Agatha Christie on the Big and Small Screen

Even though Dame Agatha may not have enjoyed adaptations of her mysteries, audiences have been loving them for decades

  • By Daniel Eagan
  • Smithsonian.com, May 16, 2011
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Love From A Stranger And Then There Were None Witness For The Prosecution Murder She Said Alphabet Murders Murder On the Orient Express
Murder on the Orient Express

(Mary Evans / EMI Films / Ronald Grant / Everett Collection)


Murder on the Orient Express (1974)

Christie was so disappointed by earlier film versions of her books that producer John Brabourne had to enlist the support of his father-in-law—and Christie acquaintance—Lord Louis Mountbatten to obtain the screen rights to this 1934 novel. Brabourne and his partner Richard Goodwin promised a first-class production, and they delivered with one of the most expensive British films of its day. Albert Finney gave an idiosyncratic turn as Hercule Poirot, a portrayal that required body padding, prosthetics for his cheeks and a false nose. Christie still complained: “It was very well made except for one mistake I cannot find in my heart to forgive,” she wrote, referring to his mustache. Among the stellar cast was an Oscar-winning performance by Ingrid Bergman as a Swedish missionary. Director Sidney Lumet took on the project because “I wanted to have fun,” but he added a lustrous style and touches like an intricate opening montage of a kidnapping that had been missing from previous Christie films. “Network would never have been as good as it was if I hadn’t done Murder on the Orient Express,” he admitted. Queen Elizabeth, a huge Christie fan, attended the film’s première. A post-screening party for Christie at the luxury hotel Claridge’s proved to be the author’s last major public event. Brabourne and Goodwin would produce two more all-star mysteries with Peter Ustinov as Poirot.

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Comments (10)

David Suchet is the best Poirot. I especially enjoyed his tour of the current Orient Express, followed by 'Murder on the Orient Express'. Although his supporting cast was good, it's a shame that he couldn't have had the cast Albert Finney had. As for Miss Marple, Jean Hickson is the best. She exactly fit my image of Miss Marple from the books.

I thought Peter U. was a wonderful Poirot, until I witnessed the work of David Suchet in the role! He has the character down pat. The 2010 Murder on the Orient Express, was staggering in the emotion Suchet was able to render as Poirot!
After seeing it, I re-read the book, and Suchet (along with the production crew) absolutely hit it on the head!

I have every book, audiotape, and video available of Agatha Christie's output. I never get tired of reading/hearing/seeing them again and again. Margaret Rutherford's Miss Marple may be a travesty of the original, but she sure is fun to watch. David Suchet IS Poirot!

David Suchet is perfect.

My all time favorite is Peter Ustinov as Poirot. I also enjoy David Suchet in that version, but dismissed Albert Finney from one of my favorite sleuths. He just doesn't cut it. But watch and read all of Agatha Christie. I may be journeying to her seaside town Of Torquay in 2012 can't wait!!

David Suchet is the absolute best Poirot. Think I may have watched every one of the shows.

"Judge" Wilfrid Roberts? Didn't Laughton play a counsel for the defense? He would have been a barrister, not a judge. Unless "Judge" was a nickname, or an honorific used to recognize a former judgeship. It has been a time since I've seen the film, but I'm sure Laughton was at the bar, not on the bench.

Haven't seen this yet- looking forward to it!

Dame Agatha seemed to have been a bit of a prissy pringle. THe mustache gave Mr. Finney a bit of dash. It is one of my favorite Christie movies and perhaps on one of my top ten lists for composition. It is a great movie to watch and enjoy.
I wish I could do interiors like Mr. Lumet.

I love Agatha Christie. We watch her stories on PBS when they are available. After reading this, I want to look into more of the Dame's works.



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