Mark Twain's "My Platonic Sweetheart"- page 2 | Arts & Culture | Smithsonian
Portrait of Samuel Langhorne Clemens, aka Mark Twain from 1867. (Library of Congress)

Mark Twain's "My Platonic Sweetheart"

In an essay published posthumously in 1912, Mark Twain recounts his dreams of a long-lost love

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(Continued from page 1)

“Carry me back and start over again.”

I can see, now, that that was no solution, but at the time it seemed luminous with intelligence, and I believed that there was not another little head in the world that could have worked out that difficult problem with such swiftness and success. I told her that, and it pleased her; and she said she was glad it all happened, so that I could see how capable she was. After thinking a moment she added that it was “quite atreous.” The words seemed to mean something, I do not know why: in fact, it seemed to cover the whole ground and leave nothing more to say; I admired the nice aptness and the flashing felicity of the phrase, and was filled with respect for the marvelous mind that had been able to engender it. I think less of it now. It is a noticeable fact that the intellectual coinage of Dreamland often passes for more there than it would fetch here. Many a time in after years my dream-sweetheart threw off golden sayings which crumbled to ashes under my pencil when I was setting them down in my note-book after breakfast.

I carried her back and started over again; and all the long afternoon I bore her in my arms, miles upon miles, and it never occurred to either of us that there was anything remarkable in a youth like me being able to carry that sweet bundle around half a day without some sense of fatigue or need of rest. There are many dream-worlds, but none is so rightly and reasonably and pleasantly arranged as that one.

After dark we reached a great plantation-house, and it was her home. I carried her in, and the family knew me and I knew them, although we had not met before; and the mother asked me with ill-disguised anxiety how much twelve times fourteen was, and I said a hundred and thirty-five, and she put it down on a piece of paper, saying it was her habit in the process of perfecting her education not to trust important particulars to her memory; and her husband was offering me a chair, but noticed that Helen was asleep, so he said it would be best not to disturb her; and he backed me softly against a wardrobe and said I could stand more easily now; then a negro came in, bowing humbly, with his slouch-hat in his hand, and asked me if I would have my measure taken. The question did not surprise me, but it confused me and worried me, and I said I should like to have advice about it. He started toward the door to call advisers; then he and the family and the lights began to grow dim, and in a few moments the place was pitch dark; but straightway there came a flood of moonlight and a gust of cold wind, and I found myself crossing a frozen lake, and my arms were empty. The wave of grief that swept through me woke me up, and I was sitting at my desk in the newspaper office in San Francisco, and I noticed by the clock that I had been asleep less than two minutes. And what was of more consequence, I was twenty-nine years old.

That was 1864. The next year and the year after I had momentary glimpses of my dream-sweetheart, but nothing more. These are set down in my note-books under their proper dates, but with no talks nor other particulars added; which is sufficient evidence to me that there were none to add. In both of these instances there was the sudden meeting and recognition, the eager approach, then the instant disappearance, leaving the world empty and of no worth. I remember the two images quite well; in fact, I remember all the images of that spirit, and can bring them before me without help of my note-book. The habit of writing down my dreams of all sorts while they were fresh in my mind, and then studying them and rehearsing them and trying to find out what the source of dreams is, and which of the two or three separate persons inhabiting us is their architect, has given me a good dream-memory—a thing which is not usual with people, for few drill the dream-memory, and no memory can be kept strong without that.

I spent a few months in the Hawaiian Islands in 1866, and in October of that year I delivered my maiden lecture; it was in San Francisco. In the following January I arrived in New York, and had just completed my thirty-first year. In that year I saw my platonic dream-sweetheart again. In this dream I was again standing on the stage of the Opera House in San Francisco, ready to lecture, and with the audience vividly individualized before me in the strong light. I begun, spoke a few words, and stopped, cold with fright; for I discovered that I had no subject, no text, nothing to talk about. I choked for a while, then got out a few words, a lame, poor attempt at humor. The house made no response. There was a miserable pause, then another attempt, and another failure. There were a few scornful laughs; otherwise the house was silent, unsmilingly austere, deeply offended. I was consuming with shame. In my distress I tried to work upon its pity. I began to make servile apologies, mixed with gross and ill-timed flatteries, and to beg and plead for forgiveness; this was too much, and the people broke into insulting cries, whistlings, hootings, and cat-calls, and in the midst of this they rose and began to struggle in a confused mass toward the door. I stood dazed and helpless, looking out over this spectacle, and thinking how everybody would be talking about it next day, and I could not show myself in the streets. When the house was become wholly empty and still, I sat down on the only chair that was on the stage and bent my head down on the reading-desk to shut out the look of that place. Soon that familiar dream-voice spoke my name, and swept all my troubles away:

“Robert!”

I answered: “Agnes!”

The next moment we two were lounging up the blossomy gorge called the Iao Valley, in the Hawaiian Islands. I recognized, without any explanations, that Robert was not my name, but only a pet name, a common noun, and meant “dear”; and both of us knew that Agnes was not a name, but only a pet name, a common noun, whose spirit was affectionate, but not conveyable with exactness in any but the dream-language. It was about the equivalent of “dear,” but the dream-vocabulary shaves meanings finer and closer than do the world’s daytime dictionaries. We did not know why those words should have those meanings; we had used words which had no existence in any known language, and had expected them to be understood, and they were understood. In my note-books there are several letters from this dream-sweetheart, in some unknown tongue— presumably dream-tongue—with translations added. I should like to be master of that tongue, then I could talk in shorthand. Here is one of those letters—the whole of it:
“Rax oha tal.”

Translation.—”When you receive this it will remind you that I long to see your face and touch your hand, for the comfort of it and the peace.”

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