• Smithsonian
    Institution
  • Smithsonian
    Journeys
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos
  • Videos
  • Games & Puzzles
  • Blogs
  • Shop
  • Arts & Culture

Arresting Faces

A new book argues the case for the mugshot as art

  • By Katy June-Friesen
  • Smithsonian magazine, January 2007, Subscribe
View More Photos »
Photo by Mark Michaelson of a thief described as a psycho One of the 10,000 mugs collected by Mark Michaelson is that of a thief, described in a 1950s police record as a "psycho" who'd escaped a correctional facility, "but they don't want him."

Mark Michaelson

 
Tweet

Article Tools

 
  • Comments (1)
  • Font
  • Email
  • RSS
  • Print
  • Related Topics

    Book Reviews

    Photo Gallery

    Photo by Mark Michaelson of a thief described as a psycho

    Arresting Faces

    Explore more photos from the story

    Related Books

    Least Wanted: A Century of American Mugshots

    by Mark Michaelson (Editor)
    Steidl, Gerhard Druckerei und Verlag, October 2006

    The faces are "right out of central casting," says Mark Michaelson. For a decade, the graphic designer collected old mug shots—he got them from a retired cop in Scranton, Pennsylvania, from a file cabinet bought at a Georgia auction and stuffed with pictures, and from eBay—until he had tens of thousands. All of them might have remained the personal collection of this self-described pack rat. But with the growing popularity of vernacular, or found, photographs, Michaelson's trove suddenly had wider appeal. This past fall, he exhibited the mug shots in a New York City gallery and published them in a book slicker than an L.A. loan shark.

    Michaelson, who has worked at Newsweek, Radar and other magazines, got interested in underworld imagery after a friend gave him a Wanted poster of Patty Hearst. For his collection, however, he avoided famous people and notorious criminals in favor of what he calls "the small-timers, the least wanted." His book is even called Least Wanted: A Century of American Mugshots. It is a sort of accidental tour of the crooked, down and out or unlucky. But because Michaelson, 51, knows little or nothing about most of the subjects, readers have to supply the backstory. "I don't have any more info than what the viewer gets," Michaelson says in a telephone interview from Berlin, where he now lives.

    Why, exactly, were the pair of Fresno cross-dressers—clad like modest housewives—arrested on successive Tuesdays in 1963? What sort of upbringing, if that's the word, befell a Pennsylvania boy known as Mouse, who was arrested in the 1940s at ages 13, 14 and 18? We can only wonder. If the pictures are short on detail, they still add up to a vivid, impressionistic archive of American metamorphosis: bowler hats and beehives; Depression-era vagrancy and a 1970s narcotics bust; the arrival of Irish, German and Italian immigrants; the first wave of anti-Communism, in the 1930s, with the accused Communists' mugs mounted on pink cards; and the racism, as in the description of a Missouri man (a "close mouthed Negro who is probably committing burglaries"), who was arrested in 1938 for stealing "several pairs of stockings."

    The New York Times called the pictures "a catalog of the human face and the things that can happen to it." But Michaelson is interested in the photographs as pop artworks, too, à la Andy Warhol. To that end, he has blown some of them up to poster size, stamped them with a number and signed his name. A gallery in Rome was scheduled to exhibit those works this past month.

    He has also posted a portion of his collection on the photo-sharing Web site Flickr.com, where people discuss and rate photographs. Responding to a shot of a thin-faced, exhausted-looking Minneapolis woman arrested in 1963, one commentator wrote, "She looks [like] a mean one, doesn't she?" Another said, "That's some serious Minnesotan crossbreeding." And another: "We can tell by her lack of make-up, oral hygiene and feminine charms that it most likely wasn't hooking." Reading the comments, one gets the feeling that Michaelson's mug shots encourage a kind of voyeurism, which doesn't always bring out the best in people.

    But we are drawn to the photographs by their undeniable authenticity. In this day of flickering instantaneous images and photo-manipulation software, the mugs stare back as rare artifacts. "In an increasingly digital world," Michaelson notes in the book, "the hard copy original is an endangered species." Yet there's something else. The Least Wanted images intrigue us in the way a collection of old passport photos might not. A mug shot captures people at their lowest or most vulnerable. We look hard at their faces, calculating guilt or innocence. And then look harder.


    The faces are "right out of central casting," says Mark Michaelson. For a decade, the graphic designer collected old mug shots—he got them from a retired cop in Scranton, Pennsylvania, from a file cabinet bought at a Georgia auction and stuffed with pictures, and from eBay—until he had tens of thousands. All of them might have remained the personal collection of this self-described pack rat. But with the growing popularity of vernacular, or found, photographs, Michaelson's trove suddenly had wider appeal. This past fall, he exhibited the mug shots in a New York City gallery and published them in a book slicker than an L.A. loan shark.

    Michaelson, who has worked at Newsweek, Radar and other magazines, got interested in underworld imagery after a friend gave him a Wanted poster of Patty Hearst. For his collection, however, he avoided famous people and notorious criminals in favor of what he calls "the small-timers, the least wanted." His book is even called Least Wanted: A Century of American Mugshots. It is a sort of accidental tour of the crooked, down and out or unlucky. But because Michaelson, 51, knows little or nothing about most of the subjects, readers have to supply the backstory. "I don't have any more info than what the viewer gets," Michaelson says in a telephone interview from Berlin, where he now lives.

    Why, exactly, were the pair of Fresno cross-dressers—clad like modest housewives—arrested on successive Tuesdays in 1963? What sort of upbringing, if that's the word, befell a Pennsylvania boy known as Mouse, who was arrested in the 1940s at ages 13, 14 and 18? We can only wonder. If the pictures are short on detail, they still add up to a vivid, impressionistic archive of American metamorphosis: bowler hats and beehives; Depression-era vagrancy and a 1970s narcotics bust; the arrival of Irish, German and Italian immigrants; the first wave of anti-Communism, in the 1930s, with the accused Communists' mugs mounted on pink cards; and the racism, as in the description of a Missouri man (a "close mouthed Negro who is probably committing burglaries"), who was arrested in 1938 for stealing "several pairs of stockings."

    The New York Times called the pictures "a catalog of the human face and the things that can happen to it." But Michaelson is interested in the photographs as pop artworks, too, à la Andy Warhol. To that end, he has blown some of them up to poster size, stamped them with a number and signed his name. A gallery in Rome was scheduled to exhibit those works this past month.

    He has also posted a portion of his collection on the photo-sharing Web site Flickr.com, where people discuss and rate photographs. Responding to a shot of a thin-faced, exhausted-looking Minneapolis woman arrested in 1963, one commentator wrote, "She looks [like] a mean one, doesn't she?" Another said, "That's some serious Minnesotan crossbreeding." And another: "We can tell by her lack of make-up, oral hygiene and feminine charms that it most likely wasn't hooking." Reading the comments, one gets the feeling that Michaelson's mug shots encourage a kind of voyeurism, which doesn't always bring out the best in people.

    But we are drawn to the photographs by their undeniable authenticity. In this day of flickering instantaneous images and photo-manipulation software, the mugs stare back as rare artifacts. "In an increasingly digital world," Michaelson notes in the book, "the hard copy original is an endangered species." Yet there's something else. The Least Wanted images intrigue us in the way a collection of old passport photos might not. A mug shot captures people at their lowest or most vulnerable. We look hard at their faces, calculating guilt or innocence. And then look harder.

        Subscribe now for more of Smithsonian's coverage on history, science and nature.


    Related topics: Book Reviews


    Tweet Digg


     
    Comments (1)

    What was the name of the 'psycho thief' they didn't want? he's the picture at the top of the page. He interested me, and I'd love to know more about him.

    Posted by Mari on August 15,2010 | 11:02 PM

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:

    Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.



    Advertisement


    Popular Videos

    • Newest
    • Most Viewed

    Bringing Back the Olympia Oysters

    (2:26)

    Borderlands: Wu Man and Master Musicians from the Silk Route

    (05:27)

    Rosanne Cash Sings "Blue Moon With Heartache"

    (05:23)

    Rosanne Cash Sings "September When it Comes"

    (04:32)

    View All Newest Videos »

    The History of English in 10 Minutes

    (11:34)

    What Did the Rebel Yell Sound Like?

    (4:22)

    The Lost Map of the Hindenburg

    (02:57)

    Five Common Historical Misconceptions Explained

    (03:58)

    View All Videos »

    Most Popular

    • Viewed
    • Emailed
    • Commented
    • Topics
    1. Where Did the Taco Come From?
    2. Chickens Dressed Like Napoleon, Einstein and Other Historical Figures
    3. Matt Groening Reveals the Location of the Real Springfield
    4. A Tasting Tour of Salts Around the World
    5. Kelly Slater, the Chairman of the Board
    6. Found: Letters from the Hindenburg
    7. When Did Girls Start Wearing Pink?
    8. The Top 10 Books Lost to Time
    9. Van Gogh's Night Visions
    10. Best. Gumbo. Ever.
    1. Where Did the Taco Come From?
    2. A Tasting Tour of Salts Around the World
    3. Best. Gumbo. Ever.
    4. Creole Gumbo Recipe From Mrs. Elie
    5. Kelly Slater, the Chairman of the Board
    6. Matt Groening Reveals the Location of the Real Springfield
    7. Rosanne Cash and the Many Meanings of Love
    8. Intelligent Designer
    9. Chickens Dressed Like Napoleon, Einstein and Other Historical Figures
    10. Turn on, Log in, Wise up
    1. Where Did the Taco Come From?
    2. Best. Gumbo. Ever.
    3. An Eye for Genius: The Collections of Gertrude and Leo Stein
    4. Creole Gumbo Recipe From Mrs. Elie
    5. Making Beautiful Art out of Beach Plastic
    6. A Tasting Tour of Salts Around the World
    7. Black Like Me, 50 Years Later
    8. The Nature of Glass
    9. Matt Groening Reveals the Location of the Real Springfield

    View All Most Popular »

    Advertisement

    Follow Us

    Smithsonian Magazine
    @SmithsonianMag
    Follow Smithsonian Magazine on Twitter

    Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.


    In The Magazine

    June 2012

    • How the Chicken Conquered the World
    • The Chicken and the Egg
    • The Perfect Egg
    • The Unified Theory of Gumbo
    • Mrs. Elie's Creole Gumbo

    View Table of Contents »






    First Name
    Last Name
    Address 1
    Address 2
    City
    State   Zip
    Email



    Smithsonian Store

    Hope Diamond Collector Barbie

    Collect this glamorous limited edition Hope Diamond Collector Barbie, plus free book... $89.95

    Smithsonian Journeys

    In the Wake of Lewis & Clark: A Voyage Along the Columbia and Snake Rivers Aboard the National Geographic Sea Bird

    Retrace the western route of Lewis and Clark and discover the Pacific Northwest’s serene landscapes and culinary delights (Oct 9 - 15, 2012)



    View full archiveRecent Issues


    • Jun 2012


    • May 2012


    • Apr 2012

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Student Travel
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • About Smithsonian
    • Contact Us
    • Advertising
    • Subscribe
    • RSS
    • Topics
    • Member Services
    • Copyright
    • Site Map
    • Privacy Policy
    • Ad Choices

    Smithsonian Institution