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How to Crochet a Coral Reef

A ball of yarn—and the work of more than 800 people—could go a long way toward saving endangered sea life

  • By Jess Righthand
  • Smithsonian magazine, December 2010, Subscribe
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Coral reef crochet The "Hyperbolic Crochet Coral Reef" exhibit is now on view in Natural History's Sant Ocean Hall.

Eric Long, SI

 
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    Crafts

    National Museum of Natural History

    Reefs

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    Margaret Wertheim

    How to Crochet a Coral Reef

    Explore more photos from the story


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    Saving the Coral Reef One Stitch at a Time

    Margaret Wertheim talks about how math and climate change inspired her to start the Hyperbolic Crochet Coral Reef project


    Related Links

    “The Hyperbolic Crochet Coral Reef” exhibition at the National Museum of Natural History
    The Institute for Figuring

    More from Smithsonian.com
    • A Swim Through the Ocean's Future
    • Nancy Knowlton
    • Deep Trouble
    • A Return to the Reefs
    • The Miracle of the Reef
    • Saving Coral…Through Sperm Banks?

    The Natural History Museum's Baird Auditorium showcases scientists and performers from around the world. One day it might be a lecture on evolution, the next a Puerto Rican dance recital. On this particular rainy fall afternoon, however, the auditorium is quiet—though not for lack of activity. More than 100 women, from young girls to grandmothers, are deftly manipulating crochet hooks, winding together brightly colored yarn, lanyard string, old curtain tassels, plastic bags and even unwound audiocassette tape.

    As the forms begin to take shape, they reveal frilly, crenulated structures that will be displayed alongside the "Hyperbolic Crochet Coral Reef" exhibit, now on view in Natural History's Sant Ocean Hall.

    "We started off with something very simple, and then we started deviating, morphing the code," says exhibit director Margaret Wertheim, 52, about the coral reef, as she watches the crocheters from the stage.

    Wertheim, an Australian-born science journalist, first began crocheting with her artist sister Christine in 2003 to try her hand at modeling hyperbolic space—the mind-bending geometry discovered by mathematicians in the early 19th century. Whereas conventional geometry describes shapes on a flat plane, hyperbolic geometry is set on a curved surface—creating configurations that defy the mathematical theorems discovered by Euclid some 2,000 years ago. Variations of hyperbolic space can be found in nature (the wavy edges of sea kelp, for example), but mathematicians scratched their heads trying to find a simple way to fabricate a physical model. Finally, in 1997, mathematician Daina Taimina realized that the crochet stitch that women have used for centuries to create ruffled garments represents this complex geometry.

    Having grown up in Queensland, where the Great Barrier Reef lies offshore, the Wertheim sisters were astonished to learn that their crocheted models looked a lot like another example of hyperbolic geometry in nature. "We had them sitting on our coffee table," says Wertheim, "and we looked at them and said, 'Oh my gosh, they look like a coral reef. We could crochet a coral reef.'"

    The exhibit first appeared at Pittsburgh's Andy Warhol Museum in 2007. And wherever it goes, Wertheim encourages the local community to create its own reef. Among the contributors are churches, synagogues, schools, retirement homes, charities and even government agencies.

    Curators and scientists attribute the reef's popularity to its unique combination of marine biology, exotic math, traditional handicraft, conservation and community. "All these different elements are bubbling on the stove together," says Smithsonian biologist Nancy Knowlton. "For different people, there are different parts of it that really resonate."

    Like the Wertheims' exhibit, the contribution from Washington, D.C. residents is divided into sections. A vibrant "healthy" reef is organized roughly by color and species (a green crocheted kelp garden, for example); a "bleached reef" is made up of pale, neutral colors—which represent coral subjected to pollution and rising water temperatures, provoking a stress response that drains the coral's bright hues. In addition to yarn, the crocheters use recycled materials (such as the cassette tapes and plastic bags) to call attention to the excessive human waste that accumulates in the ocean.

    Wertheim says it would be hubristic to claim that her project alone could make people care about endangered reefs. Yet the last three years have brightened her outlook.

    "A reef is made up of billions of coral polyps," she says. "Each one of these is completely insignificant individually, but collectively, they make up something as magnificent as the Great Barrier Reef. We humans, when we work together, can do amazing things."


    The Natural History Museum's Baird Auditorium showcases scientists and performers from around the world. One day it might be a lecture on evolution, the next a Puerto Rican dance recital. On this particular rainy fall afternoon, however, the auditorium is quiet—though not for lack of activity. More than 100 women, from young girls to grandmothers, are deftly manipulating crochet hooks, winding together brightly colored yarn, lanyard string, old curtain tassels, plastic bags and even unwound audiocassette tape.

    As the forms begin to take shape, they reveal frilly, crenulated structures that will be displayed alongside the "Hyperbolic Crochet Coral Reef" exhibit, now on view in Natural History's Sant Ocean Hall.

    "We started off with something very simple, and then we started deviating, morphing the code," says exhibit director Margaret Wertheim, 52, about the coral reef, as she watches the crocheters from the stage.

    Wertheim, an Australian-born science journalist, first began crocheting with her artist sister Christine in 2003 to try her hand at modeling hyperbolic space—the mind-bending geometry discovered by mathematicians in the early 19th century. Whereas conventional geometry describes shapes on a flat plane, hyperbolic geometry is set on a curved surface—creating configurations that defy the mathematical theorems discovered by Euclid some 2,000 years ago. Variations of hyperbolic space can be found in nature (the wavy edges of sea kelp, for example), but mathematicians scratched their heads trying to find a simple way to fabricate a physical model. Finally, in 1997, mathematician Daina Taimina realized that the crochet stitch that women have used for centuries to create ruffled garments represents this complex geometry.

    Having grown up in Queensland, where the Great Barrier Reef lies offshore, the Wertheim sisters were astonished to learn that their crocheted models looked a lot like another example of hyperbolic geometry in nature. "We had them sitting on our coffee table," says Wertheim, "and we looked at them and said, 'Oh my gosh, they look like a coral reef. We could crochet a coral reef.'"

    The exhibit first appeared at Pittsburgh's Andy Warhol Museum in 2007. And wherever it goes, Wertheim encourages the local community to create its own reef. Among the contributors are churches, synagogues, schools, retirement homes, charities and even government agencies.

    Curators and scientists attribute the reef's popularity to its unique combination of marine biology, exotic math, traditional handicraft, conservation and community. "All these different elements are bubbling on the stove together," says Smithsonian biologist Nancy Knowlton. "For different people, there are different parts of it that really resonate."

    Like the Wertheims' exhibit, the contribution from Washington, D.C. residents is divided into sections. A vibrant "healthy" reef is organized roughly by color and species (a green crocheted kelp garden, for example); a "bleached reef" is made up of pale, neutral colors—which represent coral subjected to pollution and rising water temperatures, provoking a stress response that drains the coral's bright hues. In addition to yarn, the crocheters use recycled materials (such as the cassette tapes and plastic bags) to call attention to the excessive human waste that accumulates in the ocean.

    Wertheim says it would be hubristic to claim that her project alone could make people care about endangered reefs. Yet the last three years have brightened her outlook.

    "A reef is made up of billions of coral polyps," she says. "Each one of these is completely insignificant individually, but collectively, they make up something as magnificent as the Great Barrier Reef. We humans, when we work together, can do amazing things."

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    Related topics: Crafts National Museum of Natural History Reefs


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    Comments (11)

    re: Heather - It's about raising awareness... The coral reef itself does not inherently help fish. The reef is made up of not only yarn but also other materials to "call attention to the excessive human waste that accumulates in the ocean."

    Posted by Megan on March 25,2011 | 12:38 PM

    How does crocheting a coral reef help fish?

    Posted by Heather on February 27,2011 | 05:14 AM

    I suppose it is publication issues but the photo at top is not the Smithsonian reef- I know because I am a docent at the HCCR. The photo is one we had to use on our bookmarks because they had to be printed before the October opening.

    Posted by Andrea on January 7,2011 | 07:35 AM

    I'm so glad to see this project finally reach the Smithsonian and get the publicity that it truly deserves.

    It was a real learning experience for all of those who took part in the various seminars across the country.

    And, for those who want to explore this simple crochet techinique, full directions are provide on the Coral Reef website
    http://www.crochetcoralreef.org/

    Posted by crochetgal on December 3,2010 | 11:45 PM

    Here is a link to the project's website - there is an instructional booklet to download, and a book available for purchase as well. http://crochetcoralreef.org/makeyourown/index.php
    So beautiful and wonderful, and a good way to teach kids about math!

    Posted by Angelica on December 2,2010 | 01:58 PM

    I work with persons with disabilities. they are fascinated with the article in the Smithsonian and they are learnig all types of needlework. Are there aptterns for these beautiful pieces of art?

    Posted by Mary Hayes on December 2,2010 | 10:37 AM

    The reef is fantistic but how does one find the method or directions? I bought the magazine thinking it would have the directions, but, no luck ! Oddly enough, there are no reefs of any kind here in Missouri so I have nothing to refer to.

    Posted by evelyn n elliott on December 1,2010 | 04:02 PM

    How do you learn to make the forms? Is there a booklet or a website?

    Posted by theonlysuz on November 28,2010 | 09:24 AM

    Congratulations! This is a great work of art and creativity. I think this exhibition will make people think about the dangers of pollution.
    Keep this great project growing!

    Posted by Zoila on November 22,2010 | 11:14 PM

    Magnificent !!!
    Congratulations and many thanks for reminding us that just like polpys, together we humans CAN DO amazing things. We have more power collectively that we realise.
    Wonderful project. May it keep growing!

    Posted by Tracy Hayllar on November 22,2010 | 08:15 AM

    This is a wonderful project...would like to know if there is a way that such a project could be started within the grade school...my granddaughter has asked and learned to crochet little blankets for her doll house...perhaps this would be a project for her school or faith fellowship...any advice, patterns to use with plastic would be appreciated. thanks, Maralene

    Posted by Maralene on November 19,2010 | 08:32 PM

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