• Smithsonian
    Institution
  • Travel
    With Us
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • History & Archaeology
  • Science
  • Ideas & Innovations
  • Arts & Culture
  • Travel & Food
  • At the Smithsonian
  • Photos
  • Videos
  • Games
  • Shop
  • Art
  • Design
  • Fashion
  • Music & Film
  • Books
  • Art Meets Science
  • Arts & Culture

Ulrich Boser on “Diamonds in Demand”

| | | Reddit | Digg | Stumble | Email |
  • Smithsonian magazine, June 2008, Subscribe
 
Ulrich Boser
Ulrich Boser (Rebecca Hale)

More from Smithsonian.com

  • Diamonds on Demand

Ulrich Boser, a Washington D.C.-based freelancer, also writes for the New York Times, Washington Post, Slate and the U.S. News & World Report, where he is a contributing editor. He is currently working on a book about the world's largest unsolved art heist.

What was the most interesting lab-grown diamond that you actually saw?
I think what's curious about the lab-grown diamonds is that they can make them into all shapes and sizes. So you could see lab-grown diamonds at the nano scale. You could see very large plates—dinner plate size—that were covered with little diamonds, perhaps to be used to sand something. Chemical vapor deposition [CVD] diamonds are made in these large tubes, and when you see them immediately come out, they don't look very diamond like. They're square and look like a piece of tinted glass. So it's surprising to see these and then think someone cuts them into actual diamonds.

How did your feelings on lab-grown diamonds change by working on this story?
I think initially I had thought that I would somehow be able to tell. I don't know why I thought that. But we think, oh, they're grown in a lab you would have thought that it had some markings on it, some sensibility, something about it that would be visible to the naked eye.

What was your favorite moment during reporting?
They [Apollo] lent me a few of their diamonds, which was a little bit nerve wracking. I had to sign a form and tell them I would repay them if I lost these diamonds. So I was meandering around Boston with some loose diamonds in my pocket, showing the diamonds to various jewelers and seeing their reactions. Watching how surprised they were at how good these diamonds were and explaining to them how they were made really impressed upon me how much these diamonds really are exactly like the diamonds you'd find in a ring or that had been mined in the earth thousands of years ago. They would study the diamond; one even brought out some of his smaller devices to see if it was cubic zirconium or moissanite. They really couldn't tell the difference. These were regular, on the street diamond merchants, and they were very nervous about what this diamond means for the jewelry industry. Having them call over their colleagues, like "Can you believe this thing?" was just very eye-opening.


Ulrich Boser, a Washington D.C.-based freelancer, also writes for the New York Times, Washington Post, Slate and the U.S. News & World Report, where he is a contributing editor. He is currently working on a book about the world's largest unsolved art heist.

What was the most interesting lab-grown diamond that you actually saw?
I think what's curious about the lab-grown diamonds is that they can make them into all shapes and sizes. So you could see lab-grown diamonds at the nano scale. You could see very large plates—dinner plate size—that were covered with little diamonds, perhaps to be used to sand something. Chemical vapor deposition [CVD] diamonds are made in these large tubes, and when you see them immediately come out, they don't look very diamond like. They're square and look like a piece of tinted glass. So it's surprising to see these and then think someone cuts them into actual diamonds.

How did your feelings on lab-grown diamonds change by working on this story?
I think initially I had thought that I would somehow be able to tell. I don't know why I thought that. But we think, oh, they're grown in a lab you would have thought that it had some markings on it, some sensibility, something about it that would be visible to the naked eye.

What was your favorite moment during reporting?
They [Apollo] lent me a few of their diamonds, which was a little bit nerve wracking. I had to sign a form and tell them I would repay them if I lost these diamonds. So I was meandering around Boston with some loose diamonds in my pocket, showing the diamonds to various jewelers and seeing their reactions. Watching how surprised they were at how good these diamonds were and explaining to them how they were made really impressed upon me how much these diamonds really are exactly like the diamonds you'd find in a ring or that had been mined in the earth thousands of years ago. They would study the diamond; one even brought out some of his smaller devices to see if it was cubic zirconium or moissanite. They really couldn't tell the difference. These were regular, on the street diamond merchants, and they were very nervous about what this diamond means for the jewelry industry. Having them call over their colleagues, like "Can you believe this thing?" was just very eye-opening.

    Subscribe now for more of Smithsonian's coverage on history, science and nature.


| | | Reddit | Digg | Stumble | Email |
 

Add New Comment


Name: (required)

Email: (required)

Comment:

Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.

Comments


Advertisement


Most Popular

  • Viewed
  • Emailed
  • Commented
  1. Will the Real Great Gatsby Please Stand Up?
  2. The Revolutionary Effect of the Paperback Book
  3. The Story Behind Banksy
  4. The Real Deal With the Hirshhorn Bubble
  5. Never Underestimate the Power of a Paint Tube
  6. TKO By Checkmate: Inside the World of Chessboxing
  7. The Saddest Movie in the World
  8. A Brief History of Chocolate
  9. When Did Girls Start Wearing Pink?
  10. So Where You From?
  1. The Surprising Satisfactions of a Home Funeral
  2. The Story Behind Banksy
  1. A Call to Save the Whooping Crane
  2. The Measure of Genius: Michelangelo’s Sistine Chapel at 500
  3. How Do Smithsonian Curators Decide What to Collect?

View All Most Popular »

Advertisement

Follow Us

Smithsonian Magazine
@SmithsonianMag
Follow Smithsonian Magazine on Twitter

Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.

In The Magazine

May 2013

  • Patriot Games
  • The Next Revolution
  • Blowing Up The Art World
  • The Body Eclectic
  • Microbe Hunters

View Table of Contents »






First Name
Last Name
Address 1
Address 2
City
State   Zip
Email


Travel with Smithsonian




Smithsonian Store

Stars and Stripes Throw

Our exclusive Stars and Stripes Throw is a three-layer adaption of the 1861 “Stars and Stripes” quilt... $65



View full archiveRecent Issues


  • May 2013


  • Apr 2013


  • Mar 2013

Newsletter

Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

Subscribe Now

About Us

Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

Explore our Brands

  • goSmithsonian.com
  • Smithsonian Air & Space Museum
  • Smithsonian Student Travel
  • Smithsonian Catalogue
  • Smithsonian Journeys
  • Smithsonian Channel
  • About Smithsonian
  • Contact Us
  • Advertising
  • Subscribe
  • RSS
  • Topics
  • Member Services
  • Copyright
  • Site Map
  • Privacy Policy
  • Ad Choices

Smithsonian Institution