Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos & Videos
  • Games & Puzzles
  • Subscribe
  • Art & Artists
  • Music & Literature
  • Photo of the Day
  • Smithsonian Institution
  • Trends & Traditions
  • Arts & Culture

Itchiku Kubota's fascination with an ancient textile art

The Japanese master has devoted his life to reviving a long-lost technique of fabric design and to creating handcrafted kimonos of lyrical and lasting beauty

  • By Diane M. Bolz
  • Smithsonian magazine, December 1995

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit

    If Japanese artist Itchiku Kubota has his way, he will live to be 120. That's how long the 78-year-old textile master estimates it will take him to complete his life's work — a series of 75 elaborately handcrafted kimonos, which, when hung side by side, will form a panoramic tapestry celebrating the four seasons and the cosmos. Kubota, a renowned craftsman and painter, considers this series, entitled "Symphony of Light," to be his masterpiece.

     Thirty of the finished works, tracing the transition from autumn to winter, are currently on display at the National Museum of Natural History. "Landscape Kimonos by Itchiku Kubota" also features 15 other kimonos inspired by motifs, such as a burning sun, that reflect the artist's reverence for nature. The exhibit, on view through April 14, 1996, was made possible by the Nippon Foundation (formerly the Sasakawa Foundation).

     Born in Toyko in 1917, Kubota began studying yuzen (rice-paste resist) dyeing at age 14. Six years later, he stumbled upon a fragment of elegantly patterned cloth in the Tokyo National Museum. "Trembling in the face of such mastery and refinement of beauty," he relates, he stood transfixed for three hours. "In a sudden moment, I encountered a source of boundless creativity which revealed to me my calling."

    More than 350 years old, the remnant was a rare example of the lost art of tsujigahana, a complex method of tie-dyeing embellished with intricate embroidery, elaborate brush painting, sumi ink drawing and gold-leaf application. The technique, often referred to as "illusionary dyeing," flourished in Japan during the 14th to 16th centuries.

     Over the years, Kubota's fascination with tsujigahana grew. After his release in 1951 from a Siberian prisoner-of-war camp, he decided to devote himself to creating a modified version of the lost art — a goal that consumed 20 years. He has since won international acclaim for his unconventional designs, distinctive use of color and unwavering dedication to an extraordinarily laborious craft.

    The juxtaposed kimonos of the "Symphony of Light" series compose a continuous mountain landscape that pans poetically through the purple shades of evening, the mauve starkness of a sudden snow and the golden shafts of autumn's last light. "I cannot die in peace until I have finished the series to which I have devoted my life," insists Kubota. "While envisioning a panorama of 75 works, I am but a traveler wandering on a path in search of more depth to my dye-colors."

    By Diane M. Bolz

    If Japanese artist Itchiku Kubota has his way, he will live to be 120. That's how long the 78-year-old textile master estimates it will take him to complete his life's work — a series of 75 elaborately handcrafted kimonos, which, when hung side by side, will form a panoramic tapestry celebrating the four seasons and the cosmos. Kubota, a renowned craftsman and painter, considers this series, entitled "Symphony of Light," to be his masterpiece.

     Thirty of the finished works, tracing the transition from autumn to winter, are currently on display at the National Museum of Natural History. "Landscape Kimonos by Itchiku Kubota" also features 15 other kimonos inspired by motifs, such as a burning sun, that reflect the artist's reverence for nature. The exhibit, on view through April 14, 1996, was made possible by the Nippon Foundation (formerly the Sasakawa Foundation).

     Born in Toyko in 1917, Kubota began studying yuzen (rice-paste resist) dyeing at age 14. Six years later, he stumbled upon a fragment of elegantly patterned cloth in the Tokyo National Museum. "Trembling in the face of such mastery and refinement of beauty," he relates, he stood transfixed for three hours. "In a sudden moment, I encountered a source of boundless creativity which revealed to me my calling."

    More than 350 years old, the remnant was a rare example of the lost art of tsujigahana, a complex method of tie-dyeing embellished with intricate embroidery, elaborate brush painting, sumi ink drawing and gold-leaf application. The technique, often referred to as "illusionary dyeing," flourished in Japan during the 14th to 16th centuries.

     Over the years, Kubota's fascination with tsujigahana grew. After his release in 1951 from a Siberian prisoner-of-war camp, he decided to devote himself to creating a modified version of the lost art — a goal that consumed 20 years. He has since won international acclaim for his unconventional designs, distinctive use of color and unwavering dedication to an extraordinarily laborious craft.

    The juxtaposed kimonos of the "Symphony of Light" series compose a continuous mountain landscape that pans poetically through the purple shades of evening, the mauve starkness of a sudden snow and the golden shafts of autumn's last light. "I cannot die in peace until I have finished the series to which I have devoted my life," insists Kubota. "While envisioning a panorama of 75 works, I am but a traveler wandering on a path in search of more depth to my dye-colors."

    By Diane M. Bolz

     
    Comments

    Question: Who wrote the Catalogue essay for the Smithsonian exhibition of the Kimono by Itchiku Kubota? Can you have this person e-mail me ASAP? MJA

    Posted by M. J. Albacete on January 27,2009 | 12:05PM

    The work of Itchiku Kubota is AMAZING. Where could we see his work in a museum in the area of Boston, Massachusetts?

    Are there museum catalogues of his work available?

    Posted by Jonathan Place (cust#102763) on June 28,2009 | 02:27PM

    Kubota's awe-inspiring work returned to the US and was in San Diego and Canton, Ohio exhibits this year. Sadly, I believe it has returned to it's native museum in Japan now. Catalogues of the exhibit are available at amazon.com. It is a beautiful book, I am thrilled to have it. You can google his work and check out the reviews on the exhibits.

    Posted by mary ann on August 24,2009 | 06:22PM

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed
    Coral Reef Spawn

    How Coral Reefs Spawn

    Watch coral reefs reproduce in a flurry of carefully-timed action

    Flipping Out Over Pinball

    David Silverman has collected more than 800 pinball machines to preserve their history

    Sing Along to the Messiah

    Sing Along to the Messiah

    The story within Handel's famous piece is what drives its enduring popularity

    A Rare Look at Tucker Cars

    Collector David Cammack owns three of the 43 remaining cars in existence designed by Preston Tucker

    The Residents of Arlington Cemetery

    While President Kennedy may be one of the best known gravesites in Arlington, there are many other notable Americans buried there

    The Ju/'Hoansi Tribe in Action

    Over the course of 50 years, John Marshall filmed the African tribe, tracking how their nomadic culture slowly died out

    Watch the Gecko's Tail Flip

    Leopard geckos can shed their tail to distract predators, and the tails can leap up to 3 cm in one jump

    A Final Takeoff

    Watch one of Amelia Earhart's final takeoffs

    Most Popular

    • Viewed
    • Emailed
    • Commented
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Tattoos
    3. A Brief History of the Salem Witch Trials
    4. Wildlife Trafficking
    5. How Arlington National Cemetery Came to Be
    6. Crawling Around with Baltimore Street Rats
    7. Ethiopia's Exotic Monkeys
    8. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    9. Top Ten Places Where Life Shouldn't Exist... But Does
    10. Wolves and the Balance of Nature in the Rockies
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Crawling Around with Baltimore Street Rats
    3. Invasion of the Longhorn Beetles
    4. Ethiopia's Exotic Monkeys
    5. How Arlington National Cemetery Came to Be
    6. The Glorious History of Handel's Messiah
    7. Teaching Cops to See
    8. Terra Cotta Soldiers on the March
    9. UBI in the Knife and Gun Club
    10. Boise, Idaho: Big Skies and Colorful Characters
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Evolution in the Deepest River in the World
    3. How Arlington National Cemetery Came to Be
    4. A Brief History of the Salem Witch Trials
    5. Crawling Around with Baltimore Street Rats
    6. For Smithsonian, Mangione Memorabilia 'Feels So Good'
    7. Wildlife Trafficking
    8. From Brooklyn to Worthington, Minnesota
    9. Underwater Photo of the Human Body
    10. Abandoned Basketball Hoop

    - - - Advertisements - - -


    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    December 2009 Issue Cover

    December 2009

    • Wildlife Trafficking
    • Hallelujah
    • The Pyramid Man
    • Glee Mail
    • Savoring Puebla

    View Table of Contents »

    Enter Now!

    Smithsonian magazine 7th Annual Photo Contest

    Smithsonian magazine 7th Annual Photo Contest

    So, what makes a photograph a Smithsonian winner? Enter the contest to see if you have what it takes

    • Smithsonian Store
    • Smithsonian Journeys
    Smithsonian magazine 7th Annual Photo Contest

    Kokeshi Dolls

    Item No. 85070

    Smithsonian magazine 7th Annual Photo Contest

    Antarctica: Aboard National Geographic Explorer

    Journey to Antarctica to experience this otherworldly and unparalleled wilderness up close. (Jan 7 - 21, 2010)



    View full archiveRecent Issues

    • December 2009 Issue Cover
      Dec 2009

    • November 2009 Issue
      Nov 2009

    • October 2009 Issue Cover
      Oct 2009

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability