• Smithsonian
    Institution
  • Travel
    With Us
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • History & Archaeology
  • Science
  • Ideas & Innovations
  • Arts & Culture
  • Travel & Food
  • At the Smithsonian
  • Photos
  • Videos
  • Games
  • Shop
  • Art
  • Design
  • Fashion
  • Music & Film
  • Books
  • Art Meets Science
  • Arts & Culture

How Many Stradivariuses Exist and More Questions From Our Readers

Why octopuses use tools, preserving flight plans, famous portraits and more

| | | Reddit | Digg | Stumble | Email |
  • Smithsonian magazine, September 2012, Subscribe
 
$Alt
(Illustration by Peter Oumanski)

Can marine invertebrates, such as octopuses, be induced to use tools? I’ve seen an octopus move an object to barricade itself inside a lair.
Chloe Newcomb
Hodgetts, St. George’s, Bermuda

There’s no consensus on how to define “tool use,” but generally a tool is an object used to manipulate or alter another object. Over more than two decades of observation, we haven’t seen an octopus use an object that way. Moving a shell to use as cover doesn’t qualify because the shell does not alter the object forming the lair.
Alan Peters
Curator, National Zoo

How many instruments did Antonio Stradivari build, and how were they identified or authenticated?
Gisela Randecker
Beatty, Nevada

Stradivari probably built around 1,100 violins, violas and cellos; perhaps 400 to 500 survive, and some are still being played. He added a label bearing his name, his town of Cremona and the year to all his instruments on the inside and visible through the f-hole. Identifying a Stradivarius today may be complicated by the number and nature of repairs made to the instrument since his death, in 1737.
Bruno Frohlich
Anthropologist Museum of Natural History

My family has portraits of distant ancestors William and Elizabeth Gamble Wirt by C.B.J. de St. Mémin. What is their historical significance?
Jonathan Cates
Washington, D.C.

Charles Balthazar Julien Févret de Saint-Mémin (1770-1852) fled the French Revolution in 1793 and lived in the United States for 20 years. He drew almost a thousand chalk portraits using a device called a physiognotrace, which allowed for extra­ordinary accuracy. The Wirt portraits were made in Richmond in 1807, while William Wirt, a lawyer, was helping to prosecute Aaron Burr for treason.
Ellen Miles
Curator of Painting and Sculpture, National Portrait Gallery

How do astronomers determine the ro­tational period of a gas giant such as Jupiter, since the atmospheric bands rotate at different speeds or in different directions?
Tom Welch
Dunwoody, Georgia

They do it with radio telescopes. Like Earth, Jupiter has a stable, dipole magnetic field and a set of radiation belts, similar to Earth’s Van Allen belts. The field and the belts rotate. By measuring changes in emissions from the radiation belts, astronomers deduce the rotation of the magnetic field. And that, they assume, equals Jupiter’s true rotational rate.
Scott Kenyon
Astrophysicist, Harvard-Smithsonian Center for Astrophysics

My father, a Pan Am captain, once got Charles Lindbergh to sign his flight plan. How can I preserve it? Display it?
Robert A. Chamberlain
Wichita, Kansas

Protect it from direct light, heat, humidity, pests, accident or loss by placing it in an acid- and lignin-free archival print folder (and box) or preservation-quality album and store it in a room with a stable climate. It’s always best to frame a good copy, not the original.
Nora Lockshin
Paper Conservator, Smithsonian Institution Archives


Can marine invertebrates, such as octopuses, be induced to use tools? I’ve seen an octopus move an object to barricade itself inside a lair.
Chloe Newcomb
Hodgetts, St. George’s, Bermuda

There’s no consensus on how to define “tool use,” but generally a tool is an object used to manipulate or alter another object. Over more than two decades of observation, we haven’t seen an octopus use an object that way. Moving a shell to use as cover doesn’t qualify because the shell does not alter the object forming the lair.
Alan Peters
Curator, National Zoo

How many instruments did Antonio Stradivari build, and how were they identified or authenticated?
Gisela Randecker
Beatty, Nevada

Stradivari probably built around 1,100 violins, violas and cellos; perhaps 400 to 500 survive, and some are still being played. He added a label bearing his name, his town of Cremona and the year to all his instruments on the inside and visible through the f-hole. Identifying a Stradivarius today may be complicated by the number and nature of repairs made to the instrument since his death, in 1737.
Bruno Frohlich
Anthropologist Museum of Natural History

My family has portraits of distant ancestors William and Elizabeth Gamble Wirt by C.B.J. de St. Mémin. What is their historical significance?
Jonathan Cates
Washington, D.C.

Charles Balthazar Julien Févret de Saint-Mémin (1770-1852) fled the French Revolution in 1793 and lived in the United States for 20 years. He drew almost a thousand chalk portraits using a device called a physiognotrace, which allowed for extra­ordinary accuracy. The Wirt portraits were made in Richmond in 1807, while William Wirt, a lawyer, was helping to prosecute Aaron Burr for treason.
Ellen Miles
Curator of Painting and Sculpture, National Portrait Gallery

How do astronomers determine the ro­tational period of a gas giant such as Jupiter, since the atmospheric bands rotate at different speeds or in different directions?
Tom Welch
Dunwoody, Georgia

They do it with radio telescopes. Like Earth, Jupiter has a stable, dipole magnetic field and a set of radiation belts, similar to Earth’s Van Allen belts. The field and the belts rotate. By measuring changes in emissions from the radiation belts, astronomers deduce the rotation of the magnetic field. And that, they assume, equals Jupiter’s true rotational rate.
Scott Kenyon
Astrophysicist, Harvard-Smithsonian Center for Astrophysics

My father, a Pan Am captain, once got Charles Lindbergh to sign his flight plan. How can I preserve it? Display it?
Robert A. Chamberlain
Wichita, Kansas

Protect it from direct light, heat, humidity, pests, accident or loss by placing it in an acid- and lignin-free archival print folder (and box) or preservation-quality album and store it in a room with a stable climate. It’s always best to frame a good copy, not the original.
Nora Lockshin
Paper Conservator, Smithsonian Institution Archives

    Subscribe now for more of Smithsonian's coverage on history, science and nature.


| | | Reddit | Digg | Stumble | Email |
 

Add New Comment


Name: (required)

Email: (required)

Comment:

Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.

Comments


Advertisement


Ask Smithsonian

Your questions answered by our experts

What Happened to the Wizard of Oz Costumes and More Great Questions From our Readers

Can Animals Decipher Colors and More Questions From Our Readers

How Long Can Turtles Stay Underwater and Other Questions From Our Readers

Most Popular

  • Viewed
  • Emailed
  • Commented
  1. Will the Real Great Gatsby Please Stand Up?
  2. The Revolutionary Effect of the Paperback Book
  3. TKO By Checkmate: Inside the World of Chessboxing
  4. The Story Behind Banksy
  5. Never Underestimate the Power of a Paint Tube
  6. The Real Deal With the Hirshhorn Bubble
  7. A Brief History of Chocolate
  8. The Saddest Movie in the World
  9. When Did Girls Start Wearing Pink?
  10. Before There Was Photoshop, These Photographers Knew How to Manipulate an Image
  1. The Surprising Satisfactions of a Home Funeral
  2. The Story Behind Banksy
  1. Will the Real Great Gatsby Please Stand Up?
  2. When Did Girls Start Wearing Pink?
  3. The Measure of Genius: Michelangelo’s Sistine Chapel at 500
  4. The Story Behind the Peacock Room's Princess

View All Most Popular »

Advertisement

Follow Us

Smithsonian Magazine
@SmithsonianMag
Follow Smithsonian Magazine on Twitter

Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.

In The Magazine

May 2013

  • Patriot Games
  • The Next Revolution
  • Blowing Up The Art World
  • The Body Eclectic
  • Microbe Hunters

View Table of Contents »






First Name
Last Name
Address 1
Address 2
City
State   Zip
Email


Travel with Smithsonian




Smithsonian Store

Stars and Stripes Throw

Our exclusive Stars and Stripes Throw is a three-layer adaption of the 1861 “Stars and Stripes” quilt... $65



View full archiveRecent Issues


  • May 2013


  • Apr 2013


  • Mar 2013

Newsletter

Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

Subscribe Now

About Us

Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

Explore our Brands

  • goSmithsonian.com
  • Smithsonian Air & Space Museum
  • Smithsonian Student Travel
  • Smithsonian Catalogue
  • Smithsonian Journeys
  • Smithsonian Channel
  • About Smithsonian
  • Contact Us
  • Advertising
  • Subscribe
  • RSS
  • Topics
  • Member Services
  • Copyright
  • Site Map
  • Privacy Policy
  • Ad Choices

Smithsonian Institution