• Smithsonian
    Institution
  • Travel
    With Us
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • History & Archaeology
  • Science
  • Ideas & Innovations
  • Arts & Culture
  • Travel & Food
  • At the Smithsonian
  • Photos
  • Videos
  • Games
  • Shop
  • Art
  • Design
  • Fashion
  • Music & Film
  • Books
  • Art Meets Science
  • Arts & Culture

Teller Reveals His Secrets

The smaller, quieter half of the magician duo Penn & Teller writes about how magicians manipulate the human mind

| | | Reddit | Digg | Stumble | Email |
  • By Teller
  • Smithsonian magazine, March 2012, Subscribe
View Full Image »
Teller
According to magician Teller, "Neuroscientists are novices at deception. Magicians have done controlled testing in human perception for thousands of years." (Jared McMillen / Aurora Select)

More from Smithsonian.com

  • Penn Jillette Reveals the Secrets of Fire-Eating
  • Perception, Defined
  • Teller Speaks on the Enduring Appeal of Magic
  • Houdini Revealed

(Page 3 of 3)

Now I wiggle the card to my shoe (No. 3—If you’re laughing...). When I lift whichever foot has your card, or invite you to take my wallet from my back pocket, I turn away (No. 4—Outside the frame) and swap the deck for a normal one from which I’d removed all three possible selections (No. 5—Combine two tricks). Then I set the deck down to tempt you to examine it later and notice your card missing (No. 6—The lie you tell yourself).

Magic is an art, as capable of beauty as music, painting or poetry. But the core of every trick is a cold, cognitive experiment in perception: Does the trick fool the audience? A magician’s data sample spans centuries, and his experiments have been replicated often enough to constitute near-certainty. Neuroscientists—well intentioned as they are—are gathering soil samples from the foot of a mountain that magicians have mapped and mined for centuries. MRI machines are awesome, but if you want to learn the psychology of magic, you’re better off with Cub Scouts and hard candy.


In the last half decade, magic—normally deemed entertainment fit only for children and tourists in Las Vegas—has become shockingly respectable in the scientific world. Even I—not exactly renowned as a public speaker—have been invited to address conferences on neuroscience and perception. I asked a scientist friend (whose identity I must protect) why the sudden interest. He replied that those who fund science research find magicians “sexier than lab rats.”

I’m all for helping science. But after I share what I know, my neuroscientist friends thank me by showing me eye-tracking and MRI equipment, and promising that someday such machinery will help make me a better magician.

I have my doubts. Neuroscientists are novices at deception. Magicians have done controlled testing in human perception for thousands of years.

I remember an experiment I did at the age of 11. My test subjects were Cub Scouts. My hypothesis (that nobody would see me sneak a fishbowl under a shawl) proved false and the Scouts pelted me with hard candy. If I could have avoided those welts by visiting an MRI lab, I surely would have.

But magic’s not easy to pick apart with machines, because it’s not really about the mechanics of your senses. Magic’s about understanding—and then manipulating—how viewers digest the sensory information.

I think you’ll see what I mean if I teach you a few principles magicians employ when they want to alter your perceptions.

1. Exploit pattern recognition. I magically produce four silver dollars, one at a time, with the back of my hand toward you. Then I allow you to see the palm of my hand empty before a fifth coin appears. As Homo sapiens, you grasp the pattern, and take away the impression that I produced all five coins from a hand whose palm was empty.

2. Make the secret a lot more trouble than the trick seems worth. You will be fooled by a trick if it involves more time, money and practice than you (or any other sane onlooker) would be willing to invest. My partner, Penn, and I once produced 500 live cockroaches from a top hat on the desk of talk-show host David Letterman. To prepare this took weeks. We hired an entomologist who provided slow-moving, camera-friendly cockroaches (the kind from under your stove don’t hang around for close-ups) and taught us to pick the bugs up without screaming like preadolescent girls. Then we built a secret compartment out of foam-core (one of the few materials cockroaches can’t cling to) and worked out a devious routine for sneaking the compartment into the hat. More trouble than the trick was worth? To you, probably. But not to magicians.

3. It’s hard to think critically if you’re laughing. We often follow a secret move immediately with a joke. A viewer has only so much attention to give, and if he’s laughing, his mind is too busy with the joke to backtrack rationally.

4. Keep the trickery outside the frame. I take off my jacket and toss it aside. Then I reach into your pocket and pull out a tarantula. Getting rid of the jacket was just for my comfort, right? Not exactly. As I doffed the jacket, I copped the spider.

5. To fool the mind, combine at least two tricks. Every night in Las Vegas, I make a children’s ball come to life like a trained dog. My method—the thing that fools your eye—is to puppeteer the ball with a thread too fine to be seen from the audience. But during the routine, the ball jumps through a wooden hoop several times, and that seems to rule out the possibility of a thread. The hoop is what magicians call misdirection, a second trick that “proves” the first. The hoop is genuine, but the deceptive choreography I use took 18 months to develop (see No. 2—More trouble than it’s worth).

6. Nothing fools you better than the lie you tell yourself. David P. Abbott was an Omaha magician who invented the basis of my ball trick back in 1907. He used to make a golden ball float around his parlor. After the show, Abbott would absent-mindedly leave the ball on a bookshelf while he went to the kitchen for refreshments. Guests would sneak over, heft the ball and find it was much heavier than a thread could support. So they were mystified. But the ball the audience had seen floating weighed only five ounces. The one on the bookshelf was a heavy duplicate, left out to entice the curious. When a magician lets you notice something on your own, his lie becomes impenetrable.

7. If you are given a choice, you believe you have acted freely. This is one of the darkest of all psychological secrets. I’ll explain it by incorporating it (and the other six secrets you’ve just learned) into a card trick worthy of the most annoying uncle.

THE EFFECT I cut a deck of cards a couple of times, and you glimpse flashes of several different cards. I turn the cards facedown and invite you to choose one, memorize it and return it. Now I ask you to name your card. You say (for example), “The queen of hearts.” I take the deck in my mouth, bite down and groan and wiggle to suggest that your card is going down my throat, through my intestines, into my bloodstream and finally into my right foot. I lift that foot and invite you to pull off my shoe and look inside. You find the queen of hearts. You’re amazed. If you happen to pick up the deck later, you’ll find it’s missing the queen of hearts.

THE SECRET(S) First, the preparation: I slip a queen of hearts in my right shoe, an ace of spades in my left and a three of clubs in my wallet. Then I manufacture an entire deck out of duplicates of those three cards. That takes 18 decks, which is costly and tedious (No. 2—More trouble than it’s worth).

When I cut the cards, I let you glimpse a few different faces. You conclude the deck contains 52 different cards (No. 1—Pattern recognition). You think you’ve made a choice, just as when you choose between two candidates preselected by entrenched political parties (No. 7—Choice is not freedom).

Now I wiggle the card to my shoe (No. 3—If you’re laughing...). When I lift whichever foot has your card, or invite you to take my wallet from my back pocket, I turn away (No. 4—Outside the frame) and swap the deck for a normal one from which I’d removed all three possible selections (No. 5—Combine two tricks). Then I set the deck down to tempt you to examine it later and notice your card missing (No. 6—The lie you tell yourself).

Magic is an art, as capable of beauty as music, painting or poetry. But the core of every trick is a cold, cognitive experiment in perception: Does the trick fool the audience? A magician’s data sample spans centuries, and his experiments have been replicated often enough to constitute near-certainty. Neuroscientists—well intentioned as they are—are gathering soil samples from the foot of a mountain that magicians have mapped and mined for centuries. MRI machines are awesome, but if you want to learn the psychology of magic, you’re better off with Cub Scouts and hard candy.


Single Page « Previous 1 2 3

    Subscribe now for more of Smithsonian's coverage on history, science and nature.


| | | Reddit | Digg | Stumble | Email |
 

Add New Comment


Name: (required)

Email: (required)

Comment:

Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.

Comments (58)

Cool!!!

Posted by Sonny on January 2,2013 | 09:23 AM

Its fascinating to know the secrets behind magic that seems real like life in such simple and lucid ways

Posted by Toni gyamar on December 2,2012 | 02:37 AM

Thank you Teller for this insight. I have just finished reading 'Mischief', by Harling and Nyrup who in a much more wordy book, cover the same premise. I am an enthusiastic amateur and member of the Magic Circle.

Posted by philip cordrey on November 16,2012 | 09:06 PM

Teller, thank you. I have always been interested in psychology and the study of thought and perception from a cognitive emotional perspective. I had not put together the science of magic with psychological therapy before.

Posted by Jeff on April 29,2012 | 10:18 AM

"Nothing but free publicity so they can constantly maintain their Name in public. The bait is this story. He keeps his and Penn's name in the public eye. That’s all this is." @Max, because when you want publicity, we all know that you go directly to the Smithsonian Magazine, the very personification of PR hype with an extremely wide readership. Very cagy of Teller to tap into the public consciousness like this.

Posted by Colin Rutheford on April 1,2012 | 11:55 AM

I can tell you with certainty, Its al B.S. He’s a showman, it’s his shtick, It’s always been their shtick,…. Pretending to tell you how it’s done. Nothing but free publicity so they can constantly maintain their Name in public. Houdini, Madonna, they are all to familiar with how to keep their name in public and Alive. THAT is the underlining trick. Keeping your persona alive. Controversy, exposure, sensationalism. That’s the real secret. The bait is this story. He keeps his and Penns name in the public eye. That’s all this Is.

Posted by Max on March 28,2012 | 10:22 AM

As I understand it, and this may have slackened in recent years, but magicians are duty-bound among their not so secret society never to reveal their secrets. The best way to never reveal your secrets, is to make everyone believe you already have.

I'm not convinced Teller has given us any of his real secrets. He's described essentially what's already out there in the public consciousness. What magicians learned long ago and have passed down for generations. These are the lessons an aspiring magician picks up along the way in the early years of honing his craft. Not that you can now go be a magician. Any musician will tell you music theory is nothing like picking up a guitar and playing till long after your fingers bleed and you build up callouses.

The descriptions in this article that appear to be of tricks Teller and Penn currently do are either ones done in a different manner from how he explained them, or they are retiring them, or those particular examples are still used because audiences favor them, but have been discerned by audience members already and he feels safe in 'revealing secrets' that are already relatively well-known outside the illusionist 'secret society.'

So one can assume a scientist has 'tricked' Teller into revealing his secrets, but that is not evident. This could simply be yet another illusion. Would Teller admit to that one way or the other? Of course not. Why? That would be telling.

Posted by ZachsMind on March 24,2012 | 10:39 PM

First of all, "magic" is about manipulating and altering people's perceptions. "Science" is about uncovering the darkness of manipulated or altered people's mind. Teller just encountered a master magician clothed as a scientist who convinced Teller into "helping" the "sciences" in exposing his tricks!

Posted by tt on March 23,2012 | 02:23 PM

Fascinating!!! Any great performer will hook onto the concious minds of the audience so as to play with their perceptions for a little while! Thanks Teller! Hope to see you in Sin city sometime!

Posted by Daniel Roberts on March 21,2012 | 09:29 AM

Teller's is one of my favorite magicians, he is so clever and so skillful, as a magician I learn all the time but this article has articulated many things i wanted to say ...and could not express myslef
Well done

Posted by magicmatan on March 14,2012 | 07:20 PM

The "magic" Teller reveals is used everyday by professional salespeople worldwide. Whether the product is diamonds or real estate, the prospect is manipulated into making the sought-after buying "decision".

Posted by Steve on March 6,2012 | 01:21 AM

magic is about domination, plain and simple. Someone who wants to completely alter the way you see and interpret reality is a dominator. In magic there is also deduction. We allow ourselves to be seduced so that we can be dominated. Evil genius.

Posted by florence rouzier on March 5,2012 | 05:50 PM

Hmmm I think this is applicable to modern politics as well- "let them think they have a choice..."

Posted by Mari on March 4,2012 | 09:49 PM

"Choice is not freedom," as every mother of a recalcitrant toddler or child knows. "Do you want your blue shoes or your red shoes" is a good way to get a predetermined outcome of shoes on the kid's feet that day, without it becoming a power struggle. It's probably one of the first tricks of misdirection a mother learns, and a child experiences.

Posted by Sarahw on March 4,2012 | 08:46 PM

My rule of magic: If there's an assistant, *they* do the trick, and the magician just provides misdirection.

Posted by Kapitano on March 3,2012 | 03:19 AM

oh yeah? Come on... Teller is saying very little.

Posted by T.C. Ballantine on March 1,2012 | 02:10 AM

Simply Genius

Posted by Kirk M'Carter on February 29,2012 | 01:23 AM

@Darren Nicholls In fact Penn & Teller recently had a British TV show "Penn & Teller: Fool Us" when then invited each week a number of UK magicians to attempt to precisely do that. The prize to be invited to perform with them in Vegas - and there were some weeks that they apparently were fooled (or at least claimed to be - perhaps they had just seen an act which they wanted to invite to Vegas, so were happy to be perceived as fallible (No. 6—The lie you tell yourself)?)

Posted by Simon Potts on February 29,2012 | 08:52 AM

To Mr. Nichols above, you pose two very thought provoking questions and I do hope that Teller reads these comments. I know they have a television program in the UK called "Penn & Teller: Fool Us" where other magicians attempt to stump P&T. The winner gets a trip to their show in Vegas. I grew up with a performing magician for a father and am also keenly interested in what Teller's answer would be to the "long standing tricks" question. Being a television engineer myself, I cannot watch TV without my mind going to the critical. I would think the same of magicians - to see someone else perform a trick would immediately cause me to try and deduce the answer. Great article. Thanks to all.

Posted by Michael Owens on February 29,2012 | 07:24 AM

I saw P&T in Vegas a few years back and loved the show. I was even more stunned at how approachable they were after the show.

As I recall I stammered out how much I appreciated Teller's articles and work in the skeptical community. I was probably incoherent and starstruck.

So let me say it now clearly: Mr Teller, I appreciate your articles and work in the skeptical community. This article is a great addition to it.

Posted by Marc on February 28,2012 | 10:05 AM

Teller, I am good friends with a magician. Yes, he has played tricks on me, and even though I could find out how he, and you, do it, I am not interested. Because what you magicians do is true illusion and misdirection. And I enjoy that.

One man's magic is another man's science.

Posted by James Winstanley on February 27,2012 | 06:33 PM

Do they have to kick Teller out of the Alliance now?

Posted by Brad on February 27,2012 | 06:05 PM

Teller is amazing. His presentation is flawless and entertaining.

Posted by Nick Franke on February 27,2012 | 02:02 PM

I've been a fan of P & T since "P&T Go Public", and have never been disappointed. My brother-in-law and I still snicker over the "Is THIS your card?" video trick they taught back in the 80's. I've seen them multiple times, and got to be on stage for one trick about 15 years ago (no, I didn't catch the 'swap' they used). Thanks, Teller, for another peek behind the curtain!

Posted by David Arnold on February 27,2012 | 12:02 PM

Very nice work. As is all your work on stage.

And you were a good fit to your character in LONG GONE, way back a long time ago.

Posted by Sam on February 27,2012 | 11:40 AM

Wow, this stuff totally applies to marketing! Except with magic, people expect to be tricked. With marketing, they expect to be...um, told the truth?

Yeah, that's it. No, seriously, these secrets can definitely be applied to marketing ethically.

Posted by Bill Davis on February 27,2012 | 10:43 AM

The most important take-away: "No 7 - Choice is not freedom." Great article. Brilliant man.

Posted by dodz on February 27,2012 | 10:30 AM

Excellent article and thank you for your insight.

Posted by Joe Cass on February 27,2012 | 10:12 AM

Jon Hughes, you're clearly not a magician.

The purpose for having three cards is that you can riffle through the deck and make the spectator see the illusion of a complete deck. He sees different cards and automatically assumes that the deck is fair and complete. If there was only one card replicated through it (which you could get by buying a fixed deck (yes; they sell those for magicians, you don't need to buy 52 decks)), you couldn't be able to show the deck to the spectator, let alone let him examine it afterwards (which constitutes a mayor part in the trick).

Posted by Sebastian on February 27,2012 | 09:43 AM

Teller you are a Legend :-) I cant wait to see you in Vegas one day.

Posted by Scott Ferguson on February 27,2012 | 03:26 AM

excellent stuff. thanks for "speaking."

Posted by jack on February 26,2012 | 02:55 AM

A brilliant article. also thank you sir for the wonderful performance at the University of Arizona Friday.

Posted by eRic on February 26,2012 | 01:21 AM

Excellent article, very well written. Especially appreciate the bonus magic trick at the end. I'm not sure if Mr. Teller would read these comments but I'd be interested to know, does he often see tricks by other magicians that stump him? And if so does he immediately try to figure out how it's done and replicate it? Are there any long standing tricks that he has no idea how they're done?

Posted by Darren Nicholls on February 26,2012 | 01:19 AM

Penn & Teller make both magic and show business in general so much better for their contributions. And they've busted their butts for years to get where they are. Well done, guys.

Posted by Dave Mallow on February 26,2012 | 12:44 AM

Strange, he spoke, yet I did not hear a thing.

Posted by Greg on February 26,2012 | 12:13 AM

Giving choices provides a feeling of freedom. Teachers of very young children use this all the time. Would you like to ___ or to ___?

Generous of Teller to give us a glimpse . . . I've enjoyed his bullet and gun routine in Vegas. WAY too much trouble, fooled me.

Posted by Don Kronenberger on February 26,2012 | 10:53 PM

An intriguing article, but I can't say that I agree with the tone in Teller's introduction. Perhaps MRI's and other technology won't make him a better magician, but the SCIENCE of psychology and the study of human perception can only enhance our understanding of what he, and other magicians over the centuries, have learned to take advantage of only by trial and error, or by the passing down of tricks from professional to novice. Many practitioners know HOW to do something without actually knowing WHY it works; science and magic can work together to reveal the bigger picture, but not if people from one side denigrate the usefulness or contributions of the other.

Posted by Sheldon W. Helms on February 26,2012 | 08:06 PM

Great piece Teller. I have always been a huge magic fan, even as a young child. What an interesting write-up of Tellers secrets. Who would ever think of the connection between neuroscience and magic? Very generous piece. Thanks for sharing.

Posted by Rick Noel on February 26,2012 | 02:04 PM

If you like this article, look up the BBC show, "Penn and Teller - Fool Us." It's great, filled with really neat magic and revelations (without losing the awe and reverence of the craft).

Posted by Apollo on February 26,2012 | 01:51 PM

I love it!!!

Posted by Clarence Jamison on February 26,2012 | 11:01 AM

P.S. I know a lot of magicians and some of them definitely come on the other side of 'sexier than lab rats'!

Posted by Chris Lee on February 26,2012 | 09:35 AM

Absolutely brilliant observation. I have always believed that magic is not about tricks but about psychology and perception. Misdirection is a perfect example, as is comedy as misdirection; asking somebody to think of a card and knowing that the Ace of Spades or Queen of Hearts are likely. All this is to do with the mind rather than the trick and the spectator doesn't even know it. I love the way the brain works and I love the way that we can take advantage of this. I know some brilliant technicians with cards but I also realise that magic should be entertainment first and foremost and those that get invited back are those that made the audience laugh and have a good time. No question.

Posted by Chris Lee on February 26,2012 | 09:24 AM

even though magic is full of tricks,some aspect of it applies basic scientific principles such as perception and optical illusion. this is the part i like most- proper application makes every move seems so real.

Posted by kwabena on February 26,2012 | 03:34 AM

It'd be totally awesome if you wrote this article in preparation for a trick you'd do some weeks later hhahahah...

Great insights... we tend to place Science at an altar that only experience, passion and practice can 'afford'.

Posted by Momekh on February 25,2012 | 02:34 AM

Best Article Ever

Posted by David on February 25,2012 | 12:40 AM

My friend Teller fails to inform his readers that the famous and well-informed magician David P. Abbott - who he says developed the principle of the Floating Ball which Teller so masterfully performs - was himself completely fooled back in 1922 by a "psychic" named Eugenie "Gene" Dennis, under Teller's Rule #6 - "the lie you tell yourself" - and the copy of the book which I have in my library describing this deception is inscribed by Teller himself with his proposed solution to the mystery: "Sex appeal?" Yes, even magicians can be tricked...!

Magicians such as Penn & Teller have declared themselves very firmly on the matter of "psychics" who lie to their victims to extract their money - often vulnerable, grieving or needy persons who seek solutions but receive only cruel promises of surcease. I'm proud to be in this battle with them. We conjurors are proud artists, and we resent the swindlers who use our technology to cheat rather than amuse and entertain.

So, curtain up, lights, applause, and delight...!

Posted by James Randi on February 25,2012 | 12:39 AM

Please tell me how ACAAN is done. Please. I get the whole perception thing and the amount of time, skill and focus generations of musicians have put into their craft, but ACAAN just seems impossible. Did I say please? Please.

Posted by AThiker on February 25,2012 | 11:22 PM

My sweetheart took up with me in the early 1980s. I won an oyster-eating contest on Block Island in the mid-1980s. Teller spoke to me after his show in Times Square in the late 1980s.

It was a great decade.

Posted by Andre Friedmann on February 25,2012 | 09:11 PM

Yep that's how we do it. When Mr. Teller "talks", he drops some gems.

Posted by JSergott on February 25,2012 | 09:10 PM

I love how Teller slips in a jab at Democracy and the farce we all believe in that "voting" means we are free...or have a choice in our government.

Posted by David on February 25,2012 | 07:56 PM

Great article. I really like how he ties the manipulative techniques he exploits to shape audience choice perception with the two-party system and it's manipulation of a voter's sense of choice.

Posted by schulwitz on February 25,2012 | 06:48 PM

Really enjoyed the article. I rarely share articles - I read them for my own enjoyment most of the time - but this one is definitely worth sharing. Thanks.

Posted by Brian on February 25,2012 | 03:45 PM

Great "misdirection" Teller. You're saying that, sure magicians "talk" to scientists, but scientists don't have anything of value to add to magic. After all Magic is a simple art developed from hard work and subtle gestures. No, science is not necessary.
Will knowing this to make us a more informed and intelligent audience, so that we will never be fooled again... or set us up for the next deception?

Posted by Christoph on February 25,2012 | 03:02 PM

Excellent. I had the pleasure of meeting Jerry Andrus many times. He knew more about human perception (including visual perception) than any neuroscientist. His illusions, as well as his magic tricks, were incredible.

Posted by GeorgeS on February 25,2012 | 02:38 PM

So, what if your mark for the card trick lies and says a random card other than one of those you have hidden?

Posted by Jim in StL on February 25,2012 | 02:12 PM

I've seen your show in Las Vegas when I was there for TAM and while I enjoyed just about all of the tricks, the one I enjoyed the most was your walk-through on slight-of-hand and misdirection. I think the best lesson of that is that no matter how simple the act may seem at first blush, the careful practice, preparation, and presentation all take significant time and effort on behalf of the magician. That and, of course, that any of us can be fooled :-).

Posted by Jeff Edwards on February 25,2012 | 01:58 PM

What is the purpose for having three cards to choose from, as apposed to one? The most obvious reason is because it would only take 18 decks rather than 54 (incl. Jokers) -- I can understand a less successful magician wanting to cut down on cost, but even at $10 a pack (which is high), 54 decks is only $540, not exactly cost prohibitive.

Posted by Jon Hughes on February 25,2012 | 12:42 PM

A really magnificent article. Never disappointed when I hear Mr. Teller "speak".

Posted by MIrvine on February 24,2012 | 04:20 PM



Advertisement


Most Popular

  • Viewed
  • Emailed
  • Commented
  1. The Story Behind Banksy
  2. The Psychology Behind Superhero Origin Stories
  3. Most of What You Think You Know About Grammar is Wrong
  4. The Saddest Movie in the World
  5. Real Places Behind Famously Frightening Stories
  6. Best. Gumbo. Ever.
  7. A Brief History of Chocolate
  8. Teller Reveals His Secrets
  9. When Did Girls Start Wearing Pink?
  10. True Colors
  1. Most of What You Think You Know About Grammar is Wrong
  2. The Glorious History of Handel's Messiah

View All Most Popular »

Advertisement

Follow Us

Smithsonian Magazine
@SmithsonianMag
Follow Smithsonian Magazine on Twitter

Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.

In The Magazine

February 2013

  • The First Americans
  • See for Yourself
  • The Dragon King
  • America’s Dinosaur Playground
  • Darwin In The House

View Table of Contents »






First Name
Last Name
Address 1
Address 2
City
State   Zip
Email


Travel with Smithsonian




Smithsonian Store

Framed Lincoln Tribute

This Framed Lincoln Tribute includes his photograph, an excerpt from his Gettysburg Address, two Lincoln postage stamps and four Lincoln pennies... $40



View full archiveRecent Issues


  • Feb 2013


  • Jan 2013


  • Dec 2012

Newsletter

Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

Subscribe Now

About Us

Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

Explore our Brands

  • goSmithsonian.com
  • Smithsonian Air & Space Museum
  • Smithsonian Student Travel
  • Smithsonian Catalogue
  • Smithsonian Journeys
  • Smithsonian Channel
  • About Smithsonian
  • Contact Us
  • Advertising
  • Subscribe
  • RSS
  • Topics
  • Member Services
  • Copyright
  • Site Map
  • Privacy Policy
  • Ad Choices

Smithsonian Institution