• Smithsonian
    Institution
  • Smithsonian
    Journeys
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos
  • Videos
  • Games & Puzzles
  • Blogs
  • Arts & Culture

Letters

Readers Respond to the February Issue

  • By Smithsonian Magazine
  • Smithsonian magazine, April 2008, Subscribe
 

 
Tweet

Article Tools

 
  • Comments
  • Font
  • Email
  • RSS
  • Print
  • More from Smithsonian.com
    • Letters
    • Letters

    It is amazing that our government provided this service that saved hundreds of thousands of treasures stolen by the Nazis ("Monumental Mission"). These soldiers did a wonderful job with limited training, and the world owes them a great debt of gratitude. What a contrast with current leaders who did little to prevent looting in Iraq, despite warnings that the Iraq Museum was vulnerable.

    E. Murray Tate Jr.,
    Hickory, North Carolina

    Rescuing Stolen Art
    Lynn H. Nicholas wrote the definitive work on this subject. Her brilliant 1994 book, The Rape of Europa, was published after ten years of ground-breaking research, during which Nicholas interviewed most of the surviving "monuments men," as these soldiers are called, and it won the National Book Critics Circle Award. Her research also spurred the retrieval of more stolen artworks, thereby helping to carry on the soldiers' mission. She has also contributed to a documentary movie of the same title.

    Edmond R. Du Pont
    Weston, Massachusetts

    Tagged
    Curator Frank Goodyear III, of the Smithsonian's National Portrait Gallery, says the exhibit featuring museum-commissioned graffiti is "not glorifying the illegal activity" (Around the Mall, "Aerosol Art"). So what is it doing? Graffiti—the defacement of property with spray-painted "signatures"—may be an art form, but part of its appeal to artists is its illicit nature. It's an updated, more fanciful version of "Kilroy was here," and it assumes that the artist has more rights than the property owner. If the curators of this exhibit found graffiti on their cars or on their homes, would they still feel it is worth featuring? Instead of replicating art that is a form of vandalism, why doesn't the Smithsonian purchase canvases for budding graffiti artists? It's interesting that the Smithsonian itself did not allow the graffiti artists to paint directly on museum walls.

    Elana Bodine
    Yuba City, California

    Radioactive History
    I was part of a Combat Engineer Battalion, the 231st, Baker Company, which witnessed some of the early nuclear test explosions discussed in the Points of Interest item "Atomic Legacy." While bunkers were present in various field fortification display areas, the soldiers who participated were out in the open. Animals of various species were caged in a miniature village constructed of different materials in an attempt to discover ways of building structures that could withstand the explosions. Our observation site was only a few miles away. After the blast, we walked back toward ground zero, and the closer we got, the more the animals suffered, from singed wool to terrible burns to death. We were met by men wearing what looked like white spacesuits, who waved wands over us—Geiger counters—that clicked like mad. Since then, several members of our group have suffered from cancer.

    E. D. Footit
    Farmington, Minnesota

    Monkey Business
    After reading about Marc van Roosmalen ("Trials of a Primatologist"), I have to agree with those who say that his problems are of his own making. I was disheartened that your excellent publication devoted 12 pages to his plight. Clearly he thinks that the rules do not apply to him. The extensive paperwork required to pursue his chosen vocation, while tedious, is intended to protect the researcher as well as the research institution(s) and subject(s). His failure to comply suggests contempt for the agencies. That he had an extramarital affair, but thinks his family has betrayed him, shows just how deluded he is. Obviously, he has spent too much time in the jungle and madness has overtaken him.

    M. L. Carr
    Troy, Idaho

    Correction:
    A photograph on page 20 accompanying a Points of Interest item about Arches National Park in Utah actually shows another Utah site, Canyonlands National Park. We regret the error. —Ed.


    It is amazing that our government provided this service that saved hundreds of thousands of treasures stolen by the Nazis ("Monumental Mission"). These soldiers did a wonderful job with limited training, and the world owes them a great debt of gratitude. What a contrast with current leaders who did little to prevent looting in Iraq, despite warnings that the Iraq Museum was vulnerable.

    E. Murray Tate Jr.,
    Hickory, North Carolina

    Rescuing Stolen Art
    Lynn H. Nicholas wrote the definitive work on this subject. Her brilliant 1994 book, The Rape of Europa, was published after ten years of ground-breaking research, during which Nicholas interviewed most of the surviving "monuments men," as these soldiers are called, and it won the National Book Critics Circle Award. Her research also spurred the retrieval of more stolen artworks, thereby helping to carry on the soldiers' mission. She has also contributed to a documentary movie of the same title.

    Edmond R. Du Pont
    Weston, Massachusetts

    Tagged
    Curator Frank Goodyear III, of the Smithsonian's National Portrait Gallery, says the exhibit featuring museum-commissioned graffiti is "not glorifying the illegal activity" (Around the Mall, "Aerosol Art"). So what is it doing? Graffiti—the defacement of property with spray-painted "signatures"—may be an art form, but part of its appeal to artists is its illicit nature. It's an updated, more fanciful version of "Kilroy was here," and it assumes that the artist has more rights than the property owner. If the curators of this exhibit found graffiti on their cars or on their homes, would they still feel it is worth featuring? Instead of replicating art that is a form of vandalism, why doesn't the Smithsonian purchase canvases for budding graffiti artists? It's interesting that the Smithsonian itself did not allow the graffiti artists to paint directly on museum walls.

    Elana Bodine
    Yuba City, California

    Radioactive History
    I was part of a Combat Engineer Battalion, the 231st, Baker Company, which witnessed some of the early nuclear test explosions discussed in the Points of Interest item "Atomic Legacy." While bunkers were present in various field fortification display areas, the soldiers who participated were out in the open. Animals of various species were caged in a miniature village constructed of different materials in an attempt to discover ways of building structures that could withstand the explosions. Our observation site was only a few miles away. After the blast, we walked back toward ground zero, and the closer we got, the more the animals suffered, from singed wool to terrible burns to death. We were met by men wearing what looked like white spacesuits, who waved wands over us—Geiger counters—that clicked like mad. Since then, several members of our group have suffered from cancer.

    E. D. Footit
    Farmington, Minnesota

    Monkey Business
    After reading about Marc van Roosmalen ("Trials of a Primatologist"), I have to agree with those who say that his problems are of his own making. I was disheartened that your excellent publication devoted 12 pages to his plight. Clearly he thinks that the rules do not apply to him. The extensive paperwork required to pursue his chosen vocation, while tedious, is intended to protect the researcher as well as the research institution(s) and subject(s). His failure to comply suggests contempt for the agencies. That he had an extramarital affair, but thinks his family has betrayed him, shows just how deluded he is. Obviously, he has spent too much time in the jungle and madness has overtaken him.

    M. L. Carr
    Troy, Idaho

    Correction:
    A photograph on page 20 accompanying a Points of Interest item about Arches National Park in Utah actually shows another Utah site, Canyonlands National Park. We regret the error. —Ed.

        Subscribe now for more of Smithsonian's coverage on history, science and nature.


    Tweet Digg
     
    Comments

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:

    Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.



    Advertisement


    Popular Videos

    • Newest
    • Most Viewed

    Behind the Scenes of the Smithsonian App

    (01:28)

    Behind the Scenes at the World Orchid Convention

    (3:15)

    Playing the Unplayable Records

    (3:39)

    Introducing Ask Smithsonian

    (1:15)

    View All Newest Videos »

    Behind the Scenes at the World Orchid Convention

    (3:15)

    Playing the Unplayable Records

    (3:39)

    A Brief History of Chocolate

    (01:22)

    Mammoth vs. Mastodon

    View All Videos »

    Most Popular

    • Viewed
    • Emailed
    • Commented
    • Topics
    1. What Makes an Ad Successful?
    2. When Did Girls Start Wearing Pink?
    3. Going Mad for Charles Dickens
    4. The Other Vitruvian Man
    5. Annie Leibovitz's American Pilgrimage
    6. Dickens' Secret Affair
    7. Photos: The Scariest Santas You'll Ever See
    8. A Brief History of Chocolate
    9. Die Hard Donation
    10. Ten Unforgettable Web Memes
    1. All About the Super Bowl
    2. What Makes an Ad Successful?
    3. Going Mad for Charles Dickens
    4. The Other Vitruvian Man
    5. When Did Girls Start Wearing Pink?
    6. A Brief History of Chocolate
    7. Dickens' Secret Affair
    8. How One Mummy Came to the Smithsonian
    9. How Thomas Jefferson Created His Own Bible
    10. Introducing Smithsonian Magazine on the iPad
    1. Annie Leibovitz's American Pilgrimage
    2. Introducing Smithsonian Magazine on the iPad
    3. A Brief History of Chocolate
    4. Meet Sesame Street's Global Cast of Characters
    5. The Saddest Movie in the World
    6. Owney the Mail Dog
    7. Ralph Eugene Meatyard: The Man Behind the Masks
    8. What is The Godfather Effect?
    9. The Skeletons of Shanidar Cave
    10. The Other Vitruvian Man

    View All Most Popular »

    Advertisement

    Follow Us

    Smithsonian Magazine
    @SmithsonianMag
    Follow Smithsonian Magazine on Twitter

    Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.


    In The Magazine

    February 2012

    • Gold Fever
    • Mystique of the Mother Road
    • The Orchid Olympics
    • Mad for Dickens
    • Dickens' Secret Affair

    View Table of Contents »






    First Name
    Last Name
    Address 1
    Address 2
    City
    State   Zip
    Email

    Smithsonian Store

    Jefferson Bible
    Smithsonian Edition

    Get your own copy of this recently conserved treasure.

    Smithsonian Journeys

    Private Jet Tours

    Explore some of the most treasured and legendary places on Earth, aboard our private aircrafts.



    View full archiveRecent Issues


    • Feb 2012


    • Jan 2012


    • Dec 2011

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Student Travel
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • Member Services
    • About Smithsonian
    • Contact Us
    • Advertising
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability