Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos & Videos
  • Games & Puzzles
  • Subscribe
  • Arts & Culture

Anyone Having Trouble Hitting the Notes?

  • By Chris Granstrom
  • Smithsonian.com, March 01, 1999

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit

    I was lured into joining our community theater group's production of Damn Yankees a while back by the offhand remark of a friend who was playing the lead. "We need ballplayers," he said. "You could be a ballplayer." At 40, I knew I was unlikely ever to hear that again so I decided to go for it.

    I had no idea what to expect when I showed up at my first rehearsal. I didn't even know the play was about a man who sold his soul for the chance to lead his beloved Washington Senators to victory over the hated New York Yankees. I did know that I was to play a Senator, and I was trying to pick my teammates out of the crowd of amateur actors in the room when a young woman with red lips walked up to the piano, snapped her fingers, played a chord and began to lead us in vocal exercises.

    "Anyone having trouble hitting the notes?" our leader, Heather, asked. She suggested that I stand next to one of the stronger singers and follow his lead. It helped. I stayed close to him when we finished the exercises and started singing real songs. After a while, he casually moved away.

    That was the beginning of seven weeks of grinding practice. Heather seemed to think it was hopeless; at times, I agreed with her. But finally, ready or not, it was opening night.

    We were in the dressing room at the local high school putting on makeup and costumes, feeling the adrenaline flow. Dave, who played the Senators manager, was in the corner practicing his lines one last time, jutting out his chin and gesturing to the wall. Heather led us through some warm-ups. Barb, our soft-spoken stage manager, came in and stood on a chair. She handed out little awards to cast members for minor achievements. Then she announced five minutes till curtain. We could hear the orchestra begin the overture. This was it.

    The ballplayers' entrance came in the second scene. I spoke my line; the world didn't end. I was so amazed, I lost my concentration and flubbed my next line. A teammate had to ad-lib. I tried to stay loose, then realized I was fidgeting. Stand still, I told myself, but not too still.

    Our big song-and-dance routine was in the second act. The audience loved it. What a sensation! When it was time for curtain calls, the ballplayers drew another cheer. How far we had come in seven weeks!

    The cast was invited to a party at the local inn afterward, and we ballplayers decided to stay in our Washington Senators uniforms. We strutted around the room, elated and basking in adulation.

    I was lured into joining our community theater group's production of Damn Yankees a while back by the offhand remark of a friend who was playing the lead. "We need ballplayers," he said. "You could be a ballplayer." At 40, I knew I was unlikely ever to hear that again so I decided to go for it.

    I had no idea what to expect when I showed up at my first rehearsal. I didn't even know the play was about a man who sold his soul for the chance to lead his beloved Washington Senators to victory over the hated New York Yankees. I did know that I was to play a Senator, and I was trying to pick my teammates out of the crowd of amateur actors in the room when a young woman with red lips walked up to the piano, snapped her fingers, played a chord and began to lead us in vocal exercises.

    "Anyone having trouble hitting the notes?" our leader, Heather, asked. She suggested that I stand next to one of the stronger singers and follow his lead. It helped. I stayed close to him when we finished the exercises and started singing real songs. After a while, he casually moved away.

    That was the beginning of seven weeks of grinding practice. Heather seemed to think it was hopeless; at times, I agreed with her. But finally, ready or not, it was opening night.

    We were in the dressing room at the local high school putting on makeup and costumes, feeling the adrenaline flow. Dave, who played the Senators manager, was in the corner practicing his lines one last time, jutting out his chin and gesturing to the wall. Heather led us through some warm-ups. Barb, our soft-spoken stage manager, came in and stood on a chair. She handed out little awards to cast members for minor achievements. Then she announced five minutes till curtain. We could hear the orchestra begin the overture. This was it.

    The ballplayers' entrance came in the second scene. I spoke my line; the world didn't end. I was so amazed, I lost my concentration and flubbed my next line. A teammate had to ad-lib. I tried to stay loose, then realized I was fidgeting. Stand still, I told myself, but not too still.

    Our big song-and-dance routine was in the second act. The audience loved it. What a sensation! When it was time for curtain calls, the ballplayers drew another cheer. How far we had come in seven weeks!

    The cast was invited to a party at the local inn afterward, and we ballplayers decided to stay in our Washington Senators uniforms. We strutted around the room, elated and basking in adulation.

    Then a group of scruffy-looking young people came in and sat down at a large table in the corner. Abruptly, the attention of the well-wishers shifted from us to them. What was this? A friend told me the interlopers were a big-time rock band, just arrived in town for a concert. It was a bitter lesson in the fickle nature of fame. I sank, deflated, into a chair.

    Later, my 8-year-old daughter crawled onto my lap and said in my ear, "Daddy, you know when I came into the dressing room after the play and hugged you but didn't say anything? It's because I was so proud of you that I couldn't speak." For a moment I couldn't speak either, but suddenly I was sure of one thing: that's the right kind of fame for a middle-aged ballplayer like me.

    By Chris Granstrom


    1 2

     
    Comments

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed
    The Quirky Ways of the Postal Service

    The Quirky Ways of the Postal Service

    (05:09)

    Farewell, Tai Shan

    (3:17)

    Poaching the Venus Flytrap

    (02:33)

    Remembering the Horrors of Auschwitz

    (5:47)

    Hiding in a Coconut

    (1:14)

    Remembering the Horrors of Auschwitz

    (5:47)

    Poaching the Venus Flytrap

    (02:33)

    Renoir Through the Years

    Most Popular

    • Viewed
    • Emailed
    • Topic
    1. Henrietta Lacks’ ‘Immortal’ Cells
    2. Easter Island
    3. Myths of the American Revolution
    4. Family Ties
    5. Tattoos
    6. Top 13 U.S. Winter Olympians
    7. Volcanic Lightning
    8. Uncovering Secrets of the Sphinx
    9. Ten Plants That Put Meat on Their Plates
    10. Renoir's Controversial Second Act
    1. Curse of the Devil's Dogs
    2. Students of the Game
    3. Henrietta Lacks’ ‘Immortal’ Cells
    4. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    1. Culture and Lifestyle
    2. United States
    3. Cultural Institutions and Parks
    4. Smithsonian Institution
    5. Science and Technology
    6. Nature and the Environment
    7. History
    8. Museums
    9. Wildlife
    10. Washington

    - - - Advertisements - - -


    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    February 2010 Issue Cover

    February 2010

    • Uncovering Secrets of the Sphinx
    • Picture of Prosperity
    • The Venus Flytrap's Lethal Allure
    • Can Auschwitz Be Saved?
    • Renoir Rebels Again

    View Table of Contents »

    Smithsonian magazine presents

    6th Annual Smithsonian Photo Contest Winners

    Out of more than 17,000 entries, Smithsonian and its readers select the year's best

    • Smithsonian Store
    • Smithsonian Journeys

    Ace of Cakes - Signed Copy

    Item No. 10375

    Treasures of Angkor Wat and Vietnam

    Expert local historians enhance your journey to Thailand, Cambodia, and Vietnam (Multiple departures in 2010)



    View full archiveRecent Issues

    • February 2010 Issue Cover
      Feb 2010

    • January 2010 Issue Cover
      Jan 2010

    • December 2009 Issue Cover
      Dec 2009

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability