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The first one and the fourth one I did 80 or 85 percent. There are some things I just can't do. Or shouldn't do. But I did a lot more now than I did in the middle two.
Why did you do more in the new one?
I think because the stunt guys and the stunt coordinators were giving me a hard time. They were saying, "Oh, you're getting older now, you probably shouldn't be doing stunts." And of course that made me do even more. Which I think is another American concept.
After having the experience of being John McClane, do you think you could hold your own if there were a real terrorist attack?
No. I think there are a lot of people who are far better trained at that than I am. People who actually serve are the real heroes. I just act in films. But I don't think they can make enough films about soldiers and cops and doctors and nurses and emergency tech people. Those guys are doing a much harder job than I have to do, and they don't get enough thanks.
How do cops like the Die Hard movies?
They like them a lot. I was in New York, and New York cops—those guys really dig it.
What's the chance of a Die Hard 5?


Comments
Dear Smithsonian: Regarding the acquisition of Bruce Willis' shirt from "Die Hard": Who are you, and what have you done with the National Museum of American History? For the past 10-15 years, my husband and I have grumbled over the disheartening change in direction of the Museum's presentation of American "history." Certainly, proper historic interpretation requires a multi-disciplinary approach. However, items from movies and TV (such as Dorothy's slippers, Archie's chair, and Willis' shirt) belong in a pop culture repository! An item such as Lincoln's hat makes sense: Lincoln was a real man - a American president whose actions warrant his artifacts' presence in Smithsonian. If Smithsonian is going to display pop culture items for public viewing, then please intepret them within a larger historic context (whatever that may be - it's the job of cultural anthropologists). Otherwise, I fear the message Smithsonian is sending may be that fact and fiction are one reality...that our "movie heritage" is, indeed, our heritage. Please, don't dumb down our history; it doesn't well serve the American public.
Posted by Pauline Lanciotti on January 10,2008 | 09:56AM