Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos
  • Videos
  • Games & Puzzles
  • Subscribe
  • Arts & Culture

Roll Over, Beethoven

When Paul McCartney founded the Liverpool Institute for the Performing Arts, he created a place where aspiring stars can learn 21st-century survival skills

  • By Sue Arnold
  • Smithsonian magazine, January 1998

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit

    "Which comes first," someone asked Ira Gershwin, "the words or the music?" "The contract," said Gershwin. Students at the Liverpool Institute for the Performing Arts (LIPA) have heard that many times. Perhaps, writes Sue Arnold, the recollection of his own youthful naivete influenced Paul McCartney's decision to open LIPA. "John [Lennon] and I didn't know you could own songs," the former Beatle has said. "The publishers saw us coming." What is certain is that McCartney's interest in the plight of his crumbling alma mater (LIPA is housed in his former grammar school) coincided with the ambition of cofounder Mark Featherstone-Witty to establish a school dedicated to the performing arts.

    Featherstone-Witty, inspired by the 1980 film Fame, visited New York's School of Performing Arts and came away determined to open his own version, this time a university offering degrees in several aspects of the industry. Students choose one of six majors: acting, dance, music, community arts, enterprise management or performance design. They also take a core curriculum wherein actors learn the rudiments of set design, musicians learn the mysteries of marketing and everyone learns to read the fine print in a contract.

    McCartney, who played a key role from the beginning, putting up more than a million pounds himself, sometimes drops in on the students. "I don't kid myself that I'm a teacher, but I can pass on a few tricks of the trade," he says. Other visiting patrons include Mark Knopfler of the rock group Dire Straits.

    But what if the students don't get that all-important break to catapult them to the heights of McCartney or Knopfler? That's where LIPA's all-around training comes in. They learn there are many career options open to them in the fast-changing, highly competitive industry of showbiz.

    "Which comes first," someone asked Ira Gershwin, "the words or the music?" "The contract," said Gershwin. Students at the Liverpool Institute for the Performing Arts (LIPA) have heard that many times. Perhaps, writes Sue Arnold, the recollection of his own youthful naivete influenced Paul McCartney's decision to open LIPA. "John [Lennon] and I didn't know you could own songs," the former Beatle has said. "The publishers saw us coming." What is certain is that McCartney's interest in the plight of his crumbling alma mater (LIPA is housed in his former grammar school) coincided with the ambition of cofounder Mark Featherstone-Witty to establish a school dedicated to the performing arts.

    Featherstone-Witty, inspired by the 1980 film Fame, visited New York's School of Performing Arts and came away determined to open his own version, this time a university offering degrees in several aspects of the industry. Students choose one of six majors: acting, dance, music, community arts, enterprise management or performance design. They also take a core curriculum wherein actors learn the rudiments of set design, musicians learn the mysteries of marketing and everyone learns to read the fine print in a contract.

    McCartney, who played a key role from the beginning, putting up more than a million pounds himself, sometimes drops in on the students. "I don't kid myself that I'm a teacher, but I can pass on a few tricks of the trade," he says. Other visiting patrons include Mark Knopfler of the rock group Dire Straits.

    But what if the students don't get that all-important break to catapult them to the heights of McCartney or Knopfler? That's where LIPA's all-around training comes in. They learn there are many career options open to them in the fast-changing, highly competitive industry of showbiz.

     
    Comments

    I've been aware of this project ever since McCartney did the fund raiser for the royal family,which included his fellow Liverpudlian Elvis Costello. I think it is a great endeavor and I hope it continues and thrives.

    Posted by Dana Bailey on March 11,2010 | 04:11 PM

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:

    Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed

    Mammoth vs. Mastodon

    The Photography of Timothy H. O’Sullivan

    The Cowboys of R.A. Brown Ranch

    (4:11)

    Silky Sifakas: The Angels of the Forest

    (3:26)

    View All Newest Videos »

    Mustangs: Spirits of the Wild West

    (04:18)

    The Sights and Tastes of Hanoi

    (02:21)

    Unearthing Our Roots

    The Art of Gaman: Crafts from the Japanese Internment Camps

    (4:59)

    View All Most Popular Videos »

    Most Popular

    • Viewed
    • Emailed
    • Commented
    1. The Search for the Guggenheim Treasure
    2. A Closer Look at Evolutionary Faces
    3. Photo Contest Finalist - Yang Mai Yong Mountain Under Moonlight
    4. Top Ten Reasons to Beware the Ides of March
    5. Photo Contest Finalist - Lonely coffee break
    6. Photo Contest Finalist - A group of young Menonite women at the scenic overlook
    7. Photo Contest Finalist - Wildfires at Myrtle Beach
    8. Photo Contest Finalist - Cowboy atop his mule in the auction barn
    9. Photo Contest Finalist - Alpine cabin at night
    10. Photo Contest Finalist - Tulum ruins
    1. The Search for the Guggenheim Treasure
    2. Henrietta Lacks’ ‘Immortal’ Cells
    3. The Political History of Cap and Trade
    4. Top Ten Reasons to Beware the Ides of March
    5. Beavers: The Engineers of the Forest
    6. Searching for Hanoi's Ultimate Pho
    7. Ireland's Forgotten Sons Recovered Two Centuries Later
    8. Hypatia, Ancient Alexandria’s Great Female Scholar
    9. A Closer Look at Evolutionary Faces
    10. Photo Contest Finalist - Wildfires at Myrtle Beach
    1. The Search for the Guggenheim Treasure
    2. Top Ten Reasons to Beware the Ides of March
    3. Photo Contest Finalist - Yang Mai Yong Mountain Under Moonlight
    4. A Closer Look at Evolutionary Faces
    5. Photo Contest Finalist - Alpine cabin at night
    6. Photo Contest Finalist - Wildfires at Myrtle Beach
    7. Photo Contest Finalist - Fun time
    8. Photo Contest Finalist - Tree in wheat fields
    9. Photo Contest Finalist - Lonely coffee break
    10. Photo Contest Finalist - The little house that fought demolition

    - - - Advertisements - - -


    Heritage Month

    Women's History Month

    Explore how powerful women have shaped American history, from our first ladies to our Navy cadets to acclaimed artists and writers.

    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    March 2010

    • Wrecking History
    • Our Earliest Ancestors
    • Ultimate Pho
    • Ultimate Pho
    • Witness to History

    View Table of Contents »

    Smithsonian magazine presents

    Vote for the 7th Contest People's Choice Award

    Check out the 50 shots our editors named finalists and help pick a winner

    • Smithsonian Store
    • Smithsonian Journeys

    Triple-Strand Bracelet

    Item No. 48258

    Opera Lover's Italy

    Opera and Cuisine in Puglia, Basilicata, Campania and Rome (July 15-24, 2010)



    View full archiveRecent Issues


    • Mar 2010

    • February 2010 Issue Cover
      Feb 2010

    • January 2010 Issue Cover
      Jan 2010

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability