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Inviting Writing: Eating With Your Fingers

For this month's Inviting Writing series, we asked you to tell us about the most memorable meal of your life. A pattern emerged from the stories we received: nothing focuses the mind on a meal like hardship, hunger or disgust. Today's entry reminds us that meals don't have to be traumatic to be mem...

kale


For this month's Inviting Writing series, we asked you to tell us about the most memorable meal of your life. A pattern emerged from the stories we received: nothing focuses the mind on a meal like hardship, hunger or disgust. Today's entry reminds us that meals don't have to be traumatic to be memorable (and that sometimes food tastes even better if you reject standard table manners).

Emily Horton is a freelance writer in Washington, D.C., who specializes in food and culture and is an enthusiastic cook. As she explains about her story: "What inspires me most, as a cook and a writer, are traditional foodways and remarkable ingredients, which is where the food I wrote about in this essay takes its cues. This meal was so memorable to me in part because it was so fresh in my mind, but also because it epitomized what I value most in cooking: simple, unfussy food made stellar by way of local and seasonal ingredients, and the shared experience of cooking and eating with others."

The Magic of Kale

By Emily Horton

Kale is best eaten with the fingers.

I don’t think we had specifically planned to make dinner. But it was already around 6:00 when my friend John came by; it was a Friday and warm, and there were dogs to be walked. This being March, when warm days are a tease and thus impossible not to ravish, I thought company would be just the thing. “I’m bringing kale,” he said.

In my kitchen he emptied his bag of its contents: a bunch of Siberian kale, sweet, tender and mossy-hued. If it’s not the variety responsible for inspiring those " Eat More Kale" T-shirts, it should have been. We cooked it in a Dutch oven over a low flame, slicked with a glug of olive oil, a few dribbles of water and some sea salt, until it turned into a silken, glistening heap. We emptied the greens onto a plate, grabbed juicy bits with our fingers. Forks have no place here. We’re not sure why. “It’s so much better eating it this way,” he said. I nodded. We finished the plate with fewer words; we hadn’t bothered to sit down. I credit the kale for its sumptuousness. John says my technique is magic (it’s nothing special, and I’ve since taught him how to replicate the results). But flattery gets a person everywhere, and when he asked if I might bring him another beer from the fridge (could I open it, too?), I only narrowed my eyes a little.

“I have an idea,” I said. I remembered a dish I had coveted all winter, refusing to make for one, that had seemed too lusty of a thing to be eaten in solitude. We set about cracking walnuts, pounding them with garlic (actually, John took both of those tasks because he’s a better sport than I am), grating copious amounts of cheese. We stirred butter into the walnuts, then the Parmigiano, then olive oil. We boiled fresh linguine, nutty with spelt and oat flour, saving a bit of the cooking water. I turned everything into a bowl. The pesto covered the pasta now like a creamy coat, and the heat coaxed such a fragrance from the walnuts, heady and floral, that we understood why adding herbs would have been something of an interruption. We took the single serving bowl to the table, two forks, in the interest of minimalism.

John sat back in his chair, the wicker one without a match, and closed his eyes. “Wait a second, I’m having a moment.” There were bits of walnut shell in the sauce that my teeth kept catching. I decided not to care.
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