Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos & Videos
  • Games & Puzzles
  • Subscribe
  • Art & Artists
  • Music & Literature
  • Photo of the Day
  • Smithsonian Institution
  • Trends & Traditions
Arthur Lubow Author of "Bernini's Genius," Arthur Lubow.

Jason Royal

  • Arts & Culture

Admiring the Masters

In this Q & A, Arthur Lubow, author of "Americans in Paris," compares the Paris of today with the one that inspired Manet, Monet and Renoir

  • By Amy Crawford
  • Smithsonian.com, January 01, 2007

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit
    More from Smithsonian.com
    • Americans in Paris

    This show brings together the work of different artists—what stood out for you?
    I think the painting that I might single out is a John Singer Sargent, In the Luxembourg Gardens [1879]. Just like all of Sargent's work, it's extremely accomplished, but it captures this beautiful twilight. It seems to me that it used a pallet that we associate more with Whistler, all these crepuscular colors, but with an impressionist technique. I don't know, it's just ravishing really, it's a very, very beautiful painting. I was also very interested to discover this painter Dennis Miller Bunker, whom I had known nothing about.

    You've been to Paris many times. Does any of that artistic atmosphere remain? Would the city be recognizable to these 19th-century artists?
    I think the city that these artists saw is remarkably intact. The Luxembourg Gardens haven't changed much, for instance, or the Tuilleries. Many of those wide avenues are the same. Paris is a remarkably well-preserved city. But I think the allure of the city for those artists was something other than it is now. At the time Paris really was the art capital of the world, a place where you had an opportunity for instruction that didn't exist at that level anywhere else. At the same time, the greatest painters in the world were operating in or very near Paris—Manet, Monet, Degas, Renoir. And that's all gone. I'd say there is no single art capital in the world today in the way that there was a hundred years ago in Paris.

    What surprised you about this exhibition?
    Discovering people that I didn't know, like Bunker. And Ellen Day Hale—I didn't know anything about her either. Also, there's a very good selection of the work of Mary Cassatt. She has never been a painter that interested me very much, but she's very impressive in this show. The funny thing is that Bunker is a painter that we say died too young, but some painters, like Mary Cassatt and even Sargent, may have lived too long. A lot of late Cassatt isn't very appealing, it gets sentimental and it repeats things that she did better earlier. But seeing her here was eye-opening for me. I also didn't really know, or I hadn't thought about, how liberating it must have been for women painters who were able to get away and study in Paris.

    Going beyond this show, who are your favorite artists?
    Well, it's hard to say, but I guess if pressed I would say that if Velasquez and Goya were good enough for Manet to adulate I suppose they're good enough for me.

    What do you like about them?
    Everyone likes Velasquez because he was a miraculous master of brushwork. He could do everything. Goya is the first modern painter—I think he's usually described that way—and so there's something amazing about both his moral conscience and his ability to work in all kinds of genres and all kinds of media.

    Is it their skill that you admire?
    No, I certainly admire a mastery of technique, but I also look for an originality of thought and a very strong personality that comes through the work—work that could only have been done by that one person. That's what I admire, and I think that's true of all the people that one reviews as the greatest artists. It's true of Leonardo and Michelangelo; it's true of Rembrandt and Vermeer. It's also true of Velasquez and Goya. And Manet too, who I also think is one of my very favorite painters.

    Do you think it's true of any people in this show?
    I think it's true of Whistler. I suppose he's the person in this show that I most admire. The works by Sargent, though, are extremely beautiful. You can't find fault with his paintings, but they're not as exciting as something by Whistler that seems more original.

    Have you ever tried your hand at art yourself?
    I'm terrible at it. That's why I say it's sort of ridiculous to find fault with someone like Sargent, because he just had an amazing gift. And no, if you've tried it at all you realize how difficult it is.

    How would you describe yourself as a writer? What's your approach to writing?
    I'm interested in a number of different things, and I try to write about things that I want to learn more about. If they interest me then I want to tell other people about them, just as you would call up a friend and say, "This is really interesting, you might want to look into it."

    This show brings together the work of different artists—what stood out for you?
    I think the painting that I might single out is a John Singer Sargent, In the Luxembourg Gardens [1879]. Just like all of Sargent's work, it's extremely accomplished, but it captures this beautiful twilight. It seems to me that it used a pallet that we associate more with Whistler, all these crepuscular colors, but with an impressionist technique. I don't know, it's just ravishing really, it's a very, very beautiful painting. I was also very interested to discover this painter Dennis Miller Bunker, whom I had known nothing about.

    You've been to Paris many times. Does any of that artistic atmosphere remain? Would the city be recognizable to these 19th-century artists?
    I think the city that these artists saw is remarkably intact. The Luxembourg Gardens haven't changed much, for instance, or the Tuilleries. Many of those wide avenues are the same. Paris is a remarkably well-preserved city. But I think the allure of the city for those artists was something other than it is now. At the time Paris really was the art capital of the world, a place where you had an opportunity for instruction that didn't exist at that level anywhere else. At the same time, the greatest painters in the world were operating in or very near Paris—Manet, Monet, Degas, Renoir. And that's all gone. I'd say there is no single art capital in the world today in the way that there was a hundred years ago in Paris.

    What surprised you about this exhibition?
    Discovering people that I didn't know, like Bunker. And Ellen Day Hale—I didn't know anything about her either. Also, there's a very good selection of the work of Mary Cassatt. She has never been a painter that interested me very much, but she's very impressive in this show. The funny thing is that Bunker is a painter that we say died too young, but some painters, like Mary Cassatt and even Sargent, may have lived too long. A lot of late Cassatt isn't very appealing, it gets sentimental and it repeats things that she did better earlier. But seeing her here was eye-opening for me. I also didn't really know, or I hadn't thought about, how liberating it must have been for women painters who were able to get away and study in Paris.

    Going beyond this show, who are your favorite artists?
    Well, it's hard to say, but I guess if pressed I would say that if Velasquez and Goya were good enough for Manet to adulate I suppose they're good enough for me.

    What do you like about them?
    Everyone likes Velasquez because he was a miraculous master of brushwork. He could do everything. Goya is the first modern painter—I think he's usually described that way—and so there's something amazing about both his moral conscience and his ability to work in all kinds of genres and all kinds of media.

    Is it their skill that you admire?
    No, I certainly admire a mastery of technique, but I also look for an originality of thought and a very strong personality that comes through the work—work that could only have been done by that one person. That's what I admire, and I think that's true of all the people that one reviews as the greatest artists. It's true of Leonardo and Michelangelo; it's true of Rembrandt and Vermeer. It's also true of Velasquez and Goya. And Manet too, who I also think is one of my very favorite painters.

    Do you think it's true of any people in this show?
    I think it's true of Whistler. I suppose he's the person in this show that I most admire. The works by Sargent, though, are extremely beautiful. You can't find fault with his paintings, but they're not as exciting as something by Whistler that seems more original.

    Have you ever tried your hand at art yourself?
    I'm terrible at it. That's why I say it's sort of ridiculous to find fault with someone like Sargent, because he just had an amazing gift. And no, if you've tried it at all you realize how difficult it is.

    How would you describe yourself as a writer? What's your approach to writing?
    I'm interested in a number of different things, and I try to write about things that I want to learn more about. If they interest me then I want to tell other people about them, just as you would call up a friend and say, "This is really interesting, you might want to look into it."

     
    Comments

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed
    Coral Reef Spawn

    How Coral Reefs Spawn

    Watch coral reefs reproduce in a flurry of carefully-timed action

    Flipping Out Over Pinball

    David Silverman has collected more than 800 pinball machines to preserve their history

    Sing Along to the Messiah

    Sing Along to the Messiah

    The story within Handel's famous piece is what drives its enduring popularity

    A Rare Look at Tucker Cars

    A Rare Look at Tucker Cars

    Collector David Cammack owns three of the 43 remaining cars in existence designed by Preston Tucker

    The Residents of Arlington Cemetery

    The Residents of Arlington Cemetery

    While President Kennedy may be one of the best known gravesites in Arlington, there are many other notable Americans buried there

    The Ju/Hoansi Tribe in Action

    The Ju/'Hoansi Tribe in Action

    Over the course of 50 years, John Marshall filmed the African tribe, tracking how their nomadic culture slowly died out

    Watch the Geckos Tail Flip

    Watch the Gecko's Tail Flip

    Leopard geckos can shed their tail to distract predators, and the tails can leap up to 3 cm in one jump

    A Final Takeoff

    A Final Takeoff

    Watch one of Amelia Earhart's final takeoffs

    Most Popular

    • Viewed
    • Emailed
    • Commented
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Tattoos
    3. A Brief History of the Salem Witch Trials
    4. Top Ten Places Where Life Shouldn't Exist... But Does
    5. Wolves and the Balance of Nature in the Rockies
    6. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    7. John Brown's Day of Reckoning
    8. Ethiopia's Exotic Monkeys
    9. How Arlington National Cemetery Came to Be
    10. Evolution in the Deepest River in the World
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Crawling Around with Baltimore Street Rats
    3. Invasion of the Longhorn Beetles
    4. How Arlington National Cemetery Came to Be
    5. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    6. Ethiopia's Exotic Monkeys
    7. The Surprising Satisfactions of a Home Funeral
    8. Boise, Idaho: Big Skies and Colorful Characters
    9. Memoirs of a World War II Buffalo Soldier
    10. Decoding Jackson Pollock
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. How Arlington National Cemetery Came to Be
    3. Evolution in the Deepest River in the World
    4. Artist William Wegman
    5. A Brief History of the Salem Witch Trials
    6. The Rescue of Henry Clay
    7. What would you add to the Smithsonian Life List?
    8. Man Ray’s Signature Work
    9. Memoirs of a World War II Buffalo Soldier
    10. From Brooklyn to Worthington, Minnesota

    - - - Advertisements - - -


    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    December 2009 Issue Cover

    December 2009

    • Wildlife Trafficking
    • Hallelujah
    • The Pyramid Man
    • Glee Mail
    • Savoring Puebla

    View Table of Contents »

    Smithsonian magazine presents

    6th Annual Smithsonian Photo Contest Winners

    Out of more than 17,000 entries contributed from around the world, Smithsonian and its readers select the year's best

    • Smithsonian Store
    • Smithsonian Journeys

    Kokeshi Dolls

    Item No. 85070

    Antarctica: Aboard National Geographic Explorer

    Journey to Antarctica to experience this otherworldly and unparalleled wilderness up close. (Jan 7 - 21, 2010)



    View full archiveRecent Issues

    • December 2009 Issue Cover
      Dec 2009

    • November 2009 Issue
      Nov 2009

    • October 2009 Issue Cover
      Oct 2009

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability