• Smithsonian
    Institution
  • Smithsonian
    Journeys
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos
  • Videos
  • Games & Puzzles
  • Blogs
  • Arts & Culture

Beyond the Blue: The Art of Maxfield Parrish

A master of make-believe, he enchanted millions with his own vision of paradise

  • By Bruce Watson
  • Smithsonian magazine, July 1999, Subscribe
 

 
Tweet

Article Tools

 
  • Comments (2)
  • Font
  • Email
  • RSS
  • Print
  • Between the world wars, artist Maxfield Parrish was the common man's Rembrandt. When a Parrish print was placed in a department store window, crowds gathered to admire it. Hotels hung his dreamscapes in their lobbies. Housewives bought his calendars, viewed them for a year, then cut off the dates and framed the pictures. His 1922 painting Daybreak became a decorating sensation and pop icon of the 1920s, selling more than 200,000 prints.

    A short, puckish man with piercing blue eyes, Parrish painted the stuff dreams are made of. His trademarks were lush gardens, ecstatic women and his famous "Parrish blue," the color skies must surely be in any Eden worth the name.

    A generation after his death, Maxfield Parrish remains one of America's best-known and least-known artists. Though his utopias still adorn calendars and posters and his images are sold as computer screen savers and mouse pads, refrigerator magnets and tote bags, few have ever seen his paintings in person. A major retrospective now at the Pennsylvania Academy of the Fine Arts in Philadelphia offers visitors an opportunity to do just that. Going beyond the blue, the exhibition features more than 170 works from Parrish's 68-year career. Those who know him only for his "girls on rocks" will be startled by the imagination, virtuosity and sheer delight of his designs. The show includes his enchanting children's illustrations and magazine covers, his ambitious murals, his machine-tooled maquettes and the lonely landscapes he painted into his 90s. After showing in Philadelphia through September 25, "Maxfield Parrish: 1870-1966" will travel to the Currier Gallery of Art in Manchester, New Hampshire, and to the University of Rochester's Memorial Art Gallery and the Brooklyn Museum of Art, in New York.


    Between the world wars, artist Maxfield Parrish was the common man's Rembrandt. When a Parrish print was placed in a department store window, crowds gathered to admire it. Hotels hung his dreamscapes in their lobbies. Housewives bought his calendars, viewed them for a year, then cut off the dates and framed the pictures. His 1922 painting Daybreak became a decorating sensation and pop icon of the 1920s, selling more than 200,000 prints.

    A short, puckish man with piercing blue eyes, Parrish painted the stuff dreams are made of. His trademarks were lush gardens, ecstatic women and his famous "Parrish blue," the color skies must surely be in any Eden worth the name.

    A generation after his death, Maxfield Parrish remains one of America's best-known and least-known artists. Though his utopias still adorn calendars and posters and his images are sold as computer screen savers and mouse pads, refrigerator magnets and tote bags, few have ever seen his paintings in person. A major retrospective now at the Pennsylvania Academy of the Fine Arts in Philadelphia offers visitors an opportunity to do just that. Going beyond the blue, the exhibition features more than 170 works from Parrish's 68-year career. Those who know him only for his "girls on rocks" will be startled by the imagination, virtuosity and sheer delight of his designs. The show includes his enchanting children's illustrations and magazine covers, his ambitious murals, his machine-tooled maquettes and the lonely landscapes he painted into his 90s. After showing in Philadelphia through September 25, "Maxfield Parrish: 1870-1966" will travel to the Currier Gallery of Art in Manchester, New Hampshire, and to the University of Rochester's Memorial Art Gallery and the Brooklyn Museum of Art, in New York.

        Subscribe now for more of Smithsonian's coverage on history, science and nature.


    Tweet Digg
     
    Comments (2)

    Patty Surprenant,

    I am looking for the same information. When you get an answer would you please email me. I know where a similar print is for sale. However, the background does not have pillars in it....but is certainly by the same artist that you are looking for. Thanks

    Leland Hall

    Posted by Leland Hall on September 25,2009 | 09:28 AM

    I'm hoping you can help me. I grew up with a painting that looks like a Maxwell Parrish painting because of the colors. I remember it was of a woman, sitting between two pillars. I believe her leg were staight out in front of her. She had her hands in the praying position looking up. I think there was water in the back ground. She may have been sitting on a rug. I have gone thru Mr Parrish's collection. I can not find this picture. Is there another artist who also painted woman on that stone veranda with the pillars. I believe the over all color was blue. I have been looking for this picture for over 20 years. Any help anyone can give me would be wonderful.

    Posted by Patty Surprenant on September 8,2009 | 05:24 PM

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:

    Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.



    Advertisement


    Popular Videos

    • Newest
    • Most Viewed

    Behind the Scenes of the Smithsonian App

    (01:28)

    Behind the Scenes at the World Orchid Convention

    (3:15)

    Playing the Unplayable Records

    (3:39)

    Introducing Ask Smithsonian

    (1:15)

    View All Newest Videos »

    Behind the Scenes at the World Orchid Convention

    (3:15)

    Playing the Unplayable Records

    (3:39)

    A Brief History of Chocolate

    (01:22)

    Mammoth vs. Mastodon

    View All Videos »

    Most Popular

    • Viewed
    • Emailed
    • Commented
    • Topics
    1. What Makes an Ad Successful?
    2. When Did Girls Start Wearing Pink?
    3. Going Mad for Charles Dickens
    4. The Other Vitruvian Man
    5. Annie Leibovitz's American Pilgrimage
    6. Photos: The Scariest Santas You'll Ever See
    7. Dickens' Secret Affair
    8. A Brief History of Chocolate
    9. Die Hard Donation
    10. Ten Unforgettable Web Memes
    1. All About the Super Bowl
    2. What Makes an Ad Successful?
    3. Going Mad for Charles Dickens
    4. The Other Vitruvian Man
    5. When Did Girls Start Wearing Pink?
    6. A Brief History of Chocolate
    7. How Thomas Jefferson Created His Own Bible
    8. Dickens' Secret Affair
    9. How One Mummy Came to the Smithsonian
    10. Introducing Smithsonian Magazine on the iPad
    1. Annie Leibovitz's American Pilgrimage
    2. Introducing Smithsonian Magazine on the iPad
    3. A Brief History of Chocolate
    4. Meet Sesame Street's Global Cast of Characters
    5. The Saddest Movie in the World
    6. A Spectacular Collection of Native American Quilts
    7. Ralph Eugene Meatyard: The Man Behind the Masks
    8. Owney the Mail Dog
    9. What is The Godfather Effect?
    10. The Other Vitruvian Man

    View All Most Popular »

    Advertisement

    Follow Us

    Smithsonian Magazine
    @SmithsonianMag
    Follow Smithsonian Magazine on Twitter

    Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.


    In The Magazine

    February 2012

    • Gold Fever
    • Mystique of the Mother Road
    • The Orchid Olympics
    • Mad for Dickens
    • Dickens' Secret Affair

    View Table of Contents »






    First Name
    Last Name
    Address 1
    Address 2
    City
    State   Zip
    Email

    Smithsonian Store

    Jefferson Bible
    Smithsonian Edition

    Get your own copy of this recently conserved treasure.

    Smithsonian Journeys

    Private Jet Tours

    Explore some of the most treasured and legendary places on Earth, aboard our private aircrafts.



    View full archiveRecent Issues


    • Feb 2012


    • Jan 2012


    • Dec 2011

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Student Travel
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • Member Services
    • About Smithsonian
    • Contact Us
    • Advertising
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability