Decor Message Authority

Paintings and 19th century photographs offer a rare window into the lives of the royal family

Calvin and Hobbes, the influential and popular comic strip by Bill Watterson about a boy and his stuffed tiger that ran in thousands of newspapers worldwide during its run from 1985-1995.

This Artist Deconstructed His Love and Fascination for <i>Calvin and Hobbes</i>

Tony Lewis finds a new way of writing poetry, through artistry, and his assemblage of cut-up dialog balloons from Bill Watterson’s much-loved comic strip

Charles Syphax was among the slaves taken to George Washington Parke Custis’ plantation in Arlington, Virginia. He ran the dining room at the huge mansion known as Arlington House (above), which still stands on the grounds of the cemetery.

How the African-American Syphax Family Traces Its Lineage to Martha Washington

Resources at the African American History Museum deliver a wealth of opportunity for genealogical research

Choctaw chief Greenwood LeFlore had 15,000 acres of Mississippi land (above, his Mississippi home Malmaison) and 400 enslaved Africans under his dominion.

How Native American Slaveholders Complicate the Trail of Tears Narrative

The new exhibition 'Americans' at the National Museum of the American Indian prompts a deeper dive for historic truths

"Now," says the American Indian Museum's director Kevin Gover (right with Lonnie Bunch, director of the African American History museum) "some of these institutions are able to produce excellent scholarship that tells a vastly different story from what most Americans learn.”

Two Museum Directors Say It’s Time to Tell the Unvarnished History of the U.S.

History isn’t pretty and sometimes it is vastly different than what we’ve been taught, say Lonnie Bunch and Kevin Gover

Ruth (Woodworth) Creveling, US Navy Yeoman (F), 1917-1920

During World War I, Many Women Served and Some Got Equal Pay

Remembering the aspirations, struggles and accomplishments of women who served a century ago

Many of the pieces in "Brand New" are simply decontextualized products and ads, like these works from Joan Wallace, (left) The Pool Ladder Painting No. 2, 2004, and Jeff Koons, New! New Too!, 1982.

Are You Buying What These Artists Are Selling?

The absurdity of American commercialism is laid bare in the Hirshhorn’s latest exhibition

Flash mob in Chicago

Latest IMAX Film Studies History of American Music

Air and Space Museum makes way for the Flying Elvi

The 1868 treaty is "not just a historical relic," says Navajo Nation president Russell Begaye, "it’s a living document. . . It’s a contractual agreement with the U.S. government and the Navajo nation.”

The Navajo Nation Treaty of 1868 Lives On at the American Indian Museum

Marking a 150-year anniversary and a promise kept to return the people to their ancestral home

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