Jennifer Drapkin and Sarah Zielinski on “Celestial Sleuth”

 
Sarah Zielinski and Jennifer Drapkin
Sarah Zielinski (left) is an assistant editor at Smithsonian magazine and Jennifer Drapkin (right) is a senior editor at Mental Floss magazine. (Molly Roberts / Jennifer Drapkin)

More from Smithsonian.com


(Page 2 of 2)

Sarah, what surprised you the most about Olson’s studies?

Zielinski: I was surprised that anyone could think that there was a downside to this work. Olson’s work doesn’t diminish a piece of art. The greatness is there whether or not we know the details behind its creation. And it’s even improved if Olson’s work piques the interest of people wouldn’t normally be so interested in art.

You’re a science person. Had you ever had questions similar to those Olson asks when looking at art? And do you think you’ll be more conscious of those things after working on this story?

Zielinski: I’ve never been the type of person to stare at a piece of art for a long time, trying to decipher its meaning. I tend to look and quickly decide whether or not I like it and then move on. But that changed a little after I spoke with Don Olson. I started looking at the stars in painted skies and, like him, wondering which ones they were. It hadn’t occurred to me before this that those little dots might represent real celestial bodies. But now I do wonder.

How does knowing such details enhance the work?

Zielinski: For me, it provides another dimension to the work. I tend to be a literal thinker, so this helps me relate to the art.


Jennifer Drapkin and Sarah Zielinski teamed up to report and write “Celestial Sleuth,” a feature about “forensic astronomer” Don Olson’s quest to solve artistic mysteries in Smithsonian’s April issue. Drapkin is a former Smithsonian writing intern who has written for The Village Voice, The Week, Psychology Today and Smithsonian. She is currently a senior editor at Mental Floss magazine. Zielinski is an assistant editor at Smithsonian and a blogger for Smithsonian.com’s Surprising Science.

What drew you to this story?

Drapkin: My grandfather was an amateur astronomer, and he's the one who told me about Olson's work. Solving mysteries with the stars was all the rage in his retirement community.

What was your favorite moment during your research and reporting?

Drapkin: Looking at the paintings! Seriously, the piece was a great excuse to spend quality time with some of my favorite works of art.

What did you find most interesting about Olson’s manner of studying art?

Drapkin: It's the way he picks up on details. Most people look at a painting and see the subject. He sees how the subject came out of the three-dimensional world.

Sarah, what surprised you the most about Olson’s studies?

Zielinski: I was surprised that anyone could think that there was a downside to this work. Olson’s work doesn’t diminish a piece of art. The greatness is there whether or not we know the details behind its creation. And it’s even improved if Olson’s work piques the interest of people wouldn’t normally be so interested in art.

You’re a science person. Had you ever had questions similar to those Olson asks when looking at art? And do you think you’ll be more conscious of those things after working on this story?

Zielinski: I’ve never been the type of person to stare at a piece of art for a long time, trying to decipher its meaning. I tend to look and quickly decide whether or not I like it and then move on. But that changed a little after I spoke with Don Olson. I started looking at the stars in painted skies and, like him, wondering which ones they were. It hadn’t occurred to me before this that those little dots might represent real celestial bodies. But now I do wonder.

How does knowing such details enhance the work?

Zielinski: For me, it provides another dimension to the work. I tend to be a literal thinker, so this helps me relate to the art.


Single Page « Previous 1 2

    Subscribe now for more of Smithsonian's coverage on history, science and nature.


 

Add New Comment


Name: (required)

Email: (required)

Comment:

Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.

Comments (2)

Hi! Miss Sarah Z.

Just like to say wonderfully written story on Henrietta Lacks.
Thought that was a very good work on your part to doing something that inspired you. Hope the Lacks Family is doing well. to tell you the truth this is the first story I every read all the way through.
Would like to know if you have any other articles that I may read an are you currently working on one?

Like to hear from you soon gotta go. Have a Great Day.

Posted by Castillo, Leo on February 1,2010 | 12:06 AM

Donald Olson is my brother-in-law and I have been fascinated by his work and the details that he is able to incorporate into each subject. My sister, Marilynn and her husband Don with their students and friend Russell have traveled all over the world exploring the science behind the creations. What an incredible thing to be able to do and share ! I have always loved Van Gogh's starry night and have often wondered if the constellations are true to life..THEY ARE :) I can't look at the sky and stars the same way anymore, thanks to Don and his curiosity.

Posted by Elizabeth Stark on April 9,2009 | 07:36 PM



Advertisement


Advertisement

Follow Us





First Name
Last Name
Address 1
Address 2
City
State   Zip
Email


Travel with Smithsonian




Smithsonian Store