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Decorating the White House with Smithsonian Art

Continuing a Washington tradition, the Obamas selected artwork from the Smithsonian collections to hang in their historic home

By Abby Callard
Smithsonian.com, August 04, 2009


Watusi

(Alma Thomas / Hirshhorn Museum and Sculpture Garden)


Watusi (Hard Edge)

Alma Thomas
1963

Acrylic on canvas

Hirshhorn Museum and Sculpture Garden

Alma Thomas, the first African-American woman to have a solo show at the Whitney Museum, was linked to the color-field school that had developed in Washington, D.C. in the 1960s. In Watusi, Thomas is trying to mix together different styles such as Henri Matisse’s cutouts. “She was also interested in the idea that color could generate musical correspondence,” Brougher says. “It was more than creating an abstract painting but trying to create music out of painting.”


The White House Black Like Me 2 The Bow Dancer Putting on Stocking Homage to the Square Elected II Homage to the Square Midday Study for Homage to the Square Nacre Nice Watusi Sky Light Children Dance Flower to Teacher Booker T Washington Legend Folk Family


 
Comments

This isn't just "mixing together" influences including Matisse. It is a direct copy of a Matisse work, just rotated 90 degrees and with the colors switched around:

http://www.flickr.com/photos/strifu/2205522821

This painting is a direct copy (rotated 90 degrees) of Henri Matisse, L'escargot.

The comment that the artist is "trying to mix together different styles such as Henri Matisse’s cutouts" was an understatement!

This "work" if you want to call it "art" does not belong in a national museum!

The artist seems to be a bit of a scam artist rather than someone with real talent.

And just how much did the taxpayers of the United States contribute to this artist for this counterfeit "art"?

Will the Smithsonian be issuing a Correction in the next issue?

What a disgrace.

Regarding these comments about Alma Thomas'"Watusi", I am reminded of the comment attributed to Pablo Picasso that, "the bad artists imitate, the great artists steal." Thomas' work here is a transformation of the Matisse painting. There is power in the decision to reverse colors and to change perspective from "L'escargot,"giving "Watusi" integrity to stand on its own as a distinctive piece.

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