Mark Twain's "My Platonic Sweetheart"
In an essay published posthumously in 1912, Mark Twain recounts his dreams of a long-lost love
- By Mark Twain
- Smithsonian.com, April 19, 2010, Subscribe
(Page 5 of 5)
When I think of that house and its belongings, I recognize what a master in taste and drawing and color and arrangement is the dream-artist who resides in us. In my waking hours, when the inferior artist in me is in command, I cannot draw even the simplest picture with a pencil, nor do anything with a brush and colors; I cannot bring before my mind’s eye the detailed image of any building known to me except my own house at home; of St. Paul’s, St. Peter’s, the Eiffel Tower, the Taj, the Capitol at Washington, I can reproduce only portions, partial glimpses; the same with Niagara Falls, the Matterhorn, and other familiar things in nature; I cannot bring before my mind’s eye the face or figure of any human being known to me; I have seen my family at breakfast within the past two hours; I cannot bring their images before me, I do not know how they look; before me, as I write, I see a little grove of young trees in the garden; high above them projects the slender lance of a young pine, beyond it is a glimpse of the upper half of a dull-white chimney covered by an A-shaped little roof shingled with brown-red tiles, and half a mile away is a hill-top densely wooded, and the red is cloven by a curved, wide vacancy, which is smooth and grass-clad; I cannot shut my eyes and reproduce that picture as a whole at all, nor any single detail of it except the grassy curve, and that but vaguely and fleetingly.
But my dream-artist can draw anything, and do it perfectly; he can paint with all the colors and all the shades, and do it with delicacy and truth; he can place before me vivid images of palaces, cities, hamlets, hovels, mountains, valleys, lakes, skies, glowing in sunlight or moonlight, or veiled in driving gusts of snow or rain, and he can set before me people who are intensely alive, and who feel, and express their feelings in their faces, and who also talk and laugh, sing and swear. And when I wake I can shut my eyes and bring back those people, and the scenery and the buildings; and not only in general view, but often in nice detail. While Agnes and I sat talking in that grand Athens house, several stately Greeks entered from another part of it, disputing warmly about something or other, and passed us by with courteous recognition; and among them was Socrates. I recognized him by his nose. A moment later the house and Agnes and Athens vanished away, and I was in my quarters in New York again and reaching for my note-book.
In our dreams—I know it!—we do make the journeys we seem to make; we do see the things we seem to see; the people, the horses, the cats, the dogs, the birds, the whales, are real, not chimeras; they are living spirits, not shadows; and they are immortal and indestructible. They go whither they will; they visit all resorts, all points of interest, even the twinkling suns that wander in the wastes of space. That is where those strange mountains are which slide from under our feet while we walk, and where those vast caverns are whose bewildering avenues close behind us and in front when we are lost, and shut us in. We knew this because there are no such tilings here, and they must be there, because there is no other place.
This tale is long enough, and I will close it now. In the forty-four years that I have known my Dreamland sweetheart, I have seen her once in two years on an average. Mainly these were glimpses, but she was always immediately recognizable, notwithstanding she was so given to repairing herself and getting up doubtful improvements in her hair and eyes. She was always fifteen, and looked it and acted it; and I was always seventeen, and never felt a day older. To me she is a real person, not a fiction, and her sweet and innocent society has been one of the prettiest and pleasantest experiences of my life. I know that to you her talk will not seem of the first intellectual order; but you should hear her in Dreamland—then you would see!
I saw her a week ago, just for a moment. Fifteen, as usual, and I seventeen, instead of going on sixty-three, as I was when I went to sleep. We were in India, and Bombay was in sight; also Windsor Castle, its towers and battlements veiled in a delicate haze, and from it the Thames flowed, curving and winding between its swarded banks, to our feet. I said:
“There is no question about it, England is the most beautiful of all the countries.”
Her face lighted with approval, and she said, with that sweet and earnest irrelevance of hers:
“It is, because it is so marginal.”
Then she disappeared. It was just as well; she could probably have added nothing to that rounded and perfect statement without damaging its symmetry.
This glimpse of her carries me back to Maui, and that time when I saw her gasp out her young life. That was a terrible thing to me at the time. It was preternaturally vivid; and the pain and the grief and the misery of it to me transcended many sufferings that I have known in waking life. For everything in a dream is more deep and strong and sharp and real than is ever its pale imitation in the unreal life which is ours when we go about awake and clothed with our artificial selves in this vague and dull-tinted artificial world. When we die we shall slough off this cheap intellect, perhaps, and go abroad into Dreamland clothed in our real selves, and aggrandized and enriched by the command over the mysterious mental magician who is here not our slave, but only our guest.
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Comments (7)
I, Mark Twain, was taking a quiet walk,when some looney man with a black box was following me, or preceding me, and hiding under a black hood. A GOOD WALK SPOILED!!!!!
Posted by Frank T Kay on October 1,2012 | 09:15 PM
I so enjoy Twain's word choices for descriptions. I write down my own dreams, and am struck, reading this, by the similarity of explaining dreams, the vagueness along with the absolute certainty of things. The general feeling of a dream is so potent.
I, too, have long admired Twain's humor, sarcasm, his right-on reflection of dogma and opinionated persons. He was such a thinking man and who understood human nature.
While I, so far, have missed out on such a wonderful carry-over dream (no pun intended) that spans years as Twain has shared here, I am aware of a relationship I have experienced that is not love but a spirit-sharing that is even deeper, calmer, stronger and unwavering than romantic love. There's nothing quite like it.
Posted by Linda Wolters Bergeron on April 17,2011 | 12:16 PM
It is really, and Mr. Twain was, modern.
Posted by Alex H. on November 20,2010 | 05:09 AM
Anyone with even a rudimentary background in the study of dreams will recognize the authenticity of Twain's narrative. The opportunity to partake of a nourishing life together (the table set with good food) was halted by the girl's stepping into the other room (her life with and obedience to her parents). As Twain discovered to his dismay, their hope of union was dead and buried when he stepped into the cemetery of her childhood home. The only way Twain's mind could cope with such a disappointment was to "carry her" with him always, and to go back to the beginning of their relationship and "start over," reliving their sweet time together in his dreams. Carl Jung would have loved this story. Thank you for bringing it to light.
Posted by Margaret Reynolds on May 5,2010 | 08:32 AM
I was deeply touched by this writing "My Platonic Sweetheart"
I am a devoted reader and long time admirer of Mark Twain and possess number of his books. I am indebted to Smithsonian for making it possible for me to read it in it's entirety. I, too, have experienced some delightful dreams from the past, but it has never occurred to me to put them in writing to share with others!
Posted by elayne Banks on May 2,2010 | 04:10 PM
most inspiring, wish i could write as well some of own musings.
Posted by f. a.leclaire on April 30,2010 | 04:08 PM
This is a wonderful and colorful piece of writing. After reading it, I couldn't help but compare some of it to a number of contemporary song lyrics from the 1960's and 1970's, when many of the composers were not only writing, but injesting many interesting mind-altering drugs. I would never accuse such a learned and respected author such as Mark Twain of that sort of behavior, but for the era or time in which this was written, it had to raise some eyebrows in possibly questioning Mr. Twain's sanity, or grip on the real world, which by interpreting this piece, he seems to prefer far less than his "Dreamland" landscape. Who could blame him? I have experienced dreams that do not in any way resemble reality, and they were very enjoyable. It is interesting how a small chance encounter with Ms. Wright became what can pass for an obsession in what remained of Mr. Twain's life and writings. While not in the grip of a so passionate and deep felt emotion myself, I have had brief interactions with people that have left remarkable and indelible impressions that I remember to this day. This writing was very enjoyable. Thank you Smithsonian for making it available.
Neil Kleinman
Anaheim, CA
Posted by Neil Kleinman on April 23,2010 | 02:01 PM