The first order of business was the wardrobe. “You can’t retrofit a Halloween costume,” says Archibald. “These things needed to look believable.” For each character, Amos put together a mood board, or collage, of images. She then designed costumes, which seamstresses sewed to fit three-pound birds.
Scouring costume shops and local theaters, Amos gathered accessories: a bicorn for Napoleon, a crown for Queen Elizabeth II and a headdress for King Tut. The stylist insisted that Lincoln’s top hat be vintage. “It needed to have the wear and the texture and the wrinkles,” she says.